{
    "success": true,
    "data": {
        "id": 1273052,
        "msgid": "rockestra-concert-adds-new-dimension-to-music-1447893297",
        "date": "2000-11-11 00:00:00",
        "title": "'Rockestra' concert adds new dimension to music",
        "author": null,
        "source": "JP",
        "tags": null,
        "topic": null,
        "summary": "'Rockestra' concert adds new dimension to music By Helly Minarti JAKARTA (JP): Three super rock groups were given the same chance: forty five minutes onstage, an orchestra of 85 musicians and Erwin Gutawa, the arranger with the special touch who developed the idea. Titled Rockestra, the event was staged at a glitzy venue, the Plenary Hall of the Jakarta Convention Center, and was packed with teenagers -- sometimes accompanied by their elders -- who spent Rp 80,000 to Rp 175,000 on a ticket.",
        "content": "<p>'Rockestra' concert adds new dimension to music<\/p>\n<p>By Helly Minarti<\/p>\n<p>JAKARTA (JP): Three super rock groups were given the same<br>\nchance: forty five minutes onstage, an orchestra of 85 musicians<br>\nand Erwin Gutawa, the arranger with the special touch who<br>\ndeveloped the idea.<\/p>\n<p>Titled Rockestra, the event was staged at a glitzy venue, the<br>\nPlenary Hall of the Jakarta Convention Center, and was packed<br>\nwith teenagers -- sometimes accompanied by their elders -- who<br>\nspent Rp 80,000 to Rp 175,000 on a ticket.<\/p>\n<p>The three -- Dewa, Slank and GIGI -- have been around for<br>\nyears on Indonesia's music scene and, between them, have recorded<br>\nbags of hits.<\/p>\n<p>\"That's one of the reasons I chose them,\" said Erwin, who was<br>\ninspired by Michael Kamen's orchestral treatment of Metallica<br>\nconcerts. Fundamentally, Erwin saw the trio as having a solid<br>\nmusical character -- something that comes with attitude.<\/p>\n<p>\"It has been proved to be the case. I really enjoyed working<br>\nwith them. They knew what they really wanted,\" he added,<br>\ndisproving the skeptical view that the rockers' egos could get in<br>\nthe way of the realization of his venture.<\/p>\n<p>However, each band treated the opportunity differently as<br>\nindicated by the end result onstage which probably reflected what<br>\nwas going on offstage.<\/p>\n<p>GIGI, who performed last, lavished themselves with an<br>\ncomprehensive repertoire. They combined jam sessions and featured<br>\na mixture of their experimental numbers, such as Garis Lini with<br>\nAcehnese rampai music, and some of their \"mainstream hits\" such<br>\nas Janji and Terbang, bravely skipping their regulars like the<br>\nsweet Yang T'lah Berlalu (Nirwana).<\/p>\n<p>Their opening act was a hardcore number Basa Basi -- which<br>\nrarely surfaces in their gigs -- taken from their early album.<br>\nLead singer Armand Maulana persisted with his overacting style<br>\n(you can either like it or be appalled by it) and carried it off<br>\nwell.<\/p>\n<p>Slank was a real surprise. They rode roughshod over the time<br>\nlimitation by featuring some songs in medley format. The result<br>\nwas that while the other two groups only managed to belt out less<br>\nthan 10 songs, Slank succeeded in singing at least a dozen of<br>\ntheir long ones.<\/p>\n<p>As the only group performing that night that has never used<br>\norchestras in their albums, Slank sounded rock-solid, applying<br>\ntheir jamming concept where electric guitars collided in a<br>\nmusical conversation with the orchestra's violins and trumpets.<\/p>\n<p>Their fanatical fans, Slankers -- who had earlier shown some<br>\nsigns of wanting to cause trouble -- responded to the group's<br>\nlead singer Kaka's offbeat, down-to-earth stage act with tame<br>\nhead-banging, \"piss\" signs in the air (their trademark pun for<br>\n\"peace\") and by dancing around the floor in a long row imitating<br>\na children \"snake\" game. Initially worried that their devoted<br>\n\"Slankers\" would feel uncomfortable seeing their heroes in an<br>\nair-conditioned hall, Slank seemed relieved to see that their<br>\nfans remained laid-back, spontaneous and funky.<\/p>\n<p>Kaka's rhetorical performance -- by cleverly engaging the<br>\naudience in a word-playing game using one of the refrains from<br>\ntheir song Pak Tani -- added to their reputation as a band with a<br>\ndistinct character.<\/p>\n<p>These two groups did well, but Dewa -- the first act -- was<br>\npuzzlingly disappointing. Churning out most of the new hits from<br>\ntheir latest album, Bintang Lima, it turned out to be an echo of<br>\ntheir promo tour.<\/p>\n<p>With almost the same arrangement -- the orchestra only<br>\ncontained more musicians compared to their album version that was<br>\nhighlighted by only 12 string players -- their live sound was<br>\nexactly the same as their records. No surprises. Not a real kick-<br>\noff.<\/p>\n<p>\"We didn't have time to rehearse,\" said Dhani Ahmad of Dewa,<br>\nsurprisingly defensive. \"Our touring schedule is tight and we<br>\nwere informed only 1 1\/2 months ago,\" he added. Dhani is<br>\nobviously trying to deal with a number of things at the moment --<br>\na new album played by a new formation that ended a long drama in<br>\nthe media chronicling the band's comings and goings tainted by<br>\ndrug problems.<\/p>\n<p>One of the new, key members is Michael Elfonda (Once), the<br>\nfrontman, who has to work hard building a new image as well as<br>\nwinning over Baladewa - the band's fans - after the departure of<br>\nAri Lasso, the original vocalist whose voice characterized Dewa's<br>\nidentity. Being whisked from gigs both in and out of town and<br>\nvideo clip shooting, Dewa failed to use Rockestra as a showcase<br>\nof their rock prowess.<\/p>\n<p>It was such a waste given that Dewa could have presented a<br>\nrich repertoire -- like the other two bands -- chronicling their<br>\nyears-long musical journey. Old hits such as Siti Nurbaya or<br>\nRestu Bumi would guarantee a sneak peek at Erwin's occasional<br>\nquirky touch on arrangement as shown when he handled Chrisye's or<br>\nHarvey's special concerts. But it didn't happen.<\/p>\n<p>Erwin said the two songs were in his first proposal to the<br>\ngroup. \"But Dhani said that they now have a concept of performing<br>\nthe way they sing in records. It's fine with me since I did want<br>\neach band to carry an image of the way they project themselves,<br>\nso that they could play happily.\"<\/p>\n<p>But the bottom line was that it was simply Dhani being<br>\npredictably practical, and still displaying his notoriously<br>\ncasual arrogance.<\/p>\n<p>\"Next time it should be Dewa performing alone. Now the most<br>\nimportant thing is breaking the one million sales (of new albums)<br>\nbarrier in six months as we just did,\" he said.<\/p>\n<p>So much for an attitude. It cost Rp 2 billion for Indocitra<br>\nSatriasena, the promoter, to run Rockestra the way it did --<br>\ncomplete with lighting that went along with every song the way it<br>\nis supposed to be. That figure was justified by the performances<br>\nwhich were backed up by the acts of Achmad Albar, the keyboard<br>\nduo of Rony Harahap and Jockie Suryoprayogo, and Nicky Astria --<br>\nrockers from 1970s and 80s. The three bands also composed a song<br>\ntogether during rehearsals, Satu Cinta, Satu Bendera (One Love,<br>\nOne Flag -- the title was decided on after the show), and swarmed<br>\nonto the stage to belt out the new tune.<\/p>",
        "url": "https:\/\/jawawa.id\/newsitem\/rockestra-concert-adds-new-dimension-to-music-1447893297",
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