{
    "success": true,
    "data": {
        "id": 1292801,
        "msgid": "revival-in-works-for-traditional-wayang-1447893297",
        "date": "2000-03-29 00:00:00",
        "title": "Revival in works for traditional 'wayang'",
        "author": null,
        "source": "",
        "tags": null,
        "topic": null,
        "summary": "Revival in works for traditional 'wayang' By Sirikit Syah SURABAYA (JP): Talib Prasojo's hands skillfully arranged the dried grass and rice stalks into a wayang (puppet). Only one week after the Javanese Puppets exhibition and workshop opened at Majapahit Mandarin Hotel in Surabaya, he had sold a dozen straw puppets. Hopefully, they are only the first of many -- the exhibition runs through April 3. \"Somebody has ordered more puppets. I will make them at home,\" he told The Jakarta Post.",
        "content": "<p>Revival in works for traditional 'wayang'<\/p>\n<p>By Sirikit Syah<\/p>\n<p>SURABAYA (JP): Talib Prasojo's hands skillfully arranged the<br>\ndried grass and rice stalks into a wayang (puppet). Only one week<br>\nafter the Javanese Puppets exhibition and workshop opened at<br>\nMajapahit Mandarin Hotel in Surabaya, he had sold a dozen straw<br>\npuppets.<\/p>\n<p>Hopefully, they are only the first of many -- the exhibition<br>\nruns through April 3.<\/p>\n<p>\"Somebody has ordered more puppets. I will make them at home,\"<br>\nhe told The Jakarta Post. One of his simpler puppets sells for Rp<br>\n20,000.<\/p>\n<p>Puppet-making, and the smells associated with the materials,<br>\nbring back memories of his childhood.<\/p>\n<p>\"In the village, we used to make this kind of puppet while<br>\ntending the ricefield or the cattle. Of course, in those days we<br>\nhad no choice. We had to be creative, using everything we had as<br>\ntoys.\"<\/p>\n<p>He pursued a career as a painter but he never forgot his love<br>\nof puppets. One set of his straw puppets is in the collection of<br>\nthe Empu Tantular Museum. \"It lasts well. I made it in 1990 and<br>\nit still looks good now.\" He said he sprayed the puppets with<br>\nmelamine for durability.<\/p>\n<p>He is happy because not only Westerners, who make up most of<br>\nthe guests at Majapahit hotel, are interested in his puppets.<br>\nMany Indonesians looked curious and asked a lot of questions. One<br>\nof them asked how he differentiated between each character since<br>\nhe did not use color. In fact, that is the most difficult part;<br>\nthe puppets have similar shapes and forms.<\/p>\n<p>\"But you can see the difference from the decorations and<br>\naccessories I put on them. Look at the heads, their hairdos.\" He<br>\nsaid straw puppet characters were limited and not as diverse as<br>\nleather puppets.<\/p>\n<p>He does not apply color because he tried it once, and it<br>\nyielded unsatisfactory results. The natural color of the dried<br>\ngrass and straw is the best and is what makes them unique, he<br>\nsaid. He said people could use the puppets in a play, \"not for a<br>\ncomplete, long program, but it is good for an opening. Five<br>\nminutes to 10 minutes before the real leather puppets will do\".<\/p>\n<p>Prasojo also suggested that his wayang were suitable for<br>\ncontemporary puppet theater like wayang kentrung, with plots<br>\nbased on modern sociopolitical situations. \"In contemporary<br>\nwayang theater, characters are not standard. They vary widely.\"<\/p>\n<p>One 'dalang' left<\/p>\n<p>A disappearing type of puppet theater is wayang beber, which<br>\nis played out against a wide white screen painted with wayang<br>\ncharacters in a complete story. Basuki, a government official<br>\nfrom the provincial office of the education and culture ministry,<br>\nis believed to be the only person who still produces wayang<br>\nbeber, but he does not perform.<\/p>\n<p>\"There is only one man who performs wayang beber. He lives in<br>\nPacitan, where the wayang come from,\" explained Basuki. No one<br>\nhad learned or showed interest in playing wayang beber, including<br>\nthe sons of the only dalang (puppet master). The original wayang<br>\nbeber, which is kept at the man's house, was a gift from the<br>\nMajapahit kingdom after a medicine man from Pacitan cured the<br>\nking's daughter.<\/p>\n<p>Basuki told the government he wanted to buy it, but the owner<br>\nrefused to sell. Even to use it, he had to undergo a ritual<br>\nceremony. \"It is considered sacred,\" explained Basuki. The<br>\noriginal set consisted of four screens, used one by one in a<br>\nperformance, as the dalang told the story. It is like narrative<br>\nart, with traditional music.<\/p>\n<p>Wayang beber is now reproduced, mainly by Basuki and his<br>\ntroupe. It is rarely performed, perhaps only occasionally in<br>\nPacitan, the small town straddling the south and west of East<br>\nJava, on the border of Central Java and near the Indonesian<br>\nOcean. In Surabaya and other cities, wayang beber are only<br>\nexhibited as a kind of painting form, not as a performing art.<\/p>\n<p>Basuki makes wayang beber in his spare time. A small screen<br>\ntakes three days to finish; a bigger one, 2.7 meters by 0.5<br>\nmeters, requires one month. \"I display my art in Yogyakarta, in a<br>\nsmall shop tended by my son. It sells fine.\"<\/p>\n<p>Wayang kulit artist Rahardjo was also happy to be part of the<br>\nexhibition in the hotel because \"usually we get orders from<br>\nvisitors after this kind of program\". During workshops and<br>\nexhibitions in other places, he gained a number of short and<br>\nlong-term customers. With a friend, he carves cow leather into<br>\nwayang kulit. One puppet is priced at about Rp 200,000, while a<br>\nwall decoration with frame costs Rp 450,000.<\/p>\n<p>Open House<\/p>\n<p>Majapahit Mandarin Hotel feels it has the responsibility to<br>\nshare its facilities with the local community.<\/p>\n<p>\"This is a heroic and historical monument. People should be<br>\nallowed to come and feel the atmosphere,\" said Bradford Zak,<br>\ngeneral manager of the hotel. The hotel was known as Hotel Oranye<br>\nin the Dutch colonial period and as Hotel Merdeka during the war<br>\nof independence. The replacing of the tri-colored Dutch flag with<br>\nthe red-and-white Indonesian flag, which was captured in<br>\nphotographs, was a monumental moment in the Indonesian struggle<br>\nfor independence.<\/p>\n<p>Since 1998, the hotel has had a full-time cultural concierge,<br>\nwhose function it is to arrange and plan cultural activities in<br>\nthe hotel to be enjoyed by the local community.<\/p>\n<p>\"It is a kind of open house program. We are open for<br>\neverybody,\" said Zak. At the end of the wayang festival on April<br>\n3, there will be a shadow puppet performance in the north garden<br>\nopen to the public at no charge.<\/p>\n<p>For three weeks, visitors to Majapahit have been able to enjoy<br>\nmany types of wayang in the hotel lobby, including types they may<br>\nnever have encountered before. They are wayang beber, wayang<br>\ngolek (wooden puppets), wayang kulit, wayang suket (grass\/straw<br>\npuppets), wayang tengul (wooden puppets, specifically from<br>\nBojonegoro) and wayang timplong (flat wooden puppets). Some of<br>\nthe puppets are from private collections and museums, while<br>\nothers are for sale.<\/p>",
        "url": "https:\/\/jawawa.id\/newsitem\/revival-in-works-for-traditional-wayang-1447893297",
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