{
    "success": true,
    "data": {
        "id": 1073125,
        "msgid": "singing-for-childen-not-as-simple-as-it-really-sounds-1447893297",
        "date": "2001-09-24 00:00:00",
        "title": "Singing for childen, not as simple as it really sounds",
        "author": null,
        "source": "JP",
        "tags": null,
        "topic": null,
        "summary": "Singing for childen, not as simple as it really sounds By Ida Indawati Khouw JAKARTA (JP): Julie Andrews once said in the Sound of Music that \"When you read you begin with A, B, C. When you sing, you begin with do, re, mi, ...\" A simple seven-note scale, but apparently not all children can sing it.",
        "content": "<p>Singing for childen, not as simple as it really sounds<\/p>\n<p>By Ida Indawati Khouw<\/p>\n<p>JAKARTA (JP): Julie Andrews once said in the Sound of Music<br>\nthat \"When you read you begin with A, B, C. When you sing, you<br>\nbegin with do, re, mi, ...\"<\/p>\n<p>A simple seven-note scale, but apparently not all children can<br>\nsing it. Aida Swenson Simanjuntak, conductor for the Paduan Suara<br>\nAnak Indonesia (PSAI, the Indonesian Children's Choir), admitted<br>\nthat it was difficult to select children who could really sing to<br>\njoin her choir.<\/p>\n<p>Imagine this! 320 children joined the selection in March --<br>\nthey had to sing Balonku Ada Lima (Five balloons), composed by<br>\nPak Kasur -- and only 15 of them qualified, meaning only 4.7<br>\npercent were admitted.<\/p>\n<p>\"The 15 children qualified, as they could sing according to<br>\nthe melody, while their expression and good vocalization were<br>\nstill so poor,\" she said, adding that the children had no self-<br>\nconfidence while singing and had no \"music in their heart\".<\/p>\n<p>No wonder Aida was shocked and disappointed, as she had hoped<br>\nto be able to improve the children's musical talent.<\/p>\n<p>\"We adults can teach children all over the world to sing<br>\nproperly.\"<\/p>\n<p>The wrong teaching method in music at schools -- where most<br>\nteachers don't understand music at all -- has been the root cause<br>\nof students' poor skills in music.<\/p>\n<p>Things are just getting worse, with pathetic children's<br>\nprograms on TV where, as Aida put it, \"they simply duplicate the<br>\nadult singers' style.\"<\/p>\n<p>The graduate of the Westminster Choir College in Princeton,<br>\nNew Jersey, believed that children's musical appreciation could<br>\nbe improved if they were taught properly, and she has proved it.<\/p>\n<p>Aida started to teach children to sing \"correctly\" for three<br>\nmonths and they managed to sing together as a proper choir<br>\nshould.<\/p>\n<p>\"Can you imagine they can sing I Have a Dream (made popular<br>\nagain by the music group Westlife) with full expression, and<br>\nother songs. We started introducing music commensurate with their<br>\nabilities and will do so through games.<\/p>\n<p>\"I always allow children to choose their own best singing<br>\ntechnique. It's much easier when they have already decided how to<br>\nsing by themselves,\" said Aida, who was accompanied by her<br>\nfather, Alfred Simanjuntak, the prominent songwriter and composer<br>\nof Bangun Pemudi Pemuda, a national song, during the interview.<\/p>\n<p>It is exhausting though, as Aida didn't only have to teach<br>\nsinging but also English pronunciation, which was very difficult<br>\nfor the children.<\/p>\n<p>But her work has paid off as she created a local choir with an<br>\ninternational reputation through performing in, among others<br>\nplaces, the Philippines, the United States, Japan and Poland.<\/p>\n<p>The choir is now aiming to sing more folk songs in their<br>\ninternational tours.<\/p>\n<p>\"It's good to start (singing the folk songs) from the<br>\nchildren's earliest stages. We (Indonesians) have our own timbre<br>\nwhich is different from other nations'. Even if we try really<br>\nhard, it's difficult to sing like Italians for instance; thus, we<br>\nshould be ourselves,\" said Alfred.<\/p>\n<p>Members of the choir, founded in 1992, showed their ability in<br>\nsinging folk songs at the International Federation of Choral<br>\nMusic in Singapore last month, together with 18 other choirs in<br>\nAsia and Pacific. Indonesia's choir sang folk songs from North<br>\nSumatra, Java, Bali, South Sulawesi, Aceh and Maluku.<\/p>\n<p>Both Alfred and Aida believe that there should be a<br>\nredefinition of what constitutes a good choral sound.<\/p>\n<p>\"So far our standard is to use the bel canto technique, in<br>\nwhich people should always sing with a round voice, like choirs<br>\nfrom western countries do. But that technique is not appropriate<br>\nfor folk songs,\" Aida said, adding that singing folk songs<br>\nrequired that local languages or dialects appropriate to the<br>\nsongs had sometimes to be learnt.<\/p>\n<p>\"When singing folk songs, children become the natives who sing<br>\nthe songs in their daily lives. Singing Akkarena from South<br>\nSulawesi, which is usually sang when people are fishing, children<br>\nmust do as the natives do.\"<\/p>",
        "url": "https:\/\/jawawa.id\/newsitem\/singing-for-childen-not-as-simple-as-it-really-sounds-1447893297",
        "image": ""
    },
    "sponsor": "Okusi Associates",
    "sponsor_url": "https:\/\/okusiassociates.com"
}