{
    "success": true,
    "data": {
        "id": 1118389,
        "msgid": "painter-barli-celebrates-everyday-life-1447893297",
        "date": "2001-07-12 00:00:00",
        "title": "Painter Barli celebrates everyday life",
        "author": null,
        "source": "JP",
        "tags": null,
        "topic": null,
        "summary": "Painter Barli celebrates everyday life By Aendra H. Medita JAKARTA (JP): Traders. Dancers. Nostalgia for life remembered in the village. Painter Barli Sasmitawinata has remained consistent in his choice of themes during his 66-year career. At the age of 80 (he became an octogenarian on March 21) Barli, one of the country's most acclaimed artists, continues to paint the images around him.",
        "content": "<p>Painter Barli celebrates everyday life<\/p>\n<p>By Aendra H. Medita<\/p>\n<p>JAKARTA (JP): Traders. Dancers. Nostalgia for life remembered<br>\nin the village. Painter Barli Sasmitawinata has remained<br>\nconsistent in his choice of themes during his 66-year career.<\/p>\n<p>At the age of 80 (he became an octogenarian on March 21)<br>\nBarli, one of the country's most acclaimed artists, continues to<br>\npaint the images around him. Some of his works are now on show in<br>\nBarli, 80 Years, at Galeri Sriyanto in Pondok Indah, South<br>\nJakarta, until Aug. 7.<\/p>\n<p>His works are full of expressive realism, in which the strong<br>\nlines are not only full of esthetic qualities, but also play with<br>\ncolors (turquoise and other variants of purple predominate) on<br>\nthe canvas. Those he paints or draws in charcoal are not mere<br>\nobjects, to be seen and observed and scrutinized, but are<br>\ninvested with their own particular dignity, be they a vendor<br>\nselling a sweet treat to passersby or an elderly woman carrying a<br>\nsmall child.<\/p>\n<p>The son of a nobleman turned trader, Barli was brought up in<br>\nthe surroundings of a pesantren (Islamic boarding school) in<br>\nBandung. He was accomplished in the Sundanese arts of his native<br>\nWest Java, including theater and music, but turned his attention<br>\nto painting at the age of 15. In his teens, he studied with the<br>\nDutch painter Jos Plumentz and Italian artist Luigi Bobili.<\/p>\n<p>During the Japanese occupation in World War II, he was<br>\nappointed to head the arts organization for Bandung. Later,<br>\nduring the struggle against the returning colonial forces, Barli<br>\njoined with Sudjana Kerton, Hendra Gunawan and others as war<br>\npainters. He was assigned by then Col. A.H. Nasution to design<br>\nthe emblem for the Siliwangi Military Command, which is still in<br>\nuse today.<\/p>\n<p>In 1948 he founded Jiva Mukti fine arts education with its<br>\nheadquarters at the Cultural Center Foundation Building; he also<br>\ncontinued his art education in Paris and Amsterdam during the<br>\n1950s.<\/p>\n<p>He also taught at Bandung Technical University, now the School<br>\nof Fine Arts at the Bandung Institute of Technology, but did not<br>\nstay long due to a difference of opinion with the school's<br>\ndirector, Ries Mulder. The latter believed that an understanding<br>\nof realism did not need to be included in formal teaching for<br>\nstudents, but Barli disagreed, considering it important for<br>\nartists to gain a complete understanding of that which they took<br>\nfor granted around them.<\/p>\n<p>The artist then went it alone in teaching, at his home-cum-<br>\nstudio Rangga Gempol. He continues to teach today, but now in the<br>\nlarger space of the Barli Museum on the road to Lembang in<br>\nBandung. He has taught such fine artists as Anton Huang, Popo<br>\nIskandar, Rudi Pranajaya and Chusin.<\/p>\n<p>Color<\/p>\n<p>Use of bright colors predominates in the works featured in the<br>\nexhibition, all of which are from the period 1998 to 2001. But<br>\nthe strength and power of the colors is balanced by the<br>\ndistinctive lines and shading of the artist, especially in his<br>\nblack-and-white charcoal drawings.<\/p>\n<p>This is evident in his works such as Menggendong Anak<br>\n(Carrying the Baby), Mengambil Air (Fetching Water) and<br>\nMenggendong Kendi (Carrying a Jug), delineated by firm lines, the<br>\nmark of a master artist.<\/p>\n<p>In his color paintings, including Bobotoh I and Bobotoh II of<br>\na man holding a fighting cock, Membatik (Batik Printing) and<br>\nseveral nude studies, the brilliance of the hues used are defined<br>\nprecisely by Barli's expert command of lines.<\/p>\n<p>What sets him apart from other artist is his exploration of<br>\nthemes and the making of the everyday take on a new meaning, seen<br>\nin Pengamen (Busker), Di Pasar (In the Market) and Tukang Cendol<br>\n(The Cendol Seller), among many others.<\/p>\n<p>Collectively, the works show that this painter's qualities<br>\nhave not diminished over the years or through a recent bout of<br>\nill health, but have strengthened with the maturity of his years.<\/p>\n<p>Galeri Sriyanto is open from 10 a.m. to 6 a.m. from Monday to<br>\nSaturday, and 10 a.m. to 4 p.m. on Sunday. It is located at Jl.<br>\nGedung Hijau Raya 36, Pondok Indah, South Jakarta.<\/p>",
        "url": "https:\/\/jawawa.id\/newsitem\/painter-barli-celebrates-everyday-life-1447893297",
        "image": ""
    },
    "sponsor": "Okusi Associates",
    "sponsor_url": "https:\/\/okusiassociates.com"
}