Film Festival escapes RI's censors
Film Festival escapes RI's censors
Fabio Scarpello, Contributor, Jakarta, fabio@fabioscarpello.com
Travel broadens the mind, and as you explore new things, you may
discover that differences often offer unlimited means of
comparison. Such differences also underscore the artistic
expressions of Europeans and those living on other continents.
It's a pity that Europe is way more expensive for Indonesians
to visit so that it remains a privilege available to a few.
However, take a comfortable seat, relax and enjoy another journey
on the silver screen, courtesy of the European Film Festival,
which offers glimpses of the "old continent". All shows are free
of charge.
The festival, which starts on Wednesday and runs until Dec.
17, highlights the different approach of European cinema when
compared to Hollywood.
From its own origin, cinema in Europe has been used as a tool
to document history and life from a humane perspective. It is no
coincidence that while U.S. blockbusters dominate the world
markets, it is in Europe that cinematic art movements, like Neo-
realism and Nouvelle Vogue, have originated.
Politically the EU is a "unifying entity in the making" but
culturally its diversity has always been an element of pride and
capital that must be preserved.
The festival -- with 18 films produced by 16 different
countries -- will be a showcase of this diversity. This has been
further strengthened by the complete discretion granted to each
of the participants in choosing their films.
After all, if it is true that Europe is third in terms of
cinema production volume behind the U.S. and India, it is also
true that it leads the field in terms of the diversity and
artistic quality of the products.
In this case, a "theme" would have been a limitation and a
loss for the viewers, causing them to miss some great movies. But
as it happens, reading through the elegantly produced program is
like reading a list of "who-has-won-what" in international film
festivals over the last few years.
Stories of love, of loss, struggle, war, friendship, illness,
choices, are all represented. Different historical contexts and
perspectives are explored. Insights into cultural differences and
ideologies are presented.
Nonetheless, the aforementioned situation comes down to the
"representation of the human condition" and it is here that
quality cinema works as our vehicle to access other people's
lives, on the other side of the world, or in a different era.
Then -- after we have empathized with Frentisk Slama torn
between love and friendship (Dark Blue World), and we have cried
with Pete dying of cancer at 17 but still full of life and love
(One Way Ticket to Mombasa), and we have acknowledged Samia's
frustration in not recognizing herself in her family beliefs and
rules anymore (Samia) -- we will realize that the kaleidoscope of
human emotions is the same in Stockholm, Berlin, Palermo, Bandung
or Jakarta.
"Cinema as a unifying medium" will have worked its magic once
again, building bridges, narrowing distances and making us feel
closer together. This is particular significant in our uncertain
times when politics, ideologies and religions seem to push
countries in disparate directions.
But for those who prefer cinema as a means of escaping the
doom and gloom of everyday life, keep your hopes alive as "artsy
movies" do not exclude entertainment.
The festival provides comedy (Adam and Eve), romance (Manneken
Pis, Occident, Distant Lights), the colossal (Il Mestiere delle
Armi) and adventure (House of Angels, Thomas the Falconer).
The Black Widow, Respiro, De Tweeling, Chopin (Desire for
Love), O Rapaz de Trapezio Voador and El Aduelo are also
noteworthy.
The diversity of the festival is evident also in the format of
the movies (35mm, DVD and VHS) and the various languages --
German, Dutch, Czech, English, Finnish, French, Polish, Russian,
Hungarian, Italian, Portuguese, Romanian, Slovak, Spanish,
Swedish, Turkish (and a touch of Arabic) -- these are all
present. The unifying factor is the English subtitles.
It is very difficult to recommend one film over the others as
they all have their own claims to fame and high artistic
qualities. However, Indonesian film enthusiasts cannot afford to
miss the series of eight short movies presented by the Goethe
Institute, which underline some alternative approaches to the art
of film-making.
This year's festival is not the first to be organized in
Indonesia, with the first being held back in 1990.
Thirteen years is quite a long gap, but in truth a second in
1999 had to be canceled as six out of the nine films submitted
did not pass the scrutiny of the Indonesian Censorship Board.
This year the problem has been bypassed as the venues where
the films are to be shown (Italian Institute of Culture, Goethe
Haus and Erasmus Huis) are outside Indonesia's jurisdiction.
The festival is (mainly) sponsored by the European Union and
has been jointly organized by the diplomatic and cultural
representations of the participating states.
Within the framework of the Italian presidency of the European
Union, coordination has been carried out by the Italian Institute
of Culture.
Where to catch the European Film Festival
Italian Institute of Culture
Jl. HOS Cokroaminoto 117
Jakarta Pusat 10350
Tel. 392 7531
Goethe Haus
JL. Sam Ratulangi 9-15
Jakarta Pusat 10036
Tel. 235 50208
Erasmus Huis
JL. H.R. Rasuna Said Kav S-3
Jakarta Selatan 12950
Tel. 524 1069