{
    "success": true,
    "data": {
        "id": 1466446,
        "msgid": "wayang-narkoba-an-innovative-way-to-discuss-drug-hiv-related-1447899208",
        "date": "2004-12-18 00:00:00",
        "title": "Wayang Narkoba: an innovative way to discuss drug, HIV related ",
        "author": null,
        "source": "SRI WAHYUNI",
        "tags": null,
        "topic": null,
        "summary": "Wayang Narkoba: an innovative way to discuss drug, HIV related issues JP\/17\/WAYANG 'Wayang Narkoba': Helping people say 'no' to drugs Sri Wahyuni The Jakarta Post Yogyakarta In a royal plenary meeting held at the Palace of the Kingdom of Amarta, Prince Ontoseno conveys to King Puntadewa the threat of drug addiction to the morals of Amarta's youth.",
        "content": "<p>Wayang Narkoba: an innovative way to discuss drug, HIV related <br>\nissues<\/p>\n<p>JP\/17\/WAYANG<\/p>\n<p>'Wayang Narkoba': Helping people say 'no' to drugs<\/p>\n<p>Sri Wahyuni<br>\nThe Jakarta Post<br>\nYogyakarta<\/p>\n<p>In a royal plenary meeting held at the Palace of the Kingdom of <br>\nAmarta, Prince Ontoseno conveys to King Puntadewa the threat of <br>\ndrug addiction to the morals of Amarta's youth.<\/p>\n<p>The young people of the kingdom have become lazy and <br>\nunreliable; they have become a useless generation who are capable <br>\nof doing almost anything, including robbing and killing, just to <br>\nsatisfy their desperate need for heroin or other addictive drugs. <br>\nThey have the potential to spread chaos everywhere.<\/p>\n<p>\"And even more saddening, Your Majesty, is that many of these <br>\ndrug users are now living with HIV\/AIDS,\" Prince Ontoseno said.<\/p>\n<p>He said that this problem was a global phenomenon that was not <br>\njust limited to Amarta, but also in other kingdoms such as <br>\nDwarawati and Astina, and in many other parts of the world such <br>\nas America, Australia and Africa. At home, the phenomenon has <br>\nbeen found throughout the country, including Yogyakarta.<\/p>\n<p>This is the opening dialog of a shadow puppet (wayang) <br>\nperformance entitled Ontran-Ontran Bawono (The Chaos of the <br>\nWorld), held here last Saturday night at Sasono Hinggil Dwi Abad <br>\nat the Yogyakarta Palace compound, with puppeteer Ki Edi <br>\nIndartono, or Tono Gito Gati as he is more popularly known.<\/p>\n<p>It was indeed an unusual opening dialog for a wayang <br>\nperformance; one that would never be found in conventional <br>\nJavanese wayang. Held to commemorate World AIDS Day on Dec. 1, <br>\nthe performance was specially designed to disseminate information <br>\nrelated to drug use and HIV\/AIDS.<\/p>\n<p>The original scenario, written by Hudoyo Hupudio of the Aksi <br>\nStop AIDS (ASA) group, has been demonstrated to 19 puppeteers <br>\ngrouped under the National Secretariat of Indonesian Puppeteers <br>\n(Senawangi), representing some 10 percent of the total number of <br>\npuppeteers across the Java and Bali islands who shall receive <br>\ntraining.<\/p>\n<p>\"We plan to train a total of 200 puppeteers as part of our <br>\nprogram to fight the spread of HIV\/AIDS, through messages <br>\ndisseminated through wayang narkoba (anti-drug shadow puppet <br>\nperformances),\" said Hudoyo, who is also an executive of Family <br>\nHealth International (FHI).<\/p>\n<p>Narkoba is a common Indonesian abbreviation meaning narcotics <br>\nand forbidden drugs.<\/p>\n<p>The performance itself is a joint program involving Family <br>\nHealth International\/Aksi Stop AIDS, the United State Agency for <br>\nInternational Development (USAID), Land O'Lakes Inc., the <br>\nIndonesian Humanity Committee (KKI), Senawangi, and the <br>\nAssociation of Indonesian Puppetry (Pepadi), and is considered a <br>\nbreak through in wayang performance.<\/p>\n<p>Usually, when wayang performances are used to disseminate <br>\nparticular messages, the messages are inserted as interludes in <br>\nthe intermezzo parts of the story, e.g. the Limbuk Cangik and <br>\nGoro-Goro scenes. In last Saturday's night-long performance, <br>\nhowever, the messages were woven into the main story of the <br>\nperformance.<\/p>\n<p>In this case, it was a story about a wayang kingdom (Amarta) <br>\nthat was experiencing a degradation of the morals of its young <br>\ngeneration along with an HIV\/AIDS epidemic.  The story examined <br>\nsolutions to the problems.<\/p>\n<p>The story tells of people dying or suffering from AIDS and of <br>\npeople using drugs and creating chaos. In one scene, Prince <br>\nOntoseno describes witnessing a family being evicted from a <br>\nvillage after members of the family die due to AIDS.<\/p>\n<p>In another scene he explains to his people the dangers of <br>\nusing drugs, and how sharing drug needles and having unprotected <br>\nsex can lead to HIV infection.  He tells of how a healthy, <br>\ntrustful way of life can protect them from being infected by the <br>\nlethal disease.<\/p>\n<p>\"We already have medicine to treat people living with <br>\nHIV\/AIDS, but the medicine does not kill the virus. That's why <br>\nthey have to take the medicine every day for the rest of their <br>\nlives. But it's quite safe to live with them in the same house, <br>\nshare the same toilet, or even hug them. So let them live their<br>\nnormal life with us. Never throw them out from the community,\" <br>\nsays Prince Ontoseno in one scene.<\/p>\n<p>Wayang performance has long been known as an effective means <br>\nfor disseminating information to public. It has a long history of <br>\ndealing with even the most sensitive and controversial issues in <br>\nways that make sense to the ordinary, traditional audiences.<\/p>\n<p>During the early development of Islam in Java, for example, <br>\nSunan Kalijaga of the Wali Sanga (the nine pious Muslim leaders <br>\nwho brought Islam to the island) used wayang as a preaching <br>\nmedium. It also played a key role during the New Order era in <br>\neducating Indonesians about family planning. And more recently, <br>\nit has been used to communicate issues related to regional <br>\nautonomy in the country.<\/p>\n<p>\"We still find it difficult to publicly talk about issues <br>\nrelated to sex, condoms, or drug use in our community here. It is <br>\nthrough a traditional performance like this that we can talk <br>\nabout these issues more freely,\" Ki Edi Indartono said.<\/p>\n<p>Puppeteer Ki Enthus Susmono of Tegal, Central Java, who was <br>\nalso in the audience, and even took part in the story as a guest <br>\nstar, concurred.  He said that people should not be overly <br>\nconcerned about the so-called pakem (agreed source book for <br>\nplaying a traditional performance), and should not be afraid of <br>\ninnovation.<\/p>\n<p>\"Instead, we should consider it (innovations) as enriching the <br>\nexisting pakem. If people ask you which pakem is it referring to, <br>\nthen simply say that it is the pakem of wayang narkoba. So,<br>\nlet's call it Wayang Narkoba,\" Enthus told the audience on the <br>\nnight.<\/p>\n<p>The same play was scheduled to be performed at the Surakarta <br>\n(Solo) Palace. However, due to objections from some local senior <br>\npuppeteers, the performance was replaced with a traditional one <br>\nwith Ki Enthus Susmono as the puppeteer.<\/p>",
        "url": "https:\/\/jawawa.id\/newsitem\/wayang-narkoba-an-innovative-way-to-discuss-drug-hiv-related-1447899208",
        "image": ""
    },
    "sponsor": "Okusi Associates",
    "sponsor_url": "https:\/\/okusiassociates.com"
}