John van der Sterren's artistic sentimental journey
John van der Sterren's artistic sentimental journey
Carla Bianpoen, Contributor, Jakarta
Nostalgia and bold lines are features by which the paintings of
John van der Sterren can be recognized.
Much of his work used to be directly related to Indonesia,
where he was born and has spent part of his adult years.
But the current exhibition of his paintings, held at the Four
Seasons hotel here, is dedicated to New Zealand, the country
where he found a warm welcome after his parents emigrated after
World War II. The exhibition was his way of saying thank you, he
explained.
New Zealand, an island nation southeast of Australia, may not
be generally known as well as other parts of the region, but
tourist information highlights the South Island, also called The
Mainland, as a place of scenic beauty.
This is the place where John van der Sterren used to spend
holidays in his younger years, trying his hand at painting, a
hobby that he nurtured along with playing music. The current
exhibition is meant as a nostalgic journey, precisely to the
places that had thrilled him then.
For those ignorant of the actual locations, the paintings may
not give any clue as to which country they refer to, nor is there
much difference in the representation of different places
suggested by the titles.
What most people will remember though, are the bold lines
indicating the contours of roads, mountains, clouds or vegetation
in desolate landscapes, in colors reminiscent of the fauvists and
the lingering notion of dampened sunshine.
The New Zealand citizen with Dutch heritage John van der
Sterren was born in Sukabumi in 1938. He left Indonesia after
World War II, and headed for New Zealand, where his parents
ultimately built a new life.
Working for an international company brought him back to
Indonesia, the land of his childhood. While he took up more
serious painting in 1992, when Duta Fine Arts gallery Didier
Hamel spurred his artistic potential, his main profession lay in
another field, which he was reluctant to expand on. Painting has
remained just a hobby, something he does for fun, he insists.
While nothing in the exhibition reminds us of the early days
of New Zealand, one cannot help remembering that the first
European explorer to sail into New Zealand waters was a navigator
by the name of Abel Janszoon Tasman.
Like van der Sterren, he was a Dutchman. The year was 1642,
and the New Zealand annals recount that the first encounter
between Maori and Europeans was violent, leading to bloodshed.
Although Tasman was able to partly chart the coastline, he had to
leave New Zealand without having had the occasion to set foot
ashore.
The coincidence also brings the awareness of John van der
Sterren's lucky fate over three-and-a-half centuries later. He
was able to return to that part of New Zealand, which he says he
has loved most, the South Island and particularly Central Otago.
Living in Indonesia for 33 years and in New Zealand for 34
years in addition to numerous trips around the world, John van
der Sterren has evidently created his own distinctive style,
unaffected by either the ambience of the countries where he spent
his life.
With a few exceptions, his numerous exhibitions were held in
Bali and Java.
Return to the Mainland
A Journey to the South Island of New Zealand
Exhibition of paintings by John van der Sterren
Four Seasons Hotel Jakarta
through Oct. 10