Approaching 500 Years, Jakarta Reinterpreted Through Abstract Art

Artist Sasya Tranggono is presenting a fresh perspective on Jakarta through a solo exhibition titled ‘Menuju Jakarta 500 Tahun di Mata Sasya Tranggono’ at Laflo Menteng, Central Jakarta. The exhibition is part of a series of events leading up to the 500th anniversary of Jakarta in 2027. Sasya is showcasing 12 abstract works inspired by the city’s landscapes, iconic buildings, and historical traces. This theme marks a new chapter in her creative journey, having previously been known for works featuring wayang, flowers, and butterflies. “I have never drawn buildings before. Usually, I draw wayang, flowers, butterflies. Now it is buildings and landscapes. I hope everyone can see there is something new,” Sasya said in Menteng, Central Jakarta, on Saturday. The idea for the exhibition originated from the momentum of Jakarta approaching five centuries of age. Sasya said the impetus to take up this theme came after discussions with architect and sociologist Alwi Sjaaf, Owner of PT Imago Mulia Persada/Laflo, regarding Jakarta’s history and its connection to Batavia. Sasya’s experience of living for eight years in the Netherlands also enriched her viewpoint in interpreting Jakarta as a city shaped by long historical layers. “I lived eight years in the Netherlands. When I went to Kota Tua, I saw it as the centre of Batavia. That is where I found the source of inspiration,” she said. Despite taking up the theme of buildings and city landscapes, Sasya maintains the visual character that has become her hallmark, particularly her play of lines, geometric compositions, and abstract approach. Her educational background in engineering also influences the way she constructs visual structures in her works. All the works in this exhibition were completed in about two and a half months. According to Sasya, the biggest challenge was not painting technique, but rather the time constraints and her desire to present the best work for Jakarta’s historic moment. “The biggest challenge was time. Because I have to present my best,” she said. One of the most meaningful works for Sasya is ‘Generasi Bintang’. The piece was created as a reflection on the importance of preparing the next generation to possess moral values, love for the nation, and respect for parents. “I dedicate it to God and to the children. We must give birth to a new generation that fears God, loves the nation, and respects parents. That is the legacy we must leave behind,” she said. In addition to showcasing art, the exhibition also carries a message about Jakarta’s historical preservation. Alwi Sjaaf believes the Indonesian public still needs to pay more attention to its historical and cultural heritage. According to him, a global city is not only built through modern infrastructure but must also be supported by a strong cultural ecosystem, from museums and performance spaces to vibrant artistic activities within society. “We do not appreciate history enough. Yet everything that exists today is part of our civilisation’s history. A global city must represent its culture,” Alwi said. He cited the low public appreciation for museums and historical sites, despite relatively affordable entrance fees. He therefore hopes that exhibitions like the one held by Sasya can spark public interest in art, history, and culture. A portion of the proceeds from the sale of works will be used for social and educational activities for children in various regions of Indonesia.