Local artist laments May calamity in esthetic language

Local artist laments May calamity in esthetic language

By Ipong Purnama Sidi

BANDUNG (JP): In the language of esthetics, well-known fine
artist Sunaryo is bewitching art lovers with his works that
lament the May tragedy.

The works scream their messages out loud without verbal or
written rhetoric. They are an exploration of ideas through the
language of esthetics.

Paintings hang randomly on the walls, sculptures lie all over
the floor -- all wrapped in black cloth knitted, folded or tied
up. Some of the clothing is torn up or slashed with a knife.
Black cloth symbolizes grief, darkness, the state of being
oppressed and being marginalized.

Sunaryo, 55, a famous sculptor, painter, graphic artist and a
teacher of fine arts at the Bandung Institute of Technology,
presents a major installation works -- his reinterpretation of
the current tragedies.

His works are grouped in an exhibition titled Titik Nadir
(Nadir Point) at his museum, Selasar Seni Sunaryo, in Bukit Pakar
Timur, Bandung. The display started on Sept. 5 to coincide with
the opening of the museum and will last until Sunaryo believes
that the crisis is over. So it could run for one month, one year,
five years or even longer.

This show brings the artist back to the limelight after he
absented himself from society for the majority of this year
because, he says, he was crippled by a "deep anxiety".

Sunaryo has his own style of wrapping objects. It's different
from Christo's style because each artist has different
philosophies and concepts. For example Christo loves gigantic
projects, such as wrapping a bridge, a legislature or a beach
with the help of civil engineers.

Sunaryo, on the other hand, creates one representation upon
another representation. In this case, behind the black cloth
there is a representation of acrylic paint work on the canvas.
The black cloth is the second layer. The combination results in a
shift of value from existential (acrylic work) to essential (new
meaning brought about by the black cloth).

Among his works are Metal Log (1997) -- a sculpture of harmony
built from materials of different characteristics: rock, wood and
computer chips. After being wrapped with a black piece of cloth
and slit with knife, it is associative to the mass rapes of the
mid-May riots in Jakarta and other major cities. It creates an
atmosphere of terror and fear.

A similar atmosphere is generated by TV Log (1998), which
reflects Sunaryo's concern about the devastated humanism values
in Indonesia.

Sunaryo divides the space into four: hunger, injury, religion
and rebirth. Hunger is symbolized by unhusked rice, a rice bag
and a paddy cutter in Negeriku 1998 (My Country 1998). Injury is
about the rapes, lootings and burnings known as the May Tragedy.
The Religion is represented by an open Kaaba as an alternative
for spiritual grounds. Rebirth, or incarnation, is signified by a
wall wrapped in a piece of black cloth with a small opening
overlooking a small mosque. This symbolizes the spirit of change.

Sunaryo's works are meaningful because they raise issues
related to the turmoil plaguing Indonesia and present the spirit
of reform in the language of esthetics.

The museum he built on his own account is expected to make his
dream of providing a place for young talents come true. Besides,
it is also intended as a center for contemporary fine art
studies.

His effort should be widely applauded because the building
provides a basic facility for artists, critics, art dealers,
gallery managers and collectors.

The museum is expected to play an important role in art
development.

-- The writer is a fine art observer