Creativity, not rechnique, more important at DJ school
Creativity, not rechnique, more important at DJ school
Hera Diani, The Jakarta Post, Jakarta
Many think that being a DJ, or disc jockey, is just about playing
and mixing records.
Some DJs really just do that, making them more like an
operator. But to become a real DJ takes a lot more than just
spinning the records. Remember the good ol' days, especially in
the 80s when the DJ scene peaked and the DJs really performed
while they worked?
Because owning dozens of records and knowing a thing or two
about spinning them are not enough, one might need an education
to become a real DJ.
Take a look at two places that offer DJ courses below.
* BIZ Mixing DJ Studio
Come and stroll inside the dim and gray Plaza Jayakarta
shopping complex, just behind the Hotel Jayakarta Tower in Jl.
Hayam Wuruk, West Jakarta.
Climb the stairs to the first floor (don't take the elevator
as it passes the first floor), and listen carefully. The beat of
the house music will guide you to the DJ school.
The facade of the school sure can fool you, as it is more like
a wartel (telecommunication kiosk) with only around five meters
by two meters of space. But the sign and the music assure you
that it is indeed the place where people learn how to become real
DJs.
Inside, the room is divided into three even smaller rooms: Two
classrooms and an "office" in the middle. From each of the
classrooms, the instructions were heard: "Find the pitch! Watch
the pitch! Now the loop!".
The school was established in 1994 by veteran DJs Agustinus
Leo and Kitting Lee.
"It used to be a Top 10 DJ School, which is also a discotheque
in Hayam Wuruk. The place was closed, then we opened a new one
here," said Agustinus, 36, who has been spinning records since
1987.
"Yeah, it's a very small place. So far, though, it can
accommodate our students. But we're thinking about making it more
spacious to enable our students to have a place to practice when
they don't have a class."
The course costs Rp 500,000 (US$54.3) for the three-month
program. The class is available three times a week with a 2-hour
session each. The materials offered include the equipment
introduction, mixing/chopping, CD mixing, microphone techniques
and basic creative mixing.
There is also a special class on appearance, performance and
professionalism. The points that are taught include the right
attitude, the right clothes, being punctual, honest, having
respect for one's elders and so on.
"I put them in the course material because I've been DJ-ing
for 15 years and I found them very important. That if you want to
last longer as a DJ," said Agustinus who works six days a week at
the Hailai in Ancol, North Jakarta.
Businesswise, he said, the DJ school had good prospects as the
number of students increases every year. So far, BIZ Mixing has
produced 550 graduates who work all over the city and the
country.
However, Agustinus added, the DJ scene is not as exciting as
it used to be since drugs have swept in to the dance floors.
"Starting around 1993, with ecstasy pills inundating the
country, people became different. I could play a wide range of
music back then and I could perform, dancing, announcing. It was
really fun.
"But now the guests only want to hear house music, as it goes
better with the drugs. They are also annoyed if the DJ talks, so
I only talk during a special event, like a birthday party," said
Agustinus.
Meanwhile, in the alley just in front of the school, a few
good-looking young people, some of whom are already accomplished
DJs, discuss the latest types of Ecstasy.
"Blue Diamond is great, and Hercules too. I often steal it
from the guests. But now it's hard to get because there have been
so many (police) raids," said one of them, grinning.
International DJ School
The banner loudly says "The first International DJ School in
Indonesia. For non-drug students and DJs only." The non-drugs
part is bolded and highlighted.
"Ever since drugs flooded the scene and house music came, the
reputation of DJs has been tarnished. I had eight DJ friends who
died of drug overdoses. People don't see DJs as important
anymore. Because they just want to listen to house music. So, I
want to show that a DJ is a lot more than that," said Max Don,
owner of the International DJ School.
"We always ask the students first whether they have ever used
drugs. And we always tell them that drugs won't get their DJ
career anywhere."
An American by birth, with Singapore citizenship, Don, or DJ X
Man has been DJ-ing for 22 years now, working in eight different
countries before settling here some 12 years ago.
"Many people asked me to open a DJ school. I was a bit
reluctant, though, as I was more interested in my business. But
then I saw a lot of potential and talented DJs, but nobody taught
them how to do it right," said Don who also owns Imamax DJ
Station, a one-stop DJ specialist shop.
Located on Jl. Sultan Iskandar Muda No. 100 C, Arteri Pondok
Indah, South Jakarta, the school was opened three years ago and
offers three programs: Basic, advanced and private, with a fee
that starts from Rp 3.6 million to Rp 6 million.
Each program takes three months, or 12 classes, with the first
class spent merely on function and technicalities.
"The DJs here only know how to operate their equipment and
depend on technicians for the rest. But it's different in other
countries. So, we teach the students every detail of the
equipment and how to solve a problem. There's even a test at the
end of the course," said Don, who is married to noted singer
Imaniar.
The class then continues with the techniques and knowledge,
not just mixing or microphone technique, but also building your
own character, discipline and how to be an international DJ.
"To have a long career as a DJ, one must have an original
style, creativity and a good attitude. If you have that, people
will look for you," Don said.
"One of my students now works in Penang, Malaysia. That's the
first time an Indonesian DJ has been recruited to another
country. That's because he's got the style and, most of all, he's
professional and disciplined."
Now, Don is setting up a studio to enable the people -- who do
not have that much money to buy DJ equipment -- to practice by
themselves.