Bali's Ubud gets its third fine art museum

Bali's Ubud gets its third fine art museum

By Amir Sidharta

UBUD, Bali (JP): Another museum of fine art opened here
yesterday. After six years of preparations, the Agung Rai Museum
of Art is now open to public. Prior to its opening, Bali had six
museums. Of today's seven museums, four focus on Balinese
paintings and three are situated around Ubud, the heart of the
island's art.

Will the opening of the Agung Rai Museum of Art mean
competition for the existing museums? Apparently not. Last month,
Agung Rai was in Jakarta to report the preparation for the
opening of his museum to Minister of Education and Culture
Wardiman Djojonegoro. He was accompanied by Suteja Neka, the
founder of the Ubud's famous Museum Neka and Tjokorda Raka
Kerthyasa, the director of the Museum Puri Lukisan, Ubud's oldest
museum.

"The three museums are inter-related, they support and
complement each other," said Neka. "There is really no reason for
us to feel that we are competitors." He added that each of the
three museums has its own mission.

The Museum Puri Lukisan was established in the 1950s by
Tjokorda Gde Agung Sukawati with the advice of Dutch painter
Rudolf Bonnet. Its mission is to preserve the works of Balinese
artists associated with the Pita Maha foundation. The Pita Maha,
established in 1936 by Tjokorda Gde Agung Sukawati, Tjokorda Gde
Raka Sukawati, and I Gusti Nyoman Lempad was meant to "give the
Balinese inspiration in their creativity and to promote Balinese
art."

Museum Neka was also founded under the guidance of Rudolf
Bonnet. In 1975, the Dutch painter invited the school teacher to
visit museums in Europe.

"Of course, Bonnet did not want me to create the same kind of
museum as the Museum Puri Lukisan. He showed me a different
direction," Neka explained. The museum that was needed, Neka
thought, was one that included the works of non-Balinese artists
whose art contributed to the development of painting in Bali.

Museum Neka was opened in 1982 as the second museum in Ubud.
The collection includes a comprehensive selection of Balinese art
and also works of Indonesian and international artists inspired
by Bali.

As the latest addition to the center of Balinese painting, the
Agung Rai Museum of Art presents yet another collection which can
be used for comparative study. Certain painters whose works are
not displayed in Museum Neka are represented in the Agung Rai
Museum of Art.

Bonnet once said to Neka, "each museum must have its own
uniqueness which reflects its personality and becomes its own
identity. If a museum is established just by duplicating the
contents and mission of another museum, that museum would not
have any value."

Neka pointed out that although the Rijksmuseum and the
Stedelijk Museum in Amsterdam were close to each other, each has
its own attraction and specialty.

"Therefore, the existence of the two museums actually enhance
each other," he stressed.

The Agung Rai Museum of Art certainly presents something
different to the Ubud art scene. The Museum Puri Lukisan features
the best works of the Pita Maha. Museum Neka has a pavilion
solely dedicated to the works of painter Arie Smit and the
Balinese artists whom he influenced. Meanwhile, the jewel of the
Agung Rai Museum of Art is a portrait of the Regent of Magelang
by Raden Saleh and one of the most interesting works by German
painter Walter Spies.

"Walter Spies was not only a painter but also a composer and a
choreographer," reminded Agung Rai.

"In many ways he is like most Balinese artists. At the Agung
Rai Museum of Art, I want to present not only works of art. It
will be a place where visitors can also enjoy music and dance.
And the Balinese, including my father, can also continue to till
the soil of the paddy fields around the museum," he added.

Although his name indicates noble origins, Agung Rai was born
into a common peasant family in Peliatan, south of Ubud. He
dreamed about establishing this museum since he was very young.
As he offered paintings to tourists on the street, he envisioned
a large structure in which he would present the masterpieces of
Balinese art.

This dream gradually materialized. In the mid-1980s he opened
his gallery in Peliatan. After accumulating a fortune trading art
works, he was able to accumulate plots of land in Pengosekan,
also south of Ubud, where he planned to build his museum.

After more than five years of developing the land, what he
created is more than a museum. Next to the main, south entrance,
the Kokokan Club Hotel and Restaurant cater to the needs of
tourists visiting Ubud. A secondary entrance to the west of the
museum is marked by the presence of another restaurant,
L'Asparagus. This entrance leads visitors to the open stage where
musical and dance performances are held. The museum itself is
housed in a monumental main building and an adjacent building
where temporary exhibitions will be held. Nearby, an outdoor
coffee shop serves as a place of intermission, offering museum-
goers the real views to the surrounding rice fields, as an
alternative to the representational views they have been seeing
through the paintings.

Planned with so many supporting elements, the Agung Rai Museum
of Art has been created as a sincere destination, an Ubud must.
The Agung Rai Museum of Art adds to the synergy that already
exists among the other museums and galleries.

The numerous art museums in Ubud makes the town an tantalizing
tourist destination. Today, Ubud is synonymous with Balinese art.
The personalities behind the three leading museums of Ubud --
Neka, Tjokorda Raka and Agung Rai -- have a more ambitious
vision. They want to make their hometown the center of Indonesian
painting.