{
    "success": true,
    "data": {
        "id": 1262683,
        "msgid": "yayuk-keeps-everything-under-control-1447893297",
        "date": "2002-08-05 00:00:00",
        "title": "Yayuk keeps everything under control",
        "author": null,
        "source": "JP",
        "tags": null,
        "topic": null,
        "summary": "Yayuk keeps everything under control Tantri Yuliandini, The Jakarta Post, Jakarta When first approached for an interview, Yayuk questioned her qualifications, \"am I really worth it (for an article)?\" she queried. But when looking at her contributions so far, one can have nothing but respect for this soft-spoken woman. \"A person should have ambitions but should never be ambitious,\" said Yayuk Joesmintarti Rahardjo, 43, wisely.",
        "content": "<p>Yayuk keeps everything under control<\/p>\n<p>Tantri Yuliandini, The Jakarta Post, Jakarta<\/p>\n<p>When first approached for an interview, Yayuk questioned her<br>\nqualifications, &quot;am I really worth it (for an article)?&quot; she<br>\nqueried. But when looking at her contributions so far, one can<br>\nhave nothing but respect for this soft-spoken woman.<\/p>\n<p>&quot;A person should have ambitions but should never be<br>\nambitious,&quot; said Yayuk Joesmintarti Rahardjo, 43, wisely. But her<br>\nown multifarious ambitions are already on the borderline of being<br>\noverly ambitious.<\/p>\n<p>She is a woman with the Midas touch. She is also restless by<br>\nnature, proven by the numerous projects she has been willing to<br>\nundertake at any one time.<\/p>\n<p>Yayuk Rahardjo is a public relations professional -- a<br>\nmanaging partner of PR consultant Yayuk Rahardjo &amp; Rekan -- but<br>\nshe is also a patron of several music foundations.<\/p>\n<p>PR-ing was an occupation that she had not chosen for herself<br>\nbut one that -- in her own words -- she had been mapped out to<br>\nbecome.<\/p>\n<p>After graduating from the French Department of the University<br>\nof Indonesia&apos;s School of Letters at 19 years old, Yayuk worked as<br>\nticketing officer for a travel agent in Jakarta and was made<br>\nresponsible for handling the account for American oil company<br>\nMobil Oil. This was Yayuk&apos;s first brush with public relations.<\/p>\n<p>After only six months, she was asked to set up a<br>\nrepresentative office in Balikpapan, East Kalimantan.<\/p>\n<p>&quot;But my mother didn&apos;t approve of my working so far away and I<br>\nwas forced to come back,&quot; Yayuk said.<\/p>\n<p>Back in Jakarta, Yayuk worked as the sales manager for<br>\nBorobudur Hotel, a job that would polish her PR skills.<\/p>\n<p>&quot;I don&apos;t know why but my work at that time always had<br>\nsomething to do with PR, although I didn&apos;t work in that<br>\ndepartment,&quot; she said.<\/p>\n<p>Her human skills may have come from the experiences she<br>\nreceived as a dancer representing Indonesia at various<br>\ninternational venues.<\/p>\n<p>&quot;As the youngest member in the group, people always approached<br>\nand interviewed me, so I got used to dealing with people,&quot; Yayuk<br>\nsaid, explaining she had started classical Javanese and Balinese<br>\ndancing when she was just nine years old because she was such a<br>\ntomboy.<\/p>\n<p>She was also a former member of Retno Maruti&apos;s Pandecwara<br>\nJavanese classical dance group.<\/p>\n<p>In 1988 Yayuk set up her first PR company, Gayatri Putra &amp;<br>\nRahardja (GPR), the names of two of her three children.<\/p>\n<p>GPR quickly expanded to become a production house, and<br>\nproduced Japanese language teaching programs on private<br>\ntelevision station RCTI and Asia&apos;s singing competition Asia Bagus<br>\n-- a program that launched Indonesian singing sensations such as<br>\nKrisdayanti and AB-Three.<\/p>\n<p>During her work with GPR, Yayuk met the late conductor Yazeed<br>\nDjamin. The two later established the Indonesian Youth Orchestra.<\/p>\n<p>&quot;It was actually quite complicated. I was introduced to him<br>\nfrom a friend who knew him from my son&apos;s elementary school<br>\ngraduation,&quot; Yayuk said.<\/p>\n<p>Yayuk had organized a small music performance by students of<br>\nthe school and Yazeed was acting as advisor.<\/p>\n<p>&quot;After the graduation performance, he asked me to join him in<br>\nestablishing the Indonesian Youth Orchestra,&quot; she said, adding<br>\nshe agreed on condition that she be allowed to watch and learn<br>\nfor a year.<\/p>\n<p>&quot;I knew nothing at all about classical music, other than<br>\npassively listening to it,&quot; Yayuk said, explaining her<br>\nappreciation toward classical music had grown since her mother<br>\nhad insisted her children listen to it all the time.<\/p>\n<p>The 1998 economic crisis might seem to have come at an<br>\nopportune time for Yayuk, for the first time in many years she<br>\nhad time to pursue other interests, and during the hiatus she<br>\nfollowed all Yazeed&apos;s concerts in order to learn, absorb, and<br>\n&quot;get a feeling about what classical music is all about&quot;.<\/p>\n<p>Yazeed and Yayuk established the Indonesian Youth Orchestra in<br>\n1997, whose members were students from the secondary school of<br>\nmusic in Yogyakarta.<\/p>\n<p>&quot;I feel that another aspect to music is that it can improve<br>\nthe quality of human life. Teach people about discipline,<br>\nconsistency, social awareness, and teamwork, all the things that<br>\nbuild a person&apos;s character,&quot; Yayuk explained the reasons for the<br>\nestablishment of the youth orchestra.<\/p>\n<p>Feeling that Yogyakarta was too far away to recruit for<br>\nconcerts, she set up her own music school, the Indonesian Youth<br>\nOrchestra Music School. At the school, people between 6 and 25<br>\nyears old were taught to play different orchestral instruments.<\/p>\n<p>The school would perform concerts every six months.<\/p>\n<p>&quot;But I also found that in order to develop their fullest,<br>\nchildren must have the support of the whole family, that&apos;s when I<br>\nbegan a new institution, the Gita Niti Para Samya Foundation, in<br>\n2000,&quot; Yayuk said, explaining that the foundation introduced<br>\nmusic appreciation to the whole family.<\/p>\n<p>&quot;We invited noted musicians to come and play at the foundation<br>\nand at the same time to give a short lecture about the music or<br>\nthe instrument they play,&quot; she said.<\/p>\n<p>Going even further, Yayuk also established the Gita Niti Para<br>\nSamya music playgroup and kindergarten for children between two<br>\nand six years old.<\/p>\n<p>Her contributions to the development of classical music in<br>\nIndonesia has not gone unnoticed and this year the Belgium-based<br>\nJeunesses Musicales International (JMI) awarded Yayuk&apos;s National<br>\nYouth Orchestra Indonesia (NYOI) full membership, allowing<br>\nIndonesian youths to develop their potential at international<br>\nlevel.<\/p>\n<p>Besides her activities in the musical world, Yayuk has<br>\ncontinued her PR work with the establishment of Yayuk Rahardjo &amp;<br>\nRekan last year, concentrating on public mental health, maritime<br>\nand fisheries, and intellectual rights.<\/p>\n<p>How does she juggle all those activities?<\/p>\n<p>&quot;The key is good time management,&quot; Yayuk said lightly, she<br>\nadded the support of her whole family had also helped.<\/p>\n<p>&quot;My whole family is involved in the activities that I do, it&apos;s<br>\nlike a family activity now,&quot; she said laughing.<\/p>",
        "url": "https:\/\/jawawa.id\/newsitem\/yayuk-keeps-everything-under-control-1447893297",
        "image": ""
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    "sponsor": "Okusi Associates",
    "sponsor_url": "https:\/\/okusiassociates.com"
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