{
    "success": true,
    "data": {
        "id": 1298578,
        "msgid": "theater-groups-strive-to-save-sundanese-1447893297",
        "date": "2000-10-23 00:00:00",
        "title": "Theater groups strive to save Sundanese",
        "author": null,
        "source": "JP",
        "tags": null,
        "topic": null,
        "summary": "Theater groups strive to save Sundanese BANDUNG (JP): The latest effort to preserve the Sundanese language is to perform traditional plays. And the most recent theater group to perform these plays is Kiwari, a Sundanese theatrical group combining traditional and modern elements. For its maiden performance to help push the campaign to save the Sundanese language, the group has chosen a play by Hidayat Suryalaga titled Tatangga (Neighbors).",
        "content": "<p>Theater groups strive to save Sundanese<\/p>\n<p>BANDUNG (JP): The latest effort to preserve the Sundanese<br>\nlanguage is to perform traditional plays.<\/p>\n<p>And the most recent theater group to perform these plays is<br>\nKiwari, a Sundanese theatrical group combining traditional and<br>\nmodern elements. For its maiden performance to help push the<br>\ncampaign to save the Sundanese language, the group has chosen a<br>\nplay by Hidayat Suryalaga titled Tatangga (Neighbors).<\/p>\n<p>In September, the group staged the play several times and this<br>\nmonth they perform it every Sunday. In later months, the group<br>\nwill perform other plays.<\/p>\n<p>There used to be several similar groups in West Java,<br>\nparticularly in Bandung, such as Sri Murni and Miss Cicih. The<br>\nlatter used to be famous and idolized by the community. However,<br>\nthese groups have virtually disappeared because of their<br>\ninability to innovate.<\/p>\n<p>Some former members of these groups told The Jakarta Post that<br>\nthey could not continue because of financial problems and<br>\nreluctance from the local administration to sponsor their<br>\nperformances, let alone extend financial support.<\/p>\n<p>Other traditional or folk theatrical forms such as longser,<br>\npantun (a kind of dialog in poetry), dance dramas, terbangan,<br>\ntarling and so forth have also disappeared from Pasundan, the<br>\nSundanese Land.<\/p>\n<p>Since its establishment in early 1988, Kiwari Theater has<br>\nstaged Sundanese plays and tried to revive longser in their<br>\nperformances. Kiwari Theater chairman, R. Dadi P. Danusubrata<br>\ntold The Jakarta Post recently that Kiwari Theater was obsessed<br>\nabout cultivating the culture and language through theatrical<br>\nperformances.<\/p>\n<p>This obsession conformed to the regulation of the West Java<br>\nprovincial office of the national education ministry which<br>\nrequires all students in West Java to use Sundanese every<br>\nWednesday.<\/p>\n<p>To Kiwari Theater the compulsory use of Sundanese was taken as<br>\nan expression of great worry about the fate of the language<br>\nbecause, unlike speakers of Javanese, Batak and other regional<br>\nlanguages, Sundanaese speakers are greatly reduced in number.<\/p>\n<p>In light of this situation, Kiwari Theater tapped this<br>\nopportunity by performing lighter plays easily understood by<br>\nschool students.<\/p>\n<p>On Oct. 1, Kiwari Theater performed Tatangga (Neighbors) under<br>\nthe director of R. Dadi Danusubrata at Rementang Siang Arts House<br>\nin Bandung. After the performance, Dadi said apart from<br>\npreserving Sundanese folk theater, Kiwari Theater intended to<br>\ncultivate the language through its theatrical performances.<br>\nKiwari Theater's performances are not purely traditional as it<br>\nincorporates a blend of Sundanese traditional and modern<br>\ntheatrical elements.<\/p>\n<p>Black-and-white<\/p>\n<p>Tatangga was chosen for its easy plot, its black-and-white<br>\ndepiction about human traits and advice of not to forget the<br>\nregional languages spread throughout Indonesia's provinces.<\/p>\n<p>Tatangga has been performed over the last several months and<br>\nwill continue to run in the coming weeks. The play has earned a<br>\nwarm welcome from students, teachers and parents.<\/p>\n<p>The performance is only an initial step toward preserving and<br>\npopularizing the Sundanese language. Of course, Kiwari Theater<br>\nwill later perform high-brow plays.<\/p>\n<p>The play revolves around two girls, Neng Elsye and Neng Emmi,<br>\nwho are both very fond of showing off their wealth and their<br>\nparents' positions in society.<\/p>\n<p>To cultivate and preserve the Sundanese language, there are<br>\nsome art forms other than theater, such as  kecapi suling (string<br>\ninstrument and flute), reog (singing comedy group), calung<br>\n(bamboo xylophone), degung (gamelan), pantun (traditional<br>\npoetry), angklung (suspended bamboo tubes which make a sound when<br>\nshook) and a host of other art forms and genres, which may be on<br>\nthe brink of extinction or have, perhaps, become extinct.<\/p>\n<p>Meanwhile, the only surviving Sundanese mass media<br>\npublication, Mangle, is read by the elderly. It is almost unknown<br>\namong the young. (matdon)<\/p>",
        "url": "https:\/\/jawawa.id\/newsitem\/theater-groups-strive-to-save-sundanese-1447893297",
        "image": ""
    },
    "sponsor": "Okusi Associates",
    "sponsor_url": "https:\/\/okusiassociates.com"
}