{
    "success": true,
    "data": {
        "id": 1117268,
        "msgid": "not-rowans-but-mine-1447893297",
        "date": "2001-07-11 00:00:00",
        "title": "Not Rowan's but mine",
        "author": null,
        "source": "JP",
        "tags": null,
        "topic": null,
        "summary": "Not Rowan's but mine After reading your article Balai perupa honors three art forms from Pavan Kapoor in the Sunday, June 17, 2001 edition of The Jakarta Post, I am writing to offer my criticism on this subject. My name is Grace Siregar, I am an Indonesian artist and I held a solo exhibition of my work at Balai Perupa between June 9 and June 27, 2001. The exhibition was titled Pohon Jakarta (The Tree of Jakarta) and was opened on June 9 by Mr. Mohamad Sobari, the director of Antara News Agency.",
        "content": "<p>Not Rowan&apos;s but mine<\/p>\n<p>After reading your article Balai perupa honors three art forms<br>\nfrom Pavan Kapoor in the Sunday, June 17, 2001 edition of The<br>\nJakarta Post, I am writing to offer my criticism on this subject.<br>\nMy name is Grace Siregar, I am an Indonesian artist and I held a<br>\nsolo exhibition of my work at Balai Perupa between June 9 and<br>\nJune 27, 2001. The exhibition was titled Pohon Jakarta (The Tree<br>\nof Jakarta) and was opened on June 9 by Mr. Mohamad Sobari, the<br>\ndirector of Antara News Agency. This was my first solo exhibition<br>\nin Jakarta and I exhibited a total of 21 paintings and seven<br>\ninstallations. Performance artist K-Cung was invited to perform<br>\nhis piece at the opening of my exhibition. Rowan Winifred Davey<br>\nwas also invited to show her work called Sparkling Celebration<br>\nand Gloomy Days.<\/p>\n<p>I felt disappointed after reading this article because the<br>\ninformation regarding my work is not correct and the impression<br>\ngiven by the writer, Pavan Kapoor, is that the work is rather<br>\nthat of Rowan Winifred Davey. Pavan Kapoor did not contact me<br>\ndirectly prior to writing the article to discuss it and<br>\nconsequently the details of the exhibition were totally<br>\nincorrect.<\/p>\n<p>Pavan Kapoor states that &quot;The second art form that was unique<br>\nto Pohon Jakarta was the installation art, primarily displayed by<br>\nartist Rowan Winifred Davey&quot;. In fact, the installation work<br>\nexhibited in the main square was entirely my own, which had also<br>\npreviously been exhibited by Pohon Jakarta at the National<br>\nGallery between April 22, 2001 and April 30, 2001.<\/p>\n<p>Regarding the paragraph &quot;Although Rowan had some of his<br>\npaintings also on display...&quot;, I would like to state that all<br>\npaintings on display were my own work and not that of Miss Rowan<br>\nDavey&quot;.&quot;... his installation works such as Pohon Jakarta, which<br>\nstands in the central arena in the Taman Kafe Complex, is more<br>\neye-catching. It consists of a central trunk with long narrow<br>\nplastic bags billowing out and waving in the breeze&quot;. In fact,<br>\nRowan is a &quot;she&quot; and Pohon Jakarta is again my own work.<\/p>\n<p>&quot;The paintings on display are mainly by Grace Siregar...&quot;,<br>\nwhereas, previously mentioned, all the paintings in the<br>\nexhibition were mine. Pavan Kapoor also states that &quot;the show is<br>\npart of JakArt@2001&quot;, but in fact this exhibition was<br>\nindependently funded by myself.<\/p>\n<p>GRACE SIREGAR<\/p>\n<p>Jakarta<\/p>",
        "url": "https:\/\/jawawa.id\/newsitem\/not-rowans-but-mine-1447893297",
        "image": ""
    },
    "sponsor": "Okusi Associates",
    "sponsor_url": "https:\/\/okusiassociates.com"
}