Shaggy live at Senayan: Heats up, treats Jakarta reggae lovers
Shaggy live at Senayan: Heats up, treats Jakarta reggae lovers
Joseph Mangga, Contributor, Jakarta
Jakarta's pop music fans were treated last Tuesday night to a
two-hour high-energy performance by Jamaican-American reggae
singer Shaggy at the Senayan Indoor Tennis Courts.
Accompanied by rap vocalist Rik Rok, and his silky-voiced
backup crooner, Rayvon, Shaggy arrived just a week after his
high-profile appearance in Singapore as the emcee for the MTV
Asian Music Awards on Jan. 23.
Interestingly, Star Mild and Original Productions, the main
sponsors of the Shaggy event, also hosted this month's concerts
by Taiwan's boyband F4 and Suede, two acts that also performed
live at the MTV Asian award ceremonies.
At a news conference held on Monday at the Jakarta Hilton
Executive Club, Shaggy confided that his emcee assignment for MTV
was a much harder job than playing live music. Apparently there
was a lot of scripted dialog, and Shaggy -- who immigrated with
his parents to the U.S. from Jamaica when he was a dirt-poor
teenager of 18 -- unfortunately "never learned to read too good".
When asked why he joined the U.S. Marines at age 19, he
replied, "just to get enough money for food and rent".
As an undereducated and unskilled immigrant, Shaggy was
unceremoniously dumped in the rough and tough slums of Flatbush,
New York, and he saw the military as "a quick and easy way to get
his Caribbean virgin black ass out of the gang-bang'in Brooklyn
ghettos".
Just to give you some idea of Shaggy's motivation, I have a
friend of mine from New Zealand here in Jakarta who once got off
at the wrong New York subway station in a similar neighborhood,
while on his way to a baseball game at Yankee Stadium.
A policeman came up to him immediately and said, "Man, you
must be one super mean or crazy mutha, because you are the only
white person I've seen get off at this station in nearly two
years!"
Shaggy later complained about further bad luck in the Marines,
when -- just two years later -- he found himself driving a jeep
around the Saudi Arabian and Iraqi deserts while fighting in the
midst of the Gulf War.
"Lots of people were in the U.S. military for 20 years and
never had a war. I only sign up for four years, and I get one,"
he said.
After returning from the Gulf, his subsequent rags-to-riches
musical career, and rise to global superstardom, reads like some
classic American success story dreamt up by an overimaginative
Hollywood screenwriter.
A totally chance meeting with reggae pop artist Sting, who
liked the singer's unique deep gravelly voice, led to the
recording of Mampie in 1993; a song that became Shaggy's first
hit single.
This was followed by the release of his debut album, Pure
Pleasure, and the life of the poor skinny black kid from
Kingston, Jamaica has been lined with solid gold and platinum
records ever since.
Just check out this list of awards and accomplishments: a
Grammy award for Best Reggae Album (Boombastic, 1996); Billboard
award for Best Male Artist and Male Album (Hotshot, 2001); the
2001 World Music awards for Best-Selling R&B Artist, Pop Male
Artist, American Male Artist and overall Male Artist; four
massive hit singles that hit number one in nearly every country
in the world (Oh Carolina, Boombastic, It Wasn't Me and Angel);
and over six million singles and 15 million albums sold
worldwide. And with the release of his latest album Lucky Day,
this dude is nowhere close to being finished yet.
The kind of music Shaggy plays is kind of hard to pigeonhole
because his stuff unites various elements of pop, rap, hip-hop,
R&B and soul, as well as his beloved reggae.
During his news conference, Shaggy explained that his music
was a far cry from traditional Jamaican reggae, and that "reggae
fusion" is the term that probably best describes his complete 10-
year back catalog.
On the night of the Jakarta concert, the show started an hour
late as Shaggy strolled up to the microphone at 9 p.m. and
whispered, "Are there any ladies in the house tonight?" Even
though the star does not like discussing the details of his
military career, he was proudly displaying his marine dog tags,
now plated gold and studded with diamonds, dangling low beside
his crotch from a thick, solid gold necklace.
Shaggy, and his six black man and one white woman backup
posse, then proceeded to prance and shake all over the stage
while belting out a couple of finger-snapping hip-hop numbers,
followed by a very low key and sort of disappointing rendition of
Boombastic.
Shaggy then announced that it was "time to lock up the
children because we're all gonna get crazy!", as he pounced into
most of his other well-known hits, in addition to covers of Mungo
Jerry's ancient white-reggae classic In The Summertime; Michael
Jackson's 1979 hit Don't Stop 'Til You Get Enough (from Michael's
debut solo album,Off The Wall); and a Bob Marley reggae track I
remember.
Shaggy swiveled and thrust, then gave all the girls a flash of
his Calvin Kleins, before inviting a number of lucky young ladies
to accompany him on stage.
All in all, it was a pretty good and very professional show.
My only major criticism was that the turnout should have been
bigger -- there was only about 2,000 people in the crowd -- and
that Shaggy and company were only pretending to be "really
excited", rather than being really excited for real. I may be
old-fashioned, but I like my pop and rock stars to be just as
honestly pumped up as I am.