Sapardi's words pull in new generations

Sapardi's words pull in new generations

Evi Mariani, The Jakarta Post, Jakarta

Veteran poet Sapardi Djoko Damono is as cool right now as he
was 10, 20 and 30 years ago.

Earlier this month on the night of the launch of his latest
book, Before Dawn, the young and sexy actress, Cornelia Agatha,
asked if she could pose with him for a picture. But the starlet,
who usually has throngs of fans wanting to stand next to her, had
to wait her turn -- Sapardi had a long line of well-wishers.

And his fans include the bestselling popular novelist, Fira
Basuki, who was invited by Sapardi to officiate the event.

"He called me himself to ask me to open the ceremony. Sapardi
himself. I was touched. Of course I would; I felt honored," Fira
said.

Perhaps the most popular poet in the country, Sapardi's fame
partly owes to the successful way his words have been put to
music.

One of the song versions of his poem Aku Ingin (I Want) was so
popular in the 1990s that it has become common addition to
wedding invitations

Still more years ago, a soap opera on a private TV station
made a teaser in which the star Bella Saphira made an ungainly
and inaccurate recitation of the poem.

"They did not tell me that they had used my poem as the
teaser. They also did not mention my name as the poet," said
Sapardi, 65, a father of two and the husband of Wardiningsih.

Sapardi stressed, however, that he did not mind if his poems
were used for non-commercial purposes.

Love poems, as simple personal expressions, can in the wrong
hands easily become mawkish or melodramatic. But written by
Sapardi, they can mist the eyes of the hardest-hearted readers.

For those who have never heard or read it, the English
translation of I Want by Sapardi's friend, John H. McGlynn, goes
like this:

I Want

I want to love you simply,
in words not spoken:
tinder to the flame which transforms it to ash

I want to love you simply,
in signs not expressed:
clouds to the rain which make them evanesce

The man who made that the poem known throughout the country
was AGS Arya Dwipayana, a theater worker in the French literature
department of University Indonesia in the 1980s.

Arya, better known by his nickname Aji, was one of several
students who accepted a task from then minister of education and
culture Fuad Hasan to put some poems to music; the idea being to
make them easier for high school students to appreciate.

I Want's treatment captured the public imagination and two
years later, Sapardi asked Aji and his friends to write music for
his other poems.

Still later there was the album, Hujan dalam Komposisi (Rain
in Composition), which contained more than a dozen songs.

Over time, the poems on the album won the hearts of the young
and became fashionable. The effect was similar to the impact teen
film Ada Apa Dengan Cinta had on Syumandjaya's book Aku, which
became trendy after teenagers saw actor Nicholas Saputra's
character carrying the book everywhere in the movie.

"Reading Sapardi's poems, which can also be imaginative
lyrics, I always have tunes playing in my head," Aji said.

Because his poems are lyrical and sometimes a little abstract,
many readers fail to grasp their meaning.

Sapardi's works are seldom didactic and are not driven by
broad social causes or revolutionary urges. Instead they are more
focused on the human condition, aiming to evoke emotions with
simple, yet-poignant words.

Many readers find One Morning evokes a sad feeling they cannot
easily express.

"And so one morning he wanted very much to cry while walking
head down through the alley. That morning he wanted the rain to
be dripping down and the alley empty so that he could walk alone
while crying and no one would ask why.

He didn't want to scream or cry out wildly or break windows or
burn the bed. He wanted only to weep softly while walking alone
in the dripping rain in the empty alley that morning (translated
by McGlynn)."

In the translator's note in Before Dawn, McGlynn describes
Sapardi's poetry:

"With an elegance and a clarity few other poets possess,
Sapardi puts into words emotions which every reader must surely
face -- yet may not be able to express, at least in words so
fine."

Sapardi has written poetry since he was in high school in
Surakarta, where his family moved in 1957 to a new suburb.

In the author profile of his book Ayat-ayat Api, the publisher
wrote that the new place Sapardi lived did not yet have
electricity and had a village ambience, with birds singing and
bamboo plantations.

His first book of poems, dukaMu abadi (Your Eternal Sorrow),
was published in 1969 thanks to the financial support from
Sapardi's friend, now-famous painter Jeihan Sukmantoro.

So far he has published 12 poetry compilations, including the
English translations of his works by John McGlynn Suddenly the
Night and Before Dawn; along with two works of fiction and
another eight non-fiction books.

In 1998/1999, during the political turmoil surrounding the
downfall of the New Order regime, Sapardi was tempted and
succumbed to writing about the social turbulence here, resulting
in the book Ayat-ayat Api (Verses of Fire), which some critics
receied negatively.

Many prefer Sapardi to write about what they believe he does
best: Feelings, the rain, getting old, death, God, and love.

Sapardi admitted that Ayat-ayat Api stood out from the rest of
his poetry.

He said that he had a principle, which was never to write a
poem in an angry manner.

"Angry literature, like some of that created in 1966 (during
the fall of the Sukarno administration), usually fails to survive
the passage of time. It is soon forgotten," he told The Jakarta
Post.

After writing Ayat-ayat Api, he said in the book that he had
tried to be not angry despite the frustrating situation between
1996 and 1999.

"My endeavor not to be angry of course was not always
successful as is perhaps shown in some of the poems in the book."

His most popular poetry book, Hujan Bulan Juni (A June Rain),
was published by one of the country's large publishers, Grasindo,
in 1994. Containing 95 poems, the book is a kind of "greatest
hits" of Sapardi; with a selection of his poems from 1964 to
1992.

Some of the poems were written during a one-year period of
study at the University of Hawaii in Honolulu in the early 1970s.

Sapardi had earlier finished his undergraduate study at the
English Department at Gadjah Mada University, Yogyakarta in the
early 1960s. He later earned a doctoral degree from UI, where he
now works as a professor.

These days, supervising graduates in their doctoral studies
has means he keeps up with the latest trends in poetry and
literature.

While some people think changes in the language are a form of
abuse, Sapardi, who always speaks in Javanese to his Javanese
friends, thinks it is a good sign.

"I have read 'chick lit' because one of the doctoral
candidates at UI is writing a dissertation on it," he said.

"Some people lament the fact that some teen books use slang
and not 'proper' Indonesian. But I think it's good. It shows that
Indonesian is an evolving language. It has not vanished, people
still use it."

Once Sapardi received a short message from one of his
students: "When will we see you in class again? We are sakaw
(craving) for your lectures."

"What was sakaw? I didn't know," Sapardi said, laughing.

He later found out that sakaw was drug-related slang.

Sapardi is similarly unruffled that his poem Aku Ingin has
adorned wedding invitations, T-shirts and has been recited in
soap operas, mostly without his consent.

In an author profile written for Ayat-ayat Api Sapardi said
even this piracy made him feel his efforts to write in Indonesian
had not been in vain.

In 1987, he, along with his friends McGlynn and poet Subagio
Sastrowardojo, author and professor the late Umar Kayam, and
writer Goenawan Mohammad, established the Lontar Foundation,
which aimed to "foster a greater appreciation of Indonesian
literature and culture."

Lontar's inaugural publication in 1988 was Suddenly the Night,
McGlynn's translation of Sapardi's works.

Lontar has become Sapardi's second workplace whenever classes
at UI are in recess.

The Post found him one day there. Seated in a comfortable room
at a stylish Apple iBook G4, Sapardi was working on one of his
translation jobs.

"John has an in-house flair for design. He arranged this
office to make it attractive," Sapardi said.

One of Sapardi's most famous translations was Hemingway's The
Old Man and the Sea.

"Learning English makes your Indonesian better," Sapardi said.
"When you write in English, you employ different ways of
thinking, which is later useful when you write in Indonesian."

But when translating his poems into English, he prefers to
employ others and is grateful to McGlynn, whom he says has done a
tremendous job.

"With John, I could discuss his selection of words. But most
of the times I agreed with him, he did a really good
translation."

McGlynn has noted that while Sapardi's poems in 1988's
Suddenly the Night spoke of life, love and children, the poems in
2005's Before Dawn focused more on the end of life.

"Sapardi is no longer the young Muslim boy who cried outside
the church door as his classmates celebrated Christmas...,"
McGlynn writes in the introduction to "Before Dawn".

"No, at the age of sixty five, Sapardi is -- no escaping it --
an older man, whose concerns are mental and physical frailty and,
of course, death.

"He doesn't like to talk about his glasses/ which he sometimes
forgets where he's placed/ about his silver hair/ about his empty
house/ no longer occupied by wife or children...," McGlynn says,
quoting the 2001 poem, Before Dawn.

In Ada Berita Apa Hari Ini, Den Sastro? (What's the News
Today, Den Sastro?), published in 2002, Sapardi felt the urge to
write a special introduction.

"Suddenly, tonight, I feel that this book of poems, all of
which were written in 2001, will be the last," he wrote.

"This is mushy, perhaps. Or perhaps it is because I feel I do
not need to write poems any more. Hopefully, not both."

Sapardi facts:

Born in Surakarta, March 20, 1960
Publications:
Poetry:
1969 Duka-Mu Abadi (Your Eternal Sorrow)
1974 Akuarium (Aquarium)
1982 Mata Pisau (Blade)
1983 Perahu Kertas (Paper Boat)
1984 Sihir Hujan (Rain Doctor)
1988 Suddenly the Night
1994 Hujan Bulan Juni (A June Rain)
1998 Arloji (Wristwatch)
2000 Ayat-ayat Api (Verses of Fire)
2001 Mata Jendela (The Window's Eye)
2002 Ada Berita Apa Hari Ini, Den Sastro? (What's the News Today,
Den Sastro?)
2005 Before Dawn

Fiction:
2001 Pengarang Telah Mati (The Author is Dead)
2004 Membunuh Orang Gila (To Kill a Madman)

Non Fiction
1977 Sosiologi Sastra: Sebuah pengantar ringkas (A Brief
Introduction to the Sociology of Literature)
1982 Sastra Indonesia Modern: Beberapa Catatan (Modern Indonesian
Literature: Scattered Notes)
1999 Politik, Ideologi dan Sastra Hibrida (Politics, Ideology and
Hybrid Literature)
1999 Sihir Rendra: Permainan Makna (Rendra the Magician: The Play
of Meaning)
2000 Priayi Abangan (The Lapsed Bourgeois)
2004 Puisi Indonesia Sebelum Kemerdekaan (Indonesian Poetry
Before Independence)
2005 Jejak Realisme dalam Sastra Indonesia (Traces of Realism in
Indonesian Literature)

Awards:
Achmad Bakrie Award, 2003
Anugrah Puisi Poetra Malaysia (Malaysian Poetry Award), 1996
SEA Write, Bangkok, 1986
Jakarta Arts Council Honorary Certificate, 1983

From the Lontar Foundation and other sources