Balinese traditional Arja opera cheers Jakartans

Balinese traditional Arja opera cheers Jakartans

By Tuti Gintini

JAKARTA (JP): Bali is noted for its natural beauty and
traditional sendratari (dance-drama).

The island of the gods is also the birthplace of a unique
opera. Arja is an old form of court dance-drama blending dance,
music, vocal and dialog.

Rarely performed outside Bali, the Arja traditional opera was
chosen to conclude the 20-day International Festival 2000 at
Gedung Kesenian on Sept. 9.

The Arja Bon dance troupe performed Bandarasura which tells of
the tragedy of the brave prime minister Bandarasura from the
ancient Wirasengga kingdom.

Bandasura is derived from two words that mean "a brave man
(sura) tied by worldly passion (banda)".

The play centers on the life of the prime minister and his
uncontrolled passion for the beautiful queen of Daha Diah Kusuma
Dewi, wife of King Jenggala. Filled with lust and love, Bandasura
raped the queen.

The three-hour play was jointly performed by artists from
Singapadu, Kramas Gianyar as well artists and students of the
Denpasar Arts Institute (ISI).

Performed on a simple stage decorated with janur (yellow
coconut leaves) ornaments reflecting Bali's characteristics, the
Arja performance enchanted the audience with songs, dances,
dialog and gamelan music (traditional orchestra).

Some musicians sat with legs crossed at stage left. They wore
radiant costumes of assorted colors, ornamented by accessories
from head to toe.

For three hours, viewers were entertained with a series of
operatic scenes, dances and songs, locally called macapat,
sometimes sung in a very high pitch. The audience was mesmerized
by this delicate performance of Balinese artists.

People say the Arja players maintain a tight discipline in
practicing their vocal skills. They usually sing and practice
amidst a waterfall. They also undergo various spiritual
exercises such as meditation and fasting before performing.

It was presummed Arja originated in 1825 during the reign of
king I Dewa Agung Sakti in Klungkung, East Bali.

The word Arja is derived from the Kawi (Old Javanese) word
reja or areja, meaning beautiful entertainment. The dramas
presented are generally taken from Panji and Malat stories, a
legend based on the story of Prince Panji from East Java.

Arja groups perform favorite stories like Pakang Raras,
Linggar Petak, Jar Pikatan, Cipta Kalangen, Made Umbara, as well
as stories from China, Sampek Engtay (the Balinese call it Sampik
Ingtai).

Some Western theater observers call the Arja an opera or
musical comedy, because, though generally the story is a
tragedy, many humorous scenes are performed by punakawan
(servants).

The punakawan are the ones who insert messages or social
criticisms that sometimes make the viewers roar with laughter.

Sometimes, they use Bahasa Indonesia and colloquial language.
But the serious parts of the story are spoken in Balinese
dialect.

Arja started to develop in villages on Bali around 1904.
During the all Bali Arja Festival last year, nine regencies and
municipalities participated, presenting complete and all-out
Arjas.

The Arja opera, which unfortunately did not give any
impression of the colossal kingdom, was performed by Ni Nyoman
Candri, Ni Ketut Warni, Cokorda Istri Partini, Sang Ketut
Sandiyasa, I Ketut Kodi, Cokorda Istri Agung, Ni Wayan Tirta, and
Cokorda Raka Tisnu.

The Director was Cokorda Raka Tisnu, assisted by I Wayan Rai,
Kadek Suardana, and I Wayan Dibia.