Student art expo shows development of arts institute

Student art expo shows development of arts institute

By Amir Sidharta

JAKARTA (JP): Student works nominated for the Jakarta Art
Institute (Institut Kesenian Jakarta) Art Award, currently on
show at the institute's exhibition hall, reflect the potential of
the art and design department students in developing their
artistic and design concepts.

Unfortunately, however, some designs have not been
sufficiently developed in concept and many of the better designs
have been produced poorly.

The institute has worked hard to develop a proficient applied
arts program and the students' work reflect the advancement of
the school. The exhibit follows the various divisions of the art
and design department and presents many quality works.

Two chaise lounges represent works from the wood studio. The
gentle slope of the chair's surface and the austere curves of the
armrests and base keeps Jimmy W.'s design simple. He maintained a
basic modern design and therefore was able to concentrate on the
production of the piece. Although simple, his work is well
developed.

In contrast, Sri R's chaise lounge looks like the profile of a
semi-reclining figure leaning on its elbow. She used various
materials, including two different kinds of wood. The wood, which
gives rather gratuitous accents to the chair's supporting
members, and a tawdry web of fabric suspended from the frame of
the chair further complicates the design.

Although the organic design is indeed original and elaborate,
its concept lacks clarity. Moreover, the chair seems to be too
small for comfort and is badly produced. More is definitely less
in this student's design. Her imaginative design might have
benefited from simplification.

Bedroom decor

The interior design division of the school focuses on bedroom
decor. M. Marina K.'s borrowed the headdress of Jakarta's Ondel-
ondel mythical couple as the motif for his bed cover. Another bed
room set uses shapes akin to the basic bowed structure of a
palmer.

In both cases the designs are appropriate for the large
surface of a bed cover, but seem contrived and inept on the
cushions and wall hangings. The designs need to be further
adapted to suit the proportions of the cushions.

The students of textile design have begun to draw their
inspiration from Indonesian ethnic groups. One design is derived
from the motifs of the Asmat of Irian Jaya. However, the student
failed to push the exploration of the design to its limits. The
student could have studied the vast variety of individual motifs
and the expressive quality in which the patterns are repeated,
and then presented this pluralistic nature of Asmat design.
Instead the student displayed a monotonous repetition of a single
pattern.

The medium selected, batik, also limits the creativeness of
the designs. Conventional batik fails to allow the designer to
produce motifs with a dynamic, expressive flavor. A modern brush
applied batik technique, which allows the designer to fabricate
looser motifs, would have been more appropriate.

Fun graphics

A wide range of graphic designs, ranging from the formal to
the witty, is presented in the exhibit. The formal graphics for
"Prambanan dine and dance" restaurant have been designed with
conservative elegance. The architectural form of the candi
(temple) has been used for much of the restaurant paraphernalia
except the triangular toothpick holders.

The witty designs include the fun graphics for the Radiator
Cafe. Its motto, "Radiator cafe isn't blind" seems to refer to
the absurd use of English in many Japanese products.

Similarly, the design for the Jail House Cafe present the
piquant idea of using a prison theme for the cafe's eating
utensils. The cafe utilizes the aluminum plates, bowls, and mugs
commonly found in prisons. The bill holder, in the form of a
prison building, might be going overboard, but is nonetheless
consistent with the theme. However, the conventional glasses
instead of aluminum cups is an awkward anomaly.

The witty poster for a United Colors of Benetton ad, using an
image of a becak (pedicab) isn't original or communicative, but
its simple and refined execution is certainly indicative of the
student's artistic skills.

Visually exciting simple designs for three bags in the exhibit
reflect the school's commendable progress. The letter "M", the
initial of the shop the bag has been designed for, occupies the
majority of the space, while the negative spaces are transformed
into pencil ends. The dynamic design for "Jam basketball stuff"
is appropriately rendered using pastels and suggests movement.
The design for Picasso is well produced although it does not use
Picassoesque forms, but rather patterns derived from Sotsass's
Memphis.

Fine Arts

Painting, graphic arts and sculpture represent the fine arts
element of the school's division of art and design. As in the
applied arts, mastery of the medium in the fine arts also
facilitates the effectiveness of the work.

The graphic arts division of the department presents a number
of etchings juxtaposed with large paintings ranging from realism
to social expressionism. The graphic art studio's image is much
more intimate and personal.

"Kiln", a black and white aquatint etching by Aswam Samudra,
quietly evokes the mood of a rudimentary space, perhaps the
studio of the artist, by the arrangement of the simple forms in
the picture. The student's familiarity with the medium and the
techniques of printmaking has enabled him to produce a simple,
yet communicative, work of art.

The figure in Budi GS's color etching stands in a feeble
contraposto. Curvilinear strokes, suggestive of spirals swirling
around the body, create a lissome nuance of movement within the
image. The static poise of the figure combined with the dynamic
flow of the spiral suggests a moment of transition, the
commencement of movement. The celebratory spirit of the etching
is further enhanced by forms indicative of red roses and its
yellow border. Here, the experimental savor of the print
strengthens its significance.

Sculpture, another category of fine art presented in the
exhibit, is represented by Julia Pribadi's work. Her two pieces,
Masquerade and Arrogance, shows the strong influence of her
instructor, sculptor Dolorosa Sinaga, both in terms of form,
composition and quality of production. Despite the student's use
of her mentor's idioms, the refined execution of the pieces
indicate her talent and prospects. Focusing on mastering the
techniques of sculpture will allow her to develop her own
personal artistic style in the future.

Good opportunity

The Jakarta Art Institute exhibition is a good opportunity for
the school to acknowledge the accomplishments of their students,
while presenting itself as an eminent art school. It offers the
students an excellent opportunity to establish their professional
network, while at the same time allowing the art and design
related industries to contact prospective employees to support
their trade in the future. Because this event will benefit to
those industries in the long run, the organizers should try to
obtain greater support from the art and design profession.

The student works will be on show at the institute's
exhibition hall, behind the Taman Ismail Marzuki Art Center, Jl.
Cikini Raya 73, Central Jakarta, until Saturday, Aug. 27, 1994.