Indonesia fights to stop auction of sunken treasure
Indonesia fights to stop auction of sunken treasure
By Rita A. Widiadana
JAKARTA (JP): It is known as the "The Titanic of the East". A
huge replica of the Chinese junk Tek Sing (True Star), which sunk
in the Gelassa Straits east of Sumatra in the 19th century,
stands in the Stuttgart railway station in Germany.
In January 1822, the Tek Sing was on its way from the Chinese
harbor of Amoy (now Hsiemen) to Java, carrying almost 2,000
people, with a crew of more than 200 and at least 1,600
passengers.
It hit a reef during a storm, capsizing almost immediately.
More than 1,600 people went down with the ship, more than the
number of dead on the Titanic almost 100 years later.
About 12,000 pieces of antique Chinese porcelain recovered
from the ship are displayed in the 60 meter by 10 meter replica
in an exhibition opened by Stuttgart mayor Dr. Schuster last
Tuesday.
The ship is being used for multimedia presentations of the
disaster, the salvage operation and porcelain manufacturing.
Visitors to the exhibition, which will run until November,
can book the junk for special events. In the evening, the replica
is also available for exclusive private events, including special
guides and a sumptuous Asiatic buffet, a talk on Chinese
porcelain and other oriental-themed entertainment.
"The opening of this gigantic exhibition is a historical day
for Nagel," Robin Ph. Straub, the director of Nagel Auctions, the
German organizer of the exhibition, was quoted as saying on
http://www-teksing.de/english/ausstellung.htm., a special website
designed to promote the exhibition and auction worldwide.
The exhibition is the prelude to an international auction,
dubbed the "auction of the year", scheduled to be held on Nov. 17
and Nov. 18. It will offer 35,000 antique Chinese porcelains and
other items excavated by the British-born treasure hunter Michael
Hatcher and his team.
Most of the items are blue-white porcelain manufactured in the
Chinese city of Dehua in the 18th century and early 19th century
for export to Asian markets. Other types of porcelain from
different periods were also found, dating back as far as the 15th
century.
To draw international prospective bidders, Nagel Auctions and
Hatcher have set up the website with the latest information on
the Tek Sing goods and auction rules. The 600-page catalog and a
new book, The Legacy of Teksing by Nigel Pickford, are also
available.
All preparations for the exhibition and auction have been
carefully carried out. Hatcher and Straub are thrilled at the
prospect of pocketing possible yields of around DM 35 million
(approximately US$25 million) from the auction.
It is the most promising scenario of what will happen in
November. The flip side is worse, at least for Hatcher, an orphan
turned multimillionaire.
Bitter war
On the other side of the globe, the Indonesian government is
arming itself to fight a bitter war against Hatcher and the
German auctioneer.
For Jakarta, Hatcher is a mere professional art looter who has
pillaged and salvaged the country's valuable underwater treasures
since the early 1980s and then smartly sold them abroad.
In 1986, Hatcher gained $16.6 million from the sale of 160,000
antique ceramics, 126 gold bars and other items taken from a
Dutch shipwreck in Riau waters in 1986.
"Hatcher may not be able to smile again. We are now trying
hard to stop the planned auction of our 'stolen' treasures. The
Nagel firm will risk its reputation for selling 'problematic'
goods," director of archaeology at the Directorate of Culture
Nunus Supardi said firmly.
Auction houses Christie's and Sotheby's reportedly refused to
sell the Tek Sing porcelains.
Nunus said the displayed goods at the Stuttgart exhibition
were taken from the Gelassa Straits in Sumatra and then Hatcher
and his Indonesian partner, Suwanda, from local salvaging company
PT Prasarana Cakrawala Dirga, smuggled the goods to Australia and
Germany.
Under Indonesian rules, any excavation operated in Indonesian
waters must bear an official permit. Any goods found must be
reported to the government for archaeological records. The
Indonesian government is entitled to half the proceeds from the
auction of the goods.
"The Australian government rejected the goods, categorized as
cultural items," said Nunus, adding that Australia was a
signatory to a UN convention on the protection of cultural
property. Signatories to the convention, including Indonesia, are
obliged to cooperate with other members on the protection on
their cultural heritages.
When the cargo was on its way to Germany, the Indonesian Navy
seized 43 containers filled with Chinese ceramics from the
Belize-flagged Swissco Marine IX, hired by Hatcher from
Singapore. Hatcher succeeded in shipping the remaining treasures
to Germany.
"Hatcher's partner, Suwanda, was captured and has been named a
suspect for his alleged involvement in the smuggling," reported
the commander of Tanjung Priok Navy Main Base II, Rear Adm.
Djuhana Suwarna. Maj. Gen. (ret) Gasyim was also named a suspect
for allegedly issuing fake permits for several salvaging
companies.
Nunus said although Germany was not a signatory to the
convention, he was optimistic Berlin would extend help to
Jakarta's efforts.
Early this week, the Berlin Museum returned a 1,000-year-old
stone relief, stolen from a Hindu temple 18 years ago, to the
Nepalese government. German politicians, art experts and
journalists are now pushing the government and art institutions
to return illegal artifacts to their countries of origin, AP
said.
Interpol
"We have sent letters to the German and Dutch governments
asking for their cooperation," he said.
Paris-based Interpol has promised to assist Indonesia, he
said.
"Interpol wants to uncover people behind the strong
international network of cultural thefts," he added.
Nunus acknowledged the Indonesian government was inspired by
the triumph of the Chinese government in winning precious
treasures back from the auction floor.
Beijing recently slammed Hong Kong's Christie's and Sotheby's
for conducting sales of a life-size bronze tiger head and three
other Qing Dynasty treasures.
"China is now aggressively waging a campaign to stop the
looting and to salvage as much as possible of the country's
incalculable wealth of historic artifacts," Nunus said.
All over the world, governments and people are demanding the
return of treasures shipped abroad by colonial rulers. Countries
like China, Greece, Italy, Mexico, Egypt, Jordan, Turkey and
Indonesia are demanding world governments, auction houses, art
dealers and art collectors halt trade in looted antiquities,
describing it as "archaeological crime and the theft of history".
"People are now becoming more aware of what they've lost,"
Nunus said.
During the colonial period in the Dutch East Indies, the Dutch
and other western powers took old artifacts, manuscripts, art
works and a haul of treasures to their countries.
"We can learn from the Chinese government and its people," he
said.
China's businesspeople and art collectors, he said, were
willingly helping their government in efforts to bring the
treasures home. They are helping buy the treasures from auction
houses and returned them to China's museums.
Indonesia has numerous wealthy businesspeople who are also
ardent art collectors. Will they follow their Chinese
counterparts and assist in bringing Indonesian artworks back
home?
By Rita A. Widiadana
JAKARTA (JP): It is known as the "The Titanic of the East". A
huge replica of the Chinese junk Tek Sing (True Star), which sunk
in the Gelassa Straits east of Sumatra in the 19th century,
stands in the Stuttgart railway station in Germany.
In January 1822, the Tek Sing was on its way from the Chinese
harbor of Amoy (now Hsiemen) to Java, carrying almost 2,000
people, with a crew of more than 200 and at least 1,600
passengers.
It hit a reef during a storm, capsizing almost immediately.
More than 1,600 people went down with the ship, more than the
number of dead on the Titanic almost 100 years later.
About 12,000 pieces of antique Chinese porcelain recovered
from the ship are displayed in the 60 meter by 10 meter replica
in an exhibition opened by Stuttgart mayor Dr. Schuster last
Tuesday.
The ship is being used for multimedia presentations of the
disaster, the salvage operation and porcelain manufacturing.
Visitors to the exhibition, which will run until November,
can book the junk for special events. In the evening, the replica
is also available for exclusive private events, including special
guides and a sumptuous Asiatic buffet, a talk on Chinese
porcelain and other oriental-themed entertainment.
"The opening of this gigantic exhibition is a historical day
for Nagel," Robin Ph. Straub, the director of Nagel Auctions, the
German organizer of the exhibition, was quoted as saying on
http://www-teksing.de/english/ausstellung.htm., a special website
designed to promote the exhibition and auction worldwide.
The exhibition is the prelude to an international auction,
dubbed the "auction of the year", scheduled to be held on Nov. 17
and Nov. 18. It will offer 35,000 antique Chinese porcelains and
other items excavated by the British-born treasure hunter Michael
Hatcher and his team.
Most of the items are blue-white porcelain manufactured in the
Chinese city of Dehua in the 18th century and early 19th century
for export to Asian markets. Other types of porcelain from
different periods were also found, dating back as far as the 15th
century.
To draw international prospective bidders, Nagel Auctions and
Hatcher have set up the website with the latest information on
the Tek Sing goods and auction rules. The 600-page catalog and a
new book, The Legacy of Teksing by Nigel Pickford, are also
available.
All preparations for the exhibition and auction have been
carefully carried out. Hatcher and Straub are thrilled at the
prospect of pocketing possible yields of around DM 35 million
(approximately US$25 million) from the auction.
It is the most promising scenario of what will happen in
November. The flip side is worse, at least for Hatcher, an orphan
turned multimillionaire.
Bitter war
On the other side of the globe, the Indonesian government is
arming itself to fight a bitter war against Hatcher and the
German auctioneer.
For Jakarta, Hatcher is a mere professional art looter who has
pillaged and salvaged the country's valuable underwater treasures
since the early 1980s and then smartly sold them abroad.
In 1986, Hatcher gained $16.6 million from the sale of 160,000
antique ceramics, 126 gold bars and other items taken from a
Dutch shipwreck in Riau waters in 1986.
"Hatcher may not be able to smile again. We are now trying
hard to stop the planned auction of our 'stolen' treasures. The
Nagel firm will risk its reputation for selling 'problematic'
goods," director of archaeology at the Directorate of Culture
Nunus Supardi said firmly.
Auction houses Christie's and Sotheby's reportedly refused to
sell the Tek Sing porcelains.
Nunus said the displayed goods at the Stuttgart exhibition
were taken from the Gelassa Straits in Sumatra and then Hatcher
and his Indonesian partner, Suwanda, from local salvaging company
PT Prasarana Cakrawala Dirga, smuggled the goods to Australia and
Germany.
Under Indonesian rules, any excavation operated in Indonesian
waters must bear an official permit. Any goods found must be
reported to the government for archaeological records. The
Indonesian government is entitled to half the proceeds from the
auction of the goods.
"The Australian government rejected the goods, categorized as
cultural items," said Nunus, adding that Australia was a
signatory to a UN convention on the protection of cultural
property. Signatories to the convention, including Indonesia, are
obliged to cooperate with other members on the protection on
their cultural heritages.
When the cargo was on its way to Germany, the Indonesian Navy
seized 43 containers filled with Chinese ceramics from the
Belize-flagged Swissco Marine IX, hired by Hatcher from
Singapore. Hatcher succeeded in shipping the remaining treasures
to Germany.
"Hatcher's partner, Suwanda, was captured and has been named a
suspect for his alleged involvement in the smuggling," reported
the commander of Tanjung Priok Navy Main Base II, Rear Adm.
Djuhana Suwarna. Maj. Gen. (ret) Gasyim was also named a suspect
for allegedly issuing fake permits for several salvaging
companies.
Nunus said although Germany was not a signatory to the
convention, he was optimistic Berlin would extend help to
Jakarta's efforts.
Early this week, the Berlin Museum returned a 1,000-year-old
stone relief, stolen from a Hindu temple 18 years ago, to the
Nepalese government. German politicians, art experts and
journalists are now pushing the government and art institutions
to return illegal artifacts to their countries of origin, AP
said.
Interpol
"We have sent letters to the German and Dutch governments
asking for their cooperation," he said.
Paris-based Interpol has promised to assist Indonesia, he
said.
"Interpol wants to uncover people behind the strong
international network of cultural thefts," he added.
Nunus acknowledged the Indonesian government was inspired by
the triumph of the Chinese government in winning precious
treasures back from the auction floor.
Beijing recently slammed Hong Kong's Christie's and Sotheby's
for conducting sales of a life-size bronze tiger head and three
other Qing Dynasty treasures.
"China is now aggressively waging a campaign to stop the
looting and to salvage as much as possible of the country's
incalculable wealth of historic artifacts," Nunus said.
All over the world, governments and people are demanding the
return of treasures shipped abroad by colonial rulers. Countries
like China, Greece, Italy, Mexico, Egypt, Jordan, Turkey and
Indonesia are demanding world governments, auction houses, art
dealers and art collectors halt trade in looted antiquities,
describing it as "archaeological crime and the theft of history".
"People are now becoming more aware of what they've lost,"
Nunus said.
During the colonial period in the Dutch East Indies, the Dutch
and other western powers took old artifacts, manuscripts, art
works and a haul of treasures to their countries.
"We can learn from the Chinese government and its people," he
said.
China's businesspeople and art collectors, he said, were
willingly helping their government in efforts to bring the
treasures home. They are helping buy the treasures from auction
houses and returned them to China's museums.
Indonesia has numerous wealthy businesspeople who are also
ardent art collectors. Will they follow their Chinese
counterparts and assist in bringing Indonesian artworks back
home?