{
    "success": true,
    "data": {
        "id": 1258695,
        "msgid": "water-gives-ichi-ikeda-inspiration-1447893297",
        "date": "2002-05-28 00:00:00",
        "title": "Water gives Ichi Ikeda inspiration",
        "author": null,
        "source": "JP",
        "tags": null,
        "topic": null,
        "summary": "Water gives Ichi Ikeda inspiration Asip A. Hasani, The Jakarta Post, Yogyakarta Water is the most valuable natural resource on earth needed by humans in their daily lives. A scarcity of clean water would cause great suffering, but only a few people in this country have any concern for water conservation. Japanese contemporary artist Ichi Ikeda, however is very serious about the issue.",
        "content": "<p>Water gives Ichi Ikeda inspiration<\/p>\n<p>Asip A. Hasani, The Jakarta Post, Yogyakarta<\/p>\n<p>Water is the most valuable natural resource on earth needed by<br>\nhumans in their daily lives. A scarcity of clean water would<br>\ncause great suffering, but only a few people in this country have<br>\nany concern for water conservation.<\/p>\n<p>Japanese contemporary artist Ichi Ikeda, however is very<br>\nserious about the issue. He consistently uses and explores water<br>\nto create art that is strongly connected to global environmental<br>\nproblems, particularly water conservation.<\/p>\n<p>Ikeda&apos;s work Through Arcing Ark to Asian Water\/Art Channel,<br>\nwhich is being displayed at the Cemeti Art House from May 10 to<br>\nMay 30, reflects his deep concern about water.<\/p>\n<p>Three bamboo boats hung from the gallery&apos;s ceiling are the<br>\ncenter of his unique piece. Each end of the three boats is<br>\nconnected to each other using transparent tubes through which<br>\nwater can flow from one boat to another.<\/p>\n<p>The three boats&apos; chain -- beginning from a higher boat hung in<br>\nthe corner of the room and ending in the mouth of the well of the<br>\ngallery -- symbolizes the water cycle. In Ikeda&apos;s imagination,<br>\nthe three boats float in three rivers in Yogyakarta, the Progo,<br>\nthe Code and the Winongo.<\/p>\n<p>&quot;We need water just like the boats need the rivers,&quot; Ikeda<br>\nsays. &quot;Whether the rivers here will be polluted or not in the<br>\nfuture depends on all of us.&quot;<\/p>\n<p>Ikeda&apos;s ideas about water are a common theme in his art.<br>\nHowever, his long-time dedication to water conservation efforts<br>\nas well as his consistence in creating art can raise<br>\nconsciousness of the masses on the importance of clean water.<\/p>\n<p>Attached on the wall of the exhibition room are photographs of<br>\nwhat he calls water senders, pictures of dozens of people taking<br>\nwater with the palms of their hands, people&apos;s faces washed with<br>\nwater and people&apos;s feet washed with water.<\/p>\n<p>&quot;Be water senders, sending water to all people living in the<br>\nfuture regardless of cultural, national or religious differences<br>\nand disagreements,&quot; Ikeda exhorts.<\/p>\n<p>The exhibition is, in fact, a continuation (extension) of his<br>\nearlier work entitled Arcing Ark, which was created between 1997<br>\nand 1999 in some Asian countries which included indoor and<br>\noutdoor exhibitions.<\/p>\n<p>Feeling guilty for being a part of the first group of students<br>\nto join research in high polymer chemistry in early 1960s -- when<br>\nhe was student at Japan&apos;s Kyoto University where he obtained a<br>\nbachelor&apos;s degree -- the 58-year-old Ikeda became a &quot;green&quot;<br>\nactivist.<\/p>\n<p>&quot;The high polymer industry produces such materials as<br>\nstyrofoam and nylon that pollute the environment,&quot; he said.<\/p>\n<p>Ikeda has been involved in art since the mid 1960s becoming a<br>\nplaywright and an art director with a theater group. Years before<br>\nhis Arcing Ark project, he had been keenly interested in water as<br>\nthe subject of his art.<\/p>\n<p>His artwork and thoughts are like a science-fiction story. The<br>\nengineer-cum-artist becomes &quot;water admirer&quot; not only because of<br>\nwater&apos;s real meaning to people&apos;s daily life but also because of<br>\nits unpredictability or its uncontrollable state.<\/p>\n<p>&quot;We can create a sculpture from solid material but we can&apos;t<br>\ncreate it using water,&quot; he simply says.<\/p>\n<p>He believes that water is the basic unit of Eastern<br>\ncivilization as opposed to the Western base of land.<\/p>\n<p>He compares all of Western civilization to &quot;Stonehenge&quot;, a<br>\nstructure of stones arranged systematically and symmetrically.<br>\nWherein the absence one stone in the structure would cause the<br>\ncollapse of the whole structure.<\/p>\n<p>&quot;Waterhenge&quot; is the term he uses to describe Eastern<br>\ncivilization which does not have a systematic structure, yet, it<br>\nhe claims the power of water cannot really be controlled by<br>\nothers or outsiders.<\/p>\n<p>&quot;And since the Industrial Revolution, culture in the modern<br>\nage land-based civilization (The Occidental world) seems to have<br>\noverwhelmed the water-based civilization (Asia). However, the<br>\n21st century will be the &apos;Water Era&apos;in which the East will ask<br>\nfor a restoration of the water-based civilization which<br>\noriginates from Southeast Asia and spreads to form a water front<br>\nall over Asia,&quot; he said.<\/p>\n<p>He said that establishing an art network in Asia can be a<br>\nbeginning to extending the water-based network wider aimed at<br>\nsaving the future with regard to the adequacy of clean water.<\/p>",
        "url": "https:\/\/jawawa.id\/newsitem\/water-gives-ichi-ikeda-inspiration-1447893297",
        "image": ""
    },
    "sponsor": "Okusi Associates",
    "sponsor_url": "https:\/\/okusiassociates.com"
}