{
    "success": true,
    "data": {
        "id": 1481497,
        "msgid": "surakartas-old-museum-seeks-a-fresh-look-1447893297",
        "date": "2004-01-31 00:00:00",
        "title": "Surakarta's old museum seeks a fresh look",
        "author": null,
        "source": "JP",
        "tags": null,
        "topic": null,
        "summary": "Surakarta's old museum seeks a fresh look Bambang M, Contributor, Surakarta, Central Java On a dull morning, with little else to do in Surakarta, a family explored the colonial-style Museum Radya Pustaka on Jl. Slamet Riyadi. There was no guide available to assist them, nor were the exhibits, such as an organ, ceramic pieces, stone statues, a gamelan and weaponry, adequately lit.",
        "content": "<p>Surakarta's old museum seeks a fresh look<\/p>\n<p>Bambang M, Contributor, Surakarta, Central Java<\/p>\n<p>On a dull morning, with little else to do in Surakarta, a family<br>\nexplored the colonial-style Museum Radya Pustaka on Jl. Slamet<br>\nRiyadi. There was no guide available to assist them, nor were the<br>\nexhibits, such as an organ, ceramic pieces, stone statues, a<br>\ngamelan and weaponry, adequately lit.<\/p>\n<p>Twenty minutes of traipsing around the 533-square museum was<br>\nenough for the family from Jakarta, who had, after all,\"just<br>\ndropped by after attending a wedding reception.\" They took some<br>\nphotographs of the artifacts, mostly from the ancient Surakarta<br>\npalace, and left.<\/p>\n<p>In fact the historical significance of the museum, which was<br>\nbuilt in the 1800s, seems to have been ignored. No wonder, there<br>\nis no electric lighting and the atmosphere is one of creeping<br>\nsilence. Hardly, elements that would encourage children to visit.<\/p>\n<p>One room, where a figurehead or canthik called Kiai Rojomolo<br>\nis displayed is almost entirely dark.<\/p>\n<p>Everything is shabby, the collection of leather puppets in<br>\nthe front room is in disorder, the pages of thousands of old<br>\nmanuscripts of prominent Javanese scholars, like Ronggowarsito<br>\nand Yosodipuro, are yellowing. In fact these manuscripts, along<br>\nwith the other exhibits, are important keys in understanding the<br>\nmysteries of Javanese culture.<\/p>\n<p>But no additional information on the exhibits is provided.<br>\nWhile it is true that a picture speaks a thousand words, museum<br>\nhead KRH Darmodipuro's explanation that, \"We thought they (the<br>\nexhibits) were enough,\" falls short of impressive.<\/p>\n<p>In 1990, the building was renovated at a cost of Rp 50 million<br>\n(US$5,900). The museum is not owned by the government, but by a<br>\nfoundation called Paheman Radya Pustaka. Surakarta's Agency of<br>\nTourism, Arts and Culture of Surakarta donated Rp 100 million to<br>\nthe museum in 2002. But in 2003, they donated only Rp 40 million.<\/p>\n<p>Several institutions like Museum Ronggowarsito in Semarang,<br>\nThe Archeology Agency of Central Java, and the Agency of Tourism,<br>\nArts and Culture of Surakarta, have also helped by paying the<br>\nsalaries of some employees of the museum.<\/p>\n<p>Museum guide, Ambar, said that certain significant pieces in<br>\nthe museum, such as bronze statues, were kept under lock-and-key.<\/p>\n<p>\"This is one of the complaints of visitors, especially<br>\nforeigners,\" she said. The relung rambut Buddha (large bronze<br>\nhead of Buddha literally called amid the hair of Buddha) and<br>\nAvalokitesvara statue are among those pieces rarely on public<br>\ndisplay.<\/p>\n<p>Experts believe that the Relung rambut Buddha, which was found<br>\nin Gantiwarno, Klaten, Central Java, was the head of a four-meter<br>\ntall statue of a seated Buddha, originally from the Sewu Temple<br>\nin Prambanan.<\/p>\n<p>The Avalokitesvara statue, according to Padmopuspita J. in the<br>\nbook Nawa Windu -- which was published to observe the 72nd<br>\nanniversary of Museum Radya Pustaka -- was the visualization of<br>\nthe magic light of Dhyani Budha Amitabha. Standing at around 32<br>\ncentimeters, the statue is of a man in a seated position, with<br>\nthree sets of arms. Parts of the statue are silver or gold<br>\nplated.<\/p>\n<p>But despite the obvious worth of the exhibits, Darmodipuro<br>\nsaid that, \"We don't have any special employee to watch the<br>\nroom.\"<\/p>\n<p>The museum also houses microfilm of thousands of ancient<br>\nJavanese manuscripts, the documentation of Nancy Florida, an<br>\nAmerican citizen who steeped herself in ancient Javanese<br>\nliterature in the 1980s.<br>\n  The microfilm and the projector are kept in a cupboard in<br>\nDarmodipuro's office. The microfilm has been badly damaged as the<br>\nroom is damp and not air conditioned.<\/p>\n<p>\"What can we do? We don't have enough money to equip our rooms<br>\nwith air conditioners,\" Darmodipuro said.<\/p>\n<p>Due to poor security, thieves have broken into the museum on<br>\nmore than one occasion.  A statue called Argastya and several<br>\nancient manuscripts were stolen in 2000.<\/p>\n<p>According to museum employee Sri Rahayu, a book, believed to<br>\nbe the oldest one in the country, was also stolen from the<br>\nmuseum. It is titled Kakawin Bharatayudha and was written by Empu<br>\nSedah in Javanese in 1157.<\/p>\n<p>The oft-cited excuse for the museum's appalling state is lack<br>\nof money. Despite donations, the museum is running at a loss. The<br>\nmonthly income from the entrance fee, which is Rp 1,000 per<br>\nperson, is only Rp 500,000. Darmodipuro said he had asked wealthy<br>\npeople in Surakarta to help out, but to no avail.<\/p>\n<p>Even the Surakarta administration seems to be half-hearted in<br>\nits efforts to save the musuem.<\/p>\n<p>\"We have our own interest in maintaining this cultural asset,<br>\nso we help with operational costs,\" said Ibnu Haryadi, head of<br>\nthe Supervision and Development of Art and Cultural Assets<br>\nsub-agency under the Agency of Tourism, Arts and Culture of<br>\nSurakarta.<\/p>\n<p>\"To manage a museum professionally, the ownership must be<br>\nclear,\" Ibnu added, suggesting that the government would manage<br>\nthe museum better.<\/p>\n<p>Darmodipuro agreed but lamented that then-minister of<br>\neducation and culture, Fuad Hassan, had rejected the idea.<\/p>\n<p>\"Would it be any better if the museum was managed by the<br>\ngovernment?\" he quoted the then-minister as saying.<\/p>\n<p>The history of the museum began with the establishment of an<br>\ninstitute, called Paheman Radya Pustaka on Oct. 28, 1890, by KRA<br>\nSosrodingrat IV, a patih (minister) of Kasunanan Surakarta Palace<br>\nduring the administration of Paku Buwono IX.<\/p>\n<p>The institute was set up to develop Javanese culture through<br>\nthe preservation of manuscripts and various other historical<br>\nitems. Paheman Radya Pustaka literally means a collection of<br>\nbooks of the palace. The institute also published Javanese<br>\nmagazines called Sasadara and Tjandrakanta.<\/p>\n<p>As time went by, the museum boasted more and more exhibits.<br>\nMost of them were from the palace and KRA Sosrodingrat IV or were<br>\ndonated by other people. Paheman Radya Pustaka is believed to be<br>\nthe oldest institute of science established by Indonesians. One<br>\nof its contributions was to regulate the written Javanese<br>\nlanguage in a publication called Sri Wedari (to spelling) in<br>\n1922.<\/p>\n<p>On Jan. 1, 1913, Paheman Radya Pustaka moved from Ndalem<br>\nKepatihan to Lodji Kadipolo (the current location of the museum).<br>\nLodji Kadipolo formerly belonged to a Dutch man, Johannes<br>\nBusselaar. Sunan Pakubuwono X purchased the land for 65,000<br>\nNetherlands guilder and gave it to Paheman Radya Pustaka. In<br>\n1953, the institute became the foundation that manages the museum<br>\nat present.<\/p>\n<p>With such a history, the museum should be managed<br>\nprofessionally regardless of its ownership. Concrete action to<br>\npreserve the musuem and the country's cultural heritage for the<br>\nnext generation not be delayed.<\/p>",
        "url": "https:\/\/jawawa.id\/newsitem\/surakartas-old-museum-seeks-a-fresh-look-1447893297",
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    "sponsor": "Okusi Associates",
    "sponsor_url": "https:\/\/okusiassociates.com"
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