Semsar's dream stays alive, despite his death
Semsar's dream stays alive, despite his death
Wahyoe Boediwardhana, The Jakarta Post, Tabanan/Bali
Indonesia is mourning the passing of yet another prominent
artist. Semsar Siahaan, a socialist-realist painter, passed away
early on Wednesday at the Tabanan Hospital. He was 52.
Semsar succumbed to a heart attack only a day after being
admitted to the hospital. His body, which was later adorned with
Balinese traditional costume, was flown to Jakarta by his family.
Semsar was admitted to the hospital on Monday by his close
friend Mahen Icha after the painter complained about sharp pains
in his chest and passed out.
"We were looking at the work on his property at Kesambi
village in Penebel, Tabanan. Suddenly, he complained of chest
pain and fainted. We then took him to the hospital," said Mahen,
who was Semsar's college mate at the Bandung Institute of
Technology (ITB) in the 1970s.
Upon arrival, said Mahen, Semsar was immediately treated in
the intensive care unit.
Mahen, whose house is adjacent to the artist's, said Semsar
had been building an art studio on his 35-acre plot of land.
"He wanted to establish his own art school after completing
the studio," Mahen added.
Hundreds of friends and artists gathered at the Ismail Marzuki
Arts Center (TIM) late Wednesday. The body will be taken from TIM
on Thursday at 11 a.m. to be buried in Menteng Pulo cemetery in
South Jakarta.
Semsar's siblings from Jakarta, Citara and Sony, arrived in
Bali on Wednesday noon.
"We had no idea what he was suffering from. We hardly see each
other because we live miles apart," said Citara.
Semsar returned to Bali in May last year after spending six
years in Canada and the U.S.
Mahen said that Semsar was depressed following his divorce and
the death of his only son, and later decided to leave the
country.
The death of Semsar, who had his leg broken after being beaten
up by the police during a demonstration against the banning a
Tempo magazine by the Soeharto regime in 1994, was also mourned
by Tempo senior editor Goenawan Mohamad.
"My friends and I at Tempo will never forget what he did for
us. He not only spoke about politics through his works, but also
took part in it," said Goenawan, who was also the Tempo chief
editor when the 1994 demonstration took place.
Renown poet and playwright WS Rendra said idealists like
Semsar "no longer have a place in this world," and that he
admired Semsar as a social and political observer as reflected in
his work.
Mahen recalled Semsar as an anti-establishment artist ever
since he was a student.
Semsar once burnt his lecturer's work in a protest against
mainstream fine arts which he labeled "rigid".