Surakarta's old museum seeks a fresh look

Surakarta's old museum seeks a fresh look

Bambang M, Contributor, Surakarta, Central Java

On a dull morning, with little else to do in Surakarta, a family
explored the colonial-style Museum Radya Pustaka on Jl. Slamet
Riyadi. There was no guide available to assist them, nor were the
exhibits, such as an organ, ceramic pieces, stone statues, a
gamelan and weaponry, adequately lit.

Twenty minutes of traipsing around the 533-square museum was
enough for the family from Jakarta, who had, after all,"just
dropped by after attending a wedding reception." They took some
photographs of the artifacts, mostly from the ancient Surakarta
palace, and left.

In fact the historical significance of the museum, which was
built in the 1800s, seems to have been ignored. No wonder, there
is no electric lighting and the atmosphere is one of creeping
silence. Hardly, elements that would encourage children to visit.

One room, where a figurehead or canthik called Kiai Rojomolo
is displayed is almost entirely dark.

Everything is shabby, the collection of leather puppets in
the front room is in disorder, the pages of thousands of old
manuscripts of prominent Javanese scholars, like Ronggowarsito
and Yosodipuro, are yellowing. In fact these manuscripts, along
with the other exhibits, are important keys in understanding the
mysteries of Javanese culture.

But no additional information on the exhibits is provided.
While it is true that a picture speaks a thousand words, museum
head KRH Darmodipuro's explanation that, "We thought they (the
exhibits) were enough," falls short of impressive.

In 1990, the building was renovated at a cost of Rp 50 million
(US$5,900). The museum is not owned by the government, but by a
foundation called Paheman Radya Pustaka. Surakarta's Agency of
Tourism, Arts and Culture of Surakarta donated Rp 100 million to
the museum in 2002. But in 2003, they donated only Rp 40 million.

Several institutions like Museum Ronggowarsito in Semarang,
The Archeology Agency of Central Java, and the Agency of Tourism,
Arts and Culture of Surakarta, have also helped by paying the
salaries of some employees of the museum.

Museum guide, Ambar, said that certain significant pieces in
the museum, such as bronze statues, were kept under lock-and-key.

"This is one of the complaints of visitors, especially
foreigners," she said. The relung rambut Buddha (large bronze
head of Buddha literally called amid the hair of Buddha) and
Avalokitesvara statue are among those pieces rarely on public
display.

Experts believe that the Relung rambut Buddha, which was found
in Gantiwarno, Klaten, Central Java, was the head of a four-meter
tall statue of a seated Buddha, originally from the Sewu Temple
in Prambanan.

The Avalokitesvara statue, according to Padmopuspita J. in the
book Nawa Windu -- which was published to observe the 72nd
anniversary of Museum Radya Pustaka -- was the visualization of
the magic light of Dhyani Budha Amitabha. Standing at around 32
centimeters, the statue is of a man in a seated position, with
three sets of arms. Parts of the statue are silver or gold
plated.

But despite the obvious worth of the exhibits, Darmodipuro
said that, "We don't have any special employee to watch the
room."

The museum also houses microfilm of thousands of ancient
Javanese manuscripts, the documentation of Nancy Florida, an
American citizen who steeped herself in ancient Javanese
literature in the 1980s.
The microfilm and the projector are kept in a cupboard in
Darmodipuro's office. The microfilm has been badly damaged as the
room is damp and not air conditioned.

"What can we do? We don't have enough money to equip our rooms
with air conditioners," Darmodipuro said.

Due to poor security, thieves have broken into the museum on
more than one occasion. A statue called Argastya and several
ancient manuscripts were stolen in 2000.

According to museum employee Sri Rahayu, a book, believed to
be the oldest one in the country, was also stolen from the
museum. It is titled Kakawin Bharatayudha and was written by Empu
Sedah in Javanese in 1157.

The oft-cited excuse for the museum's appalling state is lack
of money. Despite donations, the museum is running at a loss. The
monthly income from the entrance fee, which is Rp 1,000 per
person, is only Rp 500,000. Darmodipuro said he had asked wealthy
people in Surakarta to help out, but to no avail.

Even the Surakarta administration seems to be half-hearted in
its efforts to save the musuem.

"We have our own interest in maintaining this cultural asset,
so we help with operational costs," said Ibnu Haryadi, head of
the Supervision and Development of Art and Cultural Assets
sub-agency under the Agency of Tourism, Arts and Culture of
Surakarta.

"To manage a museum professionally, the ownership must be
clear," Ibnu added, suggesting that the government would manage
the museum better.

Darmodipuro agreed but lamented that then-minister of
education and culture, Fuad Hassan, had rejected the idea.

"Would it be any better if the museum was managed by the
government?" he quoted the then-minister as saying.

The history of the museum began with the establishment of an
institute, called Paheman Radya Pustaka on Oct. 28, 1890, by KRA
Sosrodingrat IV, a patih (minister) of Kasunanan Surakarta Palace
during the administration of Paku Buwono IX.

The institute was set up to develop Javanese culture through
the preservation of manuscripts and various other historical
items. Paheman Radya Pustaka literally means a collection of
books of the palace. The institute also published Javanese
magazines called Sasadara and Tjandrakanta.

As time went by, the museum boasted more and more exhibits.
Most of them were from the palace and KRA Sosrodingrat IV or were
donated by other people. Paheman Radya Pustaka is believed to be
the oldest institute of science established by Indonesians. One
of its contributions was to regulate the written Javanese
language in a publication called Sri Wedari (to spelling) in
1922.

On Jan. 1, 1913, Paheman Radya Pustaka moved from Ndalem
Kepatihan to Lodji Kadipolo (the current location of the museum).
Lodji Kadipolo formerly belonged to a Dutch man, Johannes
Busselaar. Sunan Pakubuwono X purchased the land for 65,000
Netherlands guilder and gave it to Paheman Radya Pustaka. In
1953, the institute became the foundation that manages the museum
at present.

With such a history, the museum should be managed
professionally regardless of its ownership. Concrete action to
preserve the musuem and the country's cultural heritage for the
next generation not be delayed.