Balinese painters break free of 'esthetic slavery'

Balinese painters break free of 'esthetic slavery'

I Wayan Juniartha, The Jakarta Post, Denpasar, Bali

A group of young Balinese painters have decided to pool their
talents and break free from the restraints of mainstream art in
an exhibition titled Esthetic and Nature. The artists feel that
for years the art scene here has been dictated by Jakarta's
critics, collectors and art "speculators".

"This is an interesting exhibition because these young
painters attempt to provide an esthetic discourse outside the
mainstream," art observer Hartanto Yudoprasetyo said.

The exhibition to be held until Oct. 31 at Sanur's Griya
Santrian gallery includes the 32 works of painters I Nyoman
Diwarupa, I Wayan Naya Swantha, I Made Supena, I Made Ardika, I
Wayan Setem, I Made Galung Wiratmaja, I Made Budi Adnyana and I
Made Gunawan. The gallery is a new establishment aimed at
providing young artists with an alternative space.

But, the artists, known as the Galang Kangin group, are not
simply trying to be different. They have re-incorporated Balinese
traditional esthetic and communal values into their work.

Hartanto, who manages the Bali Mangsi gallery, pointed out
that in the last five years the influence of Jakarta's art scene
upon Balinese painters has reached an alarming level.

The esthetic values, orientation and development of artists
here has been shaped by the ideas of outside critics and the
media. Most unfortunately, several powerful art collectors have
used their financial power to channel the art scene to suit their
personal tastes and interests.

"When they decided that figurative works were marketable,
suddenly the market was flooded with demands for such works, thus
forcing many young -- and even established painters -- to produce
figurative works instead of pursuing their own esthetic dreams,"
Hartanto said.

"In short, this kind of 'esthetic slavery' has created an art
scene that is dry, uniform and devoid of any creative force," he
stressed.

The Galang Kangin group, Hartanto noted, had managed to dodge
the temptation of fast money.

In the period when figurative artwork was the trend, these
young painters kept on exploring color and abstraction.

When social and political turmoil were the visual arts' main
narration, the Galang Kangin group articulated elements of
natural beauty in their works.

"The question is whether or not we have the courage to express
our inner-selves. To be mainstream, or to stay true to our
characters.

"Yet, we present our interpretations without the assumption
that this is the only direction for the art scene to take. We
sincerely believe that there is no such thing as 'absolute-ness'
in art," Made Supena, the chief of Galang Kangin group, remarked.

Art observer, I Wayan Sukra, explained Galang Kangin's
thematic assimilation with nature by quoting philosopher George
Santayana: We are confronted by a natural world that allows great
liberty in selecting, emphasizing and grouping. We must therefore
compose it in order to appropriately appreciate it.

"That remark is an invitation for more than the simple
appreciation of the beauty of the (Bali) world. Galang Kangin
accepts this invitation," Sukra told.

The opening of the exhibition last Friday included the
presentation of a certificate, from the Indonesian Museum of
Records, to I Made Gunawan for his work featuring 1,000 small
painted boxes decorated with flowers. The work was aptly titled
1,000 Kotak (1,000 Boxes).