{
    "success": true,
    "data": {
        "id": 1516466,
        "msgid": "the-wind-in-the-savanna-1447893297",
        "date": "1997-06-15 00:00:00",
        "title": "'The Wind in the Savanna'",
        "author": null,
        "source": "",
        "tags": null,
        "topic": null,
        "summary": "'The Wind in the Savanna' From Kompas The TV film, Angin Rumput Savana (The Wind in the Savanna), shown by TPI on May 29, 1997, at 8 p.m., was evidently a combined effort of National Family Planning Board, TPI and John Hopkins University. The film, directed by Garin Nugroho, showed customs and traditions of Sumba island -- which struck Sumba society as being odd and peculiar. The story is overdramatized, giving an unrealistic view about the life of the people.",
        "content": "<p>'The Wind in the Savanna'<\/p>\n<p>From Kompas<\/p>\n<p>The TV film, Angin Rumput Savana (The Wind in the Savanna),<br>\nshown by TPI on May 29, 1997, at 8 p.m., was evidently a combined<br>\neffort of National Family Planning Board, TPI and John Hopkins<br>\nUniversity. The film, directed by Garin Nugroho, showed customs<br>\nand traditions of Sumba island -- which struck Sumba society as<br>\nbeing odd and peculiar. The story is overdramatized, giving an<br>\nunrealistic view about the life of the people.<\/p>\n<p>For instance, the name Rambu Ana Wulang, a girl's name, was<br>\nshortened to \"Wulang\". This name, an abbreviation from Umbu<br>\nWulang, is a male's name. If the name indicated a woman, the name<br>\nshould have been shortened to Rambu Wulang or Ana Wulang. It<br>\nwould be odd to call someone by the name of Wulang, only to<br>\ndiscover that it was not a man.<\/p>\n<p>The kidnapping scene showing Rambu Wulang riding astride on<br>\nhorseback also drew criticism from Sumba women. Women do not ride<br>\na horse that way -- it would be improper to do so. Even today,<br>\nSumba women always ride sidesaddle. In this way, Sumba women show<br>\ntheir ultimate skills in horsemanship, which never fails to draw<br>\nadmiration.<\/p>\n<p>The kidnapping scene showing Rambu Wulang tied up was really<br>\ntoo much. In the past, kidnapping Sumba-style amounted to<br>\nstanding watch over a woman who was in a closed room, while a<br>\nparty in full swing took place outside. The kidnapping was part<br>\nof the event. It would be unthinkable to treat a woman in the way<br>\nthat the film portrayed.<\/p>\n<p>The sonnet sung in the local dialect did not suit the story,<br>\nsince the melody related to a story of a woman yearning for her<br>\nlover, while the TV story depicted the efforts of a woman who<br>\nwanted to bring a change to tradition.<\/p>\n<p>Also, the part of the midwife (played by Renny Djajoesman) in<br>\nwhich she scolded a man, reflected rudeness. The accessories worn<br>\nby the midwife, too, like bracelets and a necklace, were far from<br>\ndepicting the reality of Sumba.<\/p>\n<p>I suggest that Garin should delve more into the background of<br>\nhis subject matter before shooting a film.<\/p>\n<p>UMBU HUNGA MEHA TARAP<\/p>\n<p>Bogor, West Java<\/p>",
        "url": "https:\/\/jawawa.id\/newsitem\/the-wind-in-the-savanna-1447893297",
        "image": ""
    },
    "sponsor": "Okusi Associates",
    "sponsor_url": "https:\/\/okusiassociates.com"
}