{
    "success": true,
    "data": {
        "id": 1101569,
        "msgid": "tantyo-captures-ethnic-values-in-his-picture-1447893297",
        "date": "2001-10-10 00:00:00",
        "title": "Tantyo captures ethnic values in his picture",
        "author": null,
        "source": "JP",
        "tags": null,
        "topic": null,
        "summary": "Tantyo captures ethnic values in his picture Bayu Dwi, Contributor, Jakarta Indonesia is well-known for its rich cultural traditions. But in this modern era, tradition seems to be increasingly regarded as an \"enemy.\" When an individual or a community wishes to modernize, traditions are often abandoned and sometimes forgotten. Today, many of Indonesia's various ethnic traditions are on the verge of disappearance.",
        "content": "<p>Tantyo captures ethnic values in his picture<\/p>\n<p>Bayu Dwi, Contributor, Jakarta<\/p>\n<p>Indonesia is well-known for its rich cultural traditions. But<br>\nin this modern era, tradition seems to be increasingly regarded<br>\nas an &quot;enemy.&quot;<\/p>\n<p>When an individual or a community wishes to modernize,<br>\ntraditions are often abandoned and sometimes forgotten.<\/p>\n<p>Today, many of Indonesia&apos;s various ethnic traditions are on<br>\nthe verge of disappearance. The atmosphere is further clouded by<br>\nthe uncertainties as to which values are prevalent.<\/p>\n<p>This theme is prevalent in Tantyo Bangun&apos;s solo photo<br>\nexhibition entitled Senjakala Tradisi (The Dusk of Tradition),<br>\nheld at Antara&apos;s Journalistic Photo Gallery in Pasar Baru,<br>\nCentral Jakarta, which runs until Oct. 17.<\/p>\n<p>In his black-and-white pictures, Tantyo attempts to record<br>\ntraditions of several ethnic groups including the Mentawai,<br>\nDayaks and the Sumba, which are being marginalized of late.<\/p>\n<p>Antara chief editor M. Sobari said that culture can&apos;t be<br>\nregarded as something linear as modernization and tradition can<br>\ncoexist through time.<\/p>\n<p>&quot;Everyday we create a new tradition, like this exhibition.<br>\nPreviously, this activity was almost non-existent, but today it<br>\nis in abundance, which means we are continuously creating new<br>\ntraditions,&quot; he said.<\/p>\n<p>Tantyo&apos;s photos evoke powerful emotions. And the question that<br>\nneeds to be asked is; are these truly the obscure portraits of<br>\nlocal tradition? Though not encompassing the country&apos;s whole<br>\ntradition, he explicitly reminds us of the cultural richness<br>\nstill present throughout this vast archipelago.<\/p>\n<p>A series of pictures of Mentawai people on Siberut island,<br>\nWest Sumatra, is one of the examples. The Mentawaians, who used<br>\nto have a very isolated culture, are now influenced a great deal<br>\nby modernization. Their traditional culture is now only found in<br>\nthe southern and western parts of the island. Their traditional<br>\nceremonies are becoming increasingly rare throughout the island.<\/p>\n<p>Tantyo captures on film at least one ceremony called Lajo<br>\nsimagre, a dance involving a boat belonging to an evil spirit,<br>\nand performed all night long to enable the kerei agung pageta<br>\nsabbau (high priest) to heal sick citizens.<\/p>\n<p>To forecast the future, Mentawaians usually sacrifice a white<br>\nrooster to decorate the simagre (the spirit&apos;s boat).<\/p>\n<p>Tantyo theorizes that Mentawai traditions have become<br>\nmarginalized due to local government expediency in carrying out<br>\nvarious programs.<\/p>\n<p>&quot;It (cultural marginalization) is due to efforts intended to<br>\nunite Mentawai&apos;s clans and enable the local administration&apos;s<br>\nprogram on education and health to proceed. Apparently it has<br>\ndecreased the ritual performances in the clans.&quot;<\/p>\n<p>&quot;We also find pictures rarely seen in cities,&quot; said Aristides<br>\nKatoppo, chief editor of Sinar Harapan evening daily. &quot;For<br>\ninstance, just look at the longhouses of the Dayak people in<br>\nKapuas Hulu, West Kalimantan.&quot;<\/p>\n<p>Tantyo is fond of traveling, not only in Indonesia but also to<br>\nother countries, since joining the University of Indonesia&apos;s<br>\nStudents Nature Society (Mapala UI).<\/p>\n<p>With his schoolmates, he once crossed the Tripa river in Aceh<br>\nand climbed Cayambe and Chimburazo mountains in Ecuador in 1987.<br>\nIn 1993, together with Ripto Mulyono, they became the first<br>\nIndonesians to reach the snowy peak of Aconcagua mountain in<br>\nArgentina. He also has been to Antarctica.<\/p>\n<p>Tantyo is very enthusiastic about exploration, and this<br>\nremains his main motivation for each activity, and the underlying<br>\ntheme of his reports and adventure photography during his five-<br>\nyear career as a journalist for Matra magazine.<\/p>\n<p>He is also busy with documentary films of Indonesia&apos;s national<br>\nparks including Kayan Mentarang, Kalimantan, and National<br>\nGeographic in Mentawai, Sumatera. Writing is also his other<br>\npassion as he has published some books and articles in Time,<br>\nAsiaweek, Business Week, GEO and National Geographic. In his<br>\nspare time he does work with an adventure magazine, Jelajah,<br>\nwhere he is chief editor.<\/p>\n<p>&quot;Nowadays I&apos;m finalizing a book on Indonesian traditional<br>\nmedicines.  I might be able to get it published in three years,<br>\nso please keep your fingers crossed,&quot; he said with a smile.<\/p>",
        "url": "https:\/\/jawawa.id\/newsitem\/tantyo-captures-ethnic-values-in-his-picture-1447893297",
        "image": ""
    },
    "sponsor": "Okusi Associates",
    "sponsor_url": "https:\/\/okusiassociates.com"
}