{
    "success": true,
    "data": {
        "id": 1544303,
        "msgid": "umar-kayams-short-story-impresses-jakartans-1447893297",
        "date": "1997-08-16 00:00:00",
        "title": "Umar Kayam's short story impresses Jakartans",
        "author": null,
        "source": "JP",
        "tags": null,
        "topic": null,
        "summary": "Umar Kayam's short story impresses Jakartans By Yenni Kwok JAKARTA (JP): If a success was measured by the author's blessing, the music and story reading by brothers Djaduk Ferianto and Butet Kertaredjasa had been a big accomplishment. Author Umar Kayam, whose short story \"Drs. Citraksa and Drs. Citraksi\" was read last Tuesday, shared the night of laughter with the audience of Graha Bhakti Budaya.",
        "content": "<p>Umar Kayam's short story impresses Jakartans<\/p>\n<p>By Yenni Kwok<\/p>\n<p>JAKARTA (JP): If a success was measured by the author's<br>\nblessing, the music and story reading by brothers Djaduk Ferianto<br>\nand Butet Kertaredjasa had been a big accomplishment.<\/p>\n<p>Author Umar Kayam, whose short story \"Drs. Citraksa and Drs.<br>\nCitraksi\" was read last Tuesday, shared the night of laughter<br>\nwith the audience of Graha Bhakti Budaya.<\/p>\n<p>He smiled and laughed as Butet, the fifth son of renown<br>\nchoreographer Bagong Kussudiardjo, made alive the pathetic<br>\ncharacters from his piece. Djaduk, Butet's more famous youngest<br>\nbrother, composed the music.<\/p>\n<p>The music and short story reading was originally performed<br>\nlast June in Yogyakarta. Then titled Pak Kayam Pamit Pensiun (Pak<br>\nKayam Says Good Bye to Retire), it was to honor Kayam's<br>\nretirement from Gadjah Mada University.<\/p>\n<p>\"The story is a portrayal of our time,\" Kayam said after the<br>\nperformance. \"The story became better. They had a good and creative<br>\napproach.\"<\/p>\n<p>Although their Jakarta performance was no longer associated<br>\nwith Kayam's retirement event, the content was still relevant to<br>\nany occasion.<\/p>\n<p>Witty humor and satires dominated the two-part performance.<\/p>\n<p>The two brothers took turn to carry the weight. The first part<br>\nhighlighted Djaduk's musical and theatrical talent.<\/p>\n<p>His music score, \"Kursi Goyang Pak Ageng\" (Pak Ageng's Rocking<br>\nChair), revolved around the concept of \"seat\" and power.<\/p>\n<p>Djaduk also made fun of a leader, who still ruled in<br>\nfeudalistic tradition. Pak Ageng, acted by a man with a round<br>\nface and a safari shirt, enjoyed Djaduk's music in his rocking<br>\nchair.<\/p>\n<p>The soothing music soon turned to be disturbing. Rebana<br>\nplayers surrounded the leader, waking him up from his peaceful<br>\nrest. He jumped from his chair and shouted, \"Shut up! If it's<br>\ntime to step down, I will step down!\"<\/p>\n<p>Djaduk was a maestro. Or, a chef. He knew how to mix the<br>\ningredients of music, theater and literature to make it appealing<br>\nto the audience.<\/p>\n<p>Even his music was a combination of jazz, gamelan and gambus<br>\nmusic. His band combined gamelan instruments, electronic organs,<br>\nrebanas and a clarinet.<\/p>\n<p>Nothing was new in this performance. It still showcased the<br>\nsame elements: Djaduk's music, humor and satires. Yet, it was<br>\nsomething the audience were never tired of.<\/p>\n<p>After all, the Maestro was not blind to the current<br>\nsituation. On stage, he gave opportunities for people to laugh<br>\nand relieve their oppressed concerns.<\/p>\n<p>Nonetheless, Djaduk off stage was not as naughty. \"We are only<br>\nbeing playful,\" said the 33-year-old artist.<\/p>\n<p>The show climaxed at the second part, featuring Kayam's piece.<br>\nIt was a ridiculing portrayal of nepotism, a common practice of<br>\nthe powerful here.<\/p>\n<p>Regent Beragalrebo was once asked by his beloved uncle to<br>\naccommodate his twin cousins, Citraksi and Citraksa, into his<br>\nbureaucratic machinery. (The twins' names are taken from<br>\nMahabharata epic; they are the always lost Kurawa twin brothers.)<\/p>\n<p>If the twins were smart and intelligent, it would be no<br>\nproblem. But they always stuttered whenever they had to carry<br>\nimportant tasks.<\/p>\n<p>Butet, still active at Teater Gandrik, showed off his<br>\ntheatrical talent in enlivening Kayam's story.<\/p>\n<p>The serious-looking bespectacled man personified different<br>\ncharacters. He was the bewildered Regent Beragalrebo,<br>\nthe toothless old dukun (medicine man), the stuttering twins<br>\nCitraksi and Citraksa. The 46-year-old artist was the star of<br>\nthe night.<\/p>\n<p>The brothers have worked before in a musical performance,<br>\nMusik Humor (Musical Humor) between 1970 and 1979.<\/p>\n<p>Their work has impressed another literary figure. Writer<br>\nDanarto has asked them to read his short story, possibly in<br>\nOctober.<\/p>",
        "url": "https:\/\/jawawa.id\/newsitem\/umar-kayams-short-story-impresses-jakartans-1447893297",
        "image": ""
    },
    "sponsor": "Okusi Associates",
    "sponsor_url": "https:\/\/okusiassociates.com"
}