{
    "success": true,
    "data": {
        "id": 1249670,
        "msgid": "setting-the-ground-for-indonesian-history-writing-1447893297",
        "date": "2002-01-13 00:00:00",
        "title": "Setting the ground for Indonesian history writing",
        "author": null,
        "source": "JP",
        "tags": null,
        "topic": null,
        "summary": "Setting the ground for Indonesian history writing Indonesian Historiography; By Sartono Kartodirdjo; Kanisius Publisher, 2001; 191 pp; Rp 25,000 The writer of this work, a collection of 12 papers he wrote between 1987 and 1998, needs no introduction as one of the country's most prominent historians.",
        "content": "<p>Setting the ground for Indonesian history writing<\/p>\n<p>Indonesian Historiography;<br>\nBy Sartono Kartodirdjo;<br>\nKanisius Publisher, 2001;<br>\n191 pp;<br>\nRp 25,000<\/p>\n<p>The writer of this work, a collection of 12 papers he wrote <br>\nbetween 1987 and 1998, needs no introduction as one of the <br>\ncountry's most prominent historians.<\/p>\n<p>While many, if not most, of the sources used for the writing <br>\nof Indonesian history are Dutch or Western-oriented, Sartono <br>\nbelieves Indonesian history must be written from the perspective <br>\nof Indonesia as a nation-state.<\/p>\n<p>In one of his papers, he praises the attempts of some younger <br>\nhistorians to focus on the socioeconomic history of the country, <br>\ntherefore attaching importance to the people. Social events and <br>\neconomic happenings are focused on people, and it is these people <br>\nthat must be the focus of a country's historiography.<\/p>\n<p>He believes Indonesians must be given the role of the <br>\nprotagonist in a historical plot, with Indonesian society as the <br>\nsetting. This is what he calls the decolonization of Indonesian <br>\nhistoriography.<\/p>\n<p>While the first part of the book deals with national history <br>\nas a symbol of national identity, the second deals with matters <br>\nrelated to historical approaches and perspectives.<\/p>\n<p>This part is more interesting and less philosophical than the <br>\nfirst. Here, Sartono writes about discrete fragments of <br>\nIndonesian history, such as rural conflicts and the aristocracy <br>\nof Java in the 19th century and 20th century.<\/p>\n<p>There is also an article on a historical novel written in <br>\nDutch by Indonesian Soewarsih Djojopuspito, Buiten het gareel <br>\n(Outside the Main Track). The novel is a blend of history and <br>\nliterature, with the author seeking to evoke the nationalist <br>\nideology of the characters by investigating their spiritual <br>\ndimensions. But of course, to understand this, one must have a <br>\ngood grasp of the social relationships of colonial society.<\/p>\n<p>This is an example of how history must be understood not only <br>\nat the macro level but also at the micro level, by delving deep <br>\ninto the mentality of the dramatis personae.<\/p>\n<p>In the last few pages of the book, Sartono writes quite <br>\ninterestingly about history and historians. He writes, \"A <br>\nhistorian should never forget, but, morally speaking, he has to <br>\nforgive\" (p. 180). Historical knowledge, he says, is derived from <br>\nconceptual reconstruction originating from living experience and <br>\nretrospection. Here the historian is the one who endures the <br>\nabove experiences and remembers it<\/p>\n<p>-- Lie Hua<\/p>",
        "url": "https:\/\/jawawa.id\/newsitem\/setting-the-ground-for-indonesian-history-writing-1447893297",
        "image": ""
    },
    "sponsor": "Okusi Associates",
    "sponsor_url": "https:\/\/okusiassociates.com"
}