{
    "success": true,
    "data": {
        "id": 1001236,
        "msgid": "the-listening-post-1447893297",
        "date": "1994-11-01 00:00:00",
        "title": "The Listening Post",
        "author": null,
        "source": "JP",
        "tags": null,
        "topic": null,
        "summary": "The Listening Post * \"Appealing, yet puzzling\" might describe the Indonesian paintings and drawings of Canadian artist, Ken Pattern, our guest on this morning's rebroadcast of \"The Listening Post\" (Radio Sonora FM 100.9, at 9:15). His precise, clean renderings of the old Jakarta, fast disappearing as it becomes a global capital of business, have been shown widely, here and abroad; local people often ask him, \"Why are you painting slums?\" he remarks.",
        "content": "<p>The Listening Post<\/p>\n<p>* \"Appealing, yet puzzling\" might describe the Indonesian<br>\npaintings and drawings of Canadian artist, Ken Pattern, our guest<br>\non this morning's rebroadcast of \"The Listening Post\" (Radio<br>\nSonora FM 100.9, at 9:15). His precise, clean renderings of the<br>\nold Jakarta, fast disappearing as it becomes a global capital of<br>\nbusiness, have been shown widely, here and abroad; local people<br>\noften ask him, \"Why are you painting slums?\" he remarks.<br>\n * The fact is that he finds \"kampung\" life visually appealing;<br>\nnotice that there is a very important semantic difference between<br>\nthe word \"kampung,\" which usually has a neutral connotation<br>\n(expect in an expletive like \"kampungan\"), and \"slum\" which by<br>\ndefinition is a pejorative term. The fact is that while a<br>\n\"kampung\" may be a slum (those around Tanjung Priok are pretty<br>\nrough, and might qualify), it is not necessarily so. I live in a<br>\n\"kampung Betawi,\" in old Condet, and do not at all consider the<br>\narea to be a slum. Rather, I think of myself as being rather<br>\nprivileged to be able to live in a green belt of the big city.<br>\n * Since there's no precise English term for \"kampung,\" we are<br>\nreally forced to use the Indonesian one. That may be why the<br>\npersons who ask Ken why he is \"painting pictures of slums\" may<br>\nsimply be at a loss; they think this is the closest term in<br>\nEnglish. Well, it's not. You simply have to use the Indonesian<br>\nterm, and if a Westerner doesn't understand what it means then<br>\nyou explain it. It's like calling \"gado-gado\" \"Indonesian salad,\"<br>\nwhich, while not wrong, is certainly inaccurate. English grows<br>\nrapidly with new terms from foreign languages, especially for<br>\nthings like foods (\"tofu,\" \"tom yam koong,\" and \"nuc mam\" are<br>\nrecent additions to the culinary language of American English,<br>\nfollowing the growth in popularity of Japanese, Thai and<br>\nVietnamese food there).<br>\n * Ken Pattern is also the creator of a lovely 1995 calendar,<br>\ncalled \"Indonesian Impressions\" and featuring scenes from various<br>\nplaces in the archipelago where he has traveled and painted,<br>\nincluding Mount Bromo, Parangtritis, Maluku and Irian Jaya. This<br>\nfull-color calendar has been sponsored jointly by the American<br>\nWomen's Association and the Canadian Women's Association. You<br>\nshould consider buying several, to give as gifts: all proceeds<br>\nfrom sales go to worthwhile Indonesian health-service charities.<br>\n * Ken came to Jakarta in late 1988 with his wife, an international<br>\nhuman resources development consultant. They had previously been<br>\nin Beijing, where he found many difficulties in pursuing an art<br>\ncareer: \"To use the only lithography studio in the city, I would<br>\nhave to bicycle for one-and-a-half hours to the University only<br>\nto find that the professor with the studio key was out. I was<br>\ngreatly frustrated at the amount of time it took to complete one<br>\nproject\" is a quote from Vickie White Costello's review of Ken's<br>\nwork, in \"The Arts\" section of the Sunday, October 9, Jakarta<br>\nPost. Check it out if you'd like to know more about Ken's art,<br>\nand see photos of several examples.<br>\n * Here are some more points of usage and grammar which you might<br>\nfind helpful; they are taken from recent student compositions and<br>\nI mention them in the hope that they will help you avoid similar<br>\nerrors in your own writing.<br>\n * Avoid the \"due to\" form, which, according to many English<br>\nexperts, is poor usage. Instead, try \"as a result of.\" Example:<br>\n\"As a result of the trouble in Cambodia, and the potential danger<br>\nfor tourists there, Ed and Tootsie decided to spend their annual<br>\nvacation in Rwanda.<br>\n * Do not use a semicolon between an independent and a dependent<br>\nclause. Here is a erroneous example (the asterisk is used in<br>\nlinguistics to indicate an incorrect form): *\"After the pie-<br>\nthrowing date is negotiated between counter-parties; the red-hot-<br>\nchili-pepper-spray event will be discussed.\" Another such common<br>\nmistake is to do just the opposite, and place a comma (instead of<br>\na semicolon) between two independent clauses: *\"Payment in dried<br>\njellyfish is due one to two days prior to prison sentencing, this<br>\nis a few days prior to nuclear submarine delivery of bogus<br>\nroller-coaster certificates.\" High-school students in the U.S.<br>\nfrequently make these kinds of mistakes in their compositions, in<br>\nspite of being native speakers (it's one more reason why they<br>\nhate English class.)<\/p>\n<p>-- Byron Black<\/p>",
        "url": "https:\/\/jawawa.id\/newsitem\/the-listening-post-1447893297",
        "image": ""
    },
    "sponsor": "Okusi Associates",
    "sponsor_url": "https:\/\/okusiassociates.com"
}