{
    "success": true,
    "data": {
        "id": 1285065,
        "msgid": "stuffy-air-in-indonesias-public-world-1447893297",
        "date": "2000-12-03 00:00:00",
        "title": "Stuffy air in Indonesia's public world",
        "author": null,
        "source": "JP",
        "tags": null,
        "topic": null,
        "summary": "Stuffy air in Indonesia's public world Indonesian Images -- The Culture of the Public World; By Niels Mulder; Kanisius Publishing House, 2000; 249 pp; Rp 25,000 JAKARTA (JP) Vociferous protests are heard loud and clear. Groups of people can easily turn into a mob, sometimes rowdy, sometimes orderly. A small issue can spark a heated debate. Headlines capture attention not for their content, but for their sheer vulgarity. Goodbye politeness and farewell propriety, it seems.",
        "content": "<p>Stuffy air in Indonesia's public world<\/p>\n<p>Indonesian Images -- The Culture of the Public World;<br>\nBy Niels Mulder; Kanisius Publishing House, 2000; 249 pp;<br>\nRp 25,000<\/p>\n<p>JAKARTA (JP) Vociferous protests are heard loud and clear.<br>\nGroups of people can easily turn into a mob, sometimes rowdy,<br>\nsometimes orderly. A small issue can spark a heated debate.<\/p>\n<p>Headlines capture attention not for their content, but for<br>\ntheir sheer vulgarity. Goodbye politeness and farewell propriety,<br>\nit seems. This is Indonesia of today, its public world enjoying<br>\nseemingly complete freedom of speech, expression and assembly.<\/p>\n<p>When Soeharto stepped down in May 1998, the door to freedom<br>\nwas opened at a greater speed. When Soeharto's successor, B.J.<br>\nHabibie, was replaced by the most democratically elected<br>\npresident, Abdurrahman \"Gus Dur\" Wahid, freedom seemed to be let<br>\nloose. Indonesia's public world is deliriously absorbed in its<br>\nlong-lost freedom. For 32 years Soeharto and his New Order regime<br>\nmuzzled critical mouths and stunted creative minds. For 32 years,<br>\nIndonesia's public world was tightly wrapped in the blanket of<br>\ndarkness that was authoritarianism.<\/p>\n<p>Mulder's book is interesting as it traces the development of<br>\npublic discourse in Indonesia until just before the 1997 monetary<br>\ncrisis, and considering that this Dutch anthropologist with a<br>\nspecial interest in Southeast Asian affairs has written a few<br>\nbooks about Indonesia (for example his Mysticism In Java\/Ideology<br>\nin Indonesia). This crisis sounded the death knell for the New<br>\nOrder regime, which collapsed following mass rallies by students<br>\nand laymen alike.<\/p>\n<p>Reading the book through will allow a mosaic of events and<br>\npublic figures to evolve before you, presenting a dark picture,<br>\nalbeit with some optimism, of the country's public world in the<br>\nyears preceding the collapse of the Soeharto regime.<\/p>\n<p>The book is divided into seven chapters and discusses the<br>\ntopics from what Mulder believes forms the basis of prevailing<br>\nideas among Indonesians. So the book begins with a discussion of<br>\nsocial studies in elementary schools and senior secondary<br>\nschools. In these two chapters, Mulder critically looks at the<br>\ntextbooks on social studies used in the schools. These books,<br>\nMulder maintains, shape students' awareness of the outside world,<br>\nthe world beyond schools and homes. Social studies introduces<br>\nstudents to ways of maintaining social contact and later placing<br>\nthemselves in society.<\/p>\n<p>Mulder notices the government's strong attempt in the books to<br>\nstress only ideal things: harmony and togetherness. Society must<br>\nbe construed as a big family and harmony must be pursued in<br>\nsocial relations (including relations among different religions).<br>\nThe state's principle of Pancasila has been considered a sacred<br>\nlegacy, close to being made an amulet for the entire nation. It<br>\nhas, according to Mulder, been made a shield against everything<br>\nthat the state considers harmful to the people, or rather to its<br>\nown interest.<\/p>\n<p>Persatuan and kesatuan (unity and integrity) are repeated much<br>\ntoo often, and \"Society is not a field of contending interests<br>\nand values\" with the result that one's place in society and<br>\npublic life is unclear. The result is that \"One had better go<br>\none's own way -- unburdened by responsibility. Lu lu, gue gue.<br>\n(You for yourself, I for myself). It may follow that once the<br>\ndoor to openness is open, acts manifesting excessive freedom will<br>\nabound. This lack of social responsibility is behind such acts.<br>\nSchools which are expected to lay the foundation for the<br>\nstudents' social consciousness merely inculcate into their minds<br>\nslogans empty of significance.<\/p>\n<p>In the next chapter Mulder dwells on Islam, the intelligentsia<br>\nand the state. In his opinion, there are two great camps in the<br>\nIslamic movement in Indonesia. One camp believes in promoting<br>\nIslam as a cultural activity while to the other camp, Muslims<br>\nmust strive to place themselves among the country's political<br>\nelite so that they will have important sway in state matters and,<br>\nit follows, benefit Muslims in general. The first camp is<br>\nrepresented by Indonesia's President, and the other by Amien<br>\nRais, the present speaker of the People's Consultative Assembly.<br>\nInterestingly, Abdurrahman is identified with Nahdlatul Ulama<br>\n(NU) and Amien with Muhammadiyah, both being the country's<br>\nlargest Muslim organizations. In between these two camps are<br>\nother groups of Muslims in different degrees of proximity to the<br>\nstate.<\/p>\n<p>In the next three chapters, Mulder concentrates on the public<br>\nworld and how it is manifested in mass media and novels. The mass<br>\nmedia, in Mulder's observation, cleverly made use of the little<br>\nroom allowed by the ruling New Order regime; exposing the<br>\nregime's corrupt face without causing much offense.<\/p>\n<p>When newspapers quote the words of one public figure and then<br>\nanother public figure at different places, the criticism voiced<br>\nwill not form a concerted public opinion and will therefore not<br>\nbe harmful to the interest of the state.<\/p>\n<p>In the chapter on \"Images in Fiction\", Mulder briefly<br>\ndiscusses five contemporary novels, each by Arswendo Atmowiloto,<br>\nYB Mangunwijaya, Sindhunata, Seno Gumira Ajidarma and Leila S.<br>\nChudori. Although the novels are set differently and have their<br>\nown plots, Mulder can find a common theme: stifling of the mind<br>\nand the way to come to terms with it in order to survive. What<br>\nway is offered? Escape from reality, as Seno Gumira Ajidarma<br>\nadvises in his Jazz, Parfum &amp; Insiden or live in your own world,<br>\nas Sindhunata suggests in his Semar Mencari Raga. Or it can be<br>\npasrah, resigning yourself to fate in the traditional way, as<br>\nsuggested by Arswendo in his Canting or in the new style as Leila<br>\nproposes in her Malam Terakhir. In short, the public world Mulder<br>\nstudies is one of gloom and stuffiness that one can only live in<br>\nas long as one can create one's own world and resign oneself to<br>\nfate.<\/p>\n<p>The book concludes with a chapter on \"Constructing the Public<br>\nWorld: the Discourse of the 1990s\", which dwells on the public<br>\ndiscourse during the New Order regime. It was the time when minds<br>\nwere stunted with the drone of Pancasila at schools and Pancasila<br>\nindoctrination at all levels of society.<\/p>\n<p>Or in Mulder's words, \"The thirty-two years since the coming<br>\nto power of the Generation of 1945 (there was) an attempt to<br>\nestablish a corporate state that is at war with civil society\".<br>\nThat explains the gloomy public world that the New Order created<br>\nof Indonesia. It is in this light that Mulder's book is<br>\nilluminating for our understanding of present-day Indonesia.<\/p>\n<p>-- Lie Hua<\/p>",
        "url": "https:\/\/jawawa.id\/newsitem\/stuffy-air-in-indonesias-public-world-1447893297",
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    "sponsor": "Okusi Associates",
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