Women painters still fail to be recognized

Women painters still fail to be recognized

Ida Indawati Khouw, The Jakarta Post, Jakarta

Ask people to name the greatest Indonesian painters in history
and they will mention Raden Saleh, Affandi or Basoeki Abdullah.

Missing something?

Indeed. They're all men's names and not a single woman
painter's name comes up on the list.

It doesn't mean that Indonesia had no women painters in the
past. The country used to have Emirria Soenasa, a member of the
Ternate royal family in North Maluku, back in the 1940s. She
traveled around Europe with her painting exhibitions.

The emergence of women painters -- namely Roeliyati, Kustiyah,
Maria Tjui and Kartika -- began after the opening of the
Indonesian Academy of Arts (ASRI) in 1950 in Yogyakarta, the
first formal school of arts. But their names have never been
recorded as an important part of the history of painting here.

"It was difficult for great women painters to establish
themselves as they operated under several limitations compared
with their male counterparts. Take this example: What husband
would allow his wife to stay outside the house until late at
night, especially if it were purely for the sake of art?" asked
Merwan Yusuf, curator of the National Gallery, during a recent
discussion on women painters and the problems they face.

The root of the problem, he said, was in the difficulties, due
to social restrictions, that women face in using the privileges
given by society to artists (painters) in the form of total
freedom and individualism.

Merwan said the privileges were in such a form that people
tended to be tolerant when artists had a bohemian way of life, as
when artists had an unconventional appearance or did things that
might be frowned upon by others, such as creating artwork that
displayed nudity.

But the privileges they received were also followed by demands
that their work ought to have individuality and originality, "so
that their work was not like the renovation of historic
buildings," Merwan said.

Societal expectations, such as the common belief that the
primary role of women is to protect, nurture and fulfill the
reproductive function, would influence the work of women
painters. Such a situation has obliged women to be a role model
for their children so that, for example, leading a bohemian way
of life was considered to be undesirable.

The limitation was acknowledged by woman painter Titik
Sunarti, who was also present at the discussion.

"Due to their role as housewives who are expected to do all
the domestic chores, many women painters have little time for
activities such as reading books to broaden their knowledge," she
said.

However, Merwan said it was unfair to put high expectations on
women painters because their presence in the world of painting
was still relatively new.

Even in Europe, before the 20th century, painting was a male-
dominated domain.

But well-known painter Astari Rasjid said now is not the time
to discuss the gender of painters.

"There is no gender when it comes to painting, as the most
important thing is the quality of an artist's work, whether it
touches upon humanity; there are works of women painters that
show this quality.

"I think the most important thing is that you have to do your
best," said Astari, many of whose paintings are about women.

Moreover, she said now is not the time to evaluate works of
art from the perspective of the greatness of the painter.

"It's a megalomaniac way of thinking. There are many unpopular
painters, but their work is so touching."

Regarding critics of women painters, who still see things from
the male point of view, such as the exploration of women's
bodies, Astari said that critics should understand the psychology
behind the paintings.

"When women portray their bodies it is not a mere display of
sensuality as male painters usually show. It's more about
questioning themselves or about things they don't like ... For
instance, one of my paintings questions my role as a Javanese
little girl who always had to smile and look good," she said,
"but those who can't understand the work will say I'm being
narcissistic."