{
    "success": true,
    "data": {
        "id": 1511065,
        "msgid": "low-class-movie-theaters-cling-to-existence-1447893297",
        "date": "1997-09-14 00:00:00",
        "title": "Low-class movie theaters cling to existence",
        "author": null,
        "source": "JP",
        "tags": null,
        "topic": null,
        "summary": "Low-class movie theaters cling to existence By Edith Hartanto JAKARTA (JP): The movie posters jump out at passersby with seductive images of tangled bodies and exposed flesh. Provocative film titles -- spiced with adjectives like wanton, lust and insatiable -- also lure with promises of a steamy cinematic experience. But what is up on the screen is usually tame stuff.",
        "content": "<p>Low-class movie theaters cling to existence<\/p>\n<p>By Edith Hartanto<\/p>\n<p>JAKARTA (JP): The movie posters jump out at passersby with<br>\nseductive images of tangled bodies and exposed flesh.<\/p>\n<p>Provocative film titles -- spiced with adjectives like wanton,<br>\nlust and insatiable -- also lure with promises of a steamy<br>\ncinematic experience.<\/p>\n<p>But what is up on the screen is usually tame stuff.<\/p>\n<p>Yuan, a 20-year-old student, said he was thoroughly<br>\ndisappointed by Indonesian and B-rated foreign movies with titles<br>\nsuch as Ranjang Birahi (Bed of Lust) and Affairs.<\/p>\n<p>\"The stories had no plots. One moment they started to build a<br>\nlogical path, then suddenly there was a picture of a half-naked<br>\nwomen doing obscene things. It made no sense at all,\" Yuan said.<\/p>\n<p>Ramli Husein admitted that he enjoyed watching Mandarin and<br>\nWestern movies in cheap theaters, such as the Majestic Theater in<br>\nSouth Jakarta.<\/p>\n<p>\"For only Rp 2,000 (70 U.S. cents) you can pick your own seat<br>\nand watch an old Bruce Lee, Jet Lee or Jacky Chan movie,\" Ramli<br>\nsaid.<\/p>\n<p>In Jakarta, those who cannot afford tickets costing Rp 7,000<br>\nto Rp 15,000 in the city's plush theaters can find cheaper but<br>\nless comfortable seats in one of the 59 middle to low-class movie<br>\ntheaters in the city.<\/p>\n<p>Effendy, a 25-year-old factory worker, said he liked to go to<br>\nthe movies with his girlfriend or friends.<\/p>\n<p>His only complaint: rats.<\/p>\n<p>\"They are everywhere in the theater. Once we screamed out loud<br>\nbecause the rat crawled on my leg as it tried to get to food on<br>\nmy lap,\" he said.<\/p>\n<p>It was a showstopper. \"The lights went on, and everybody<br>\nthought there was an accident.\"<\/p>\n<p>Djamilah, a junior researcher at the University of Indonesia,<br>\nsaid watching films in cheap theaters made for an interesting<br>\nsociological experience.<\/p>\n<p>\"Cheap theaters are mostly non air-conditioned, and it gets<br>\nvery hot inside, but you can just push open one of the windows<br>\nyourself,\" she said.<\/p>\n<p>Shows can be erratic. Power failures may stop the film midway,<br>\nor the management can cancel a screening due to low ticket sales<br>\nbut refuse to give refunds.<\/p>\n<p>Despite the nuisances, movie theaters serve important social<br>\nfunctions as stress release outlets for many low-income people,<br>\naccording to University of Indonesia sociologist Paulus Wirutomo.<\/p>\n<p>\"They can let go of their stress from everyday life and do<br>\nrecreational activities with their families and friends.\"<\/p>\n<p>Paulus acknowledges the threat to independent movie theaters<br>\nfrom the popularity of TV and the upmarket movie theater chain21,<br>\nthe biggest in the country, which has bought out small theaters<br>\nand turned them into associates. The 21 Group is owned by tycoon<br>\nSudwikatmono, who also owns and manages Subentra, the distributor<br>\nof imported films.<\/p>\n<p>Private TV stations, which show a lineup of Indian and<br>\nMandarin films daily, is affordable to all.<\/p>\n<p>Paulus said movie theaters may reach slowed growth and some<br>\ncould slip into bankruptcy as a \"logical consequence of the<br>\ngrowth of technology\".<\/p>\n<p>Patrons of cheap movie houses know the grim prospects.<\/p>\n<p>\"It's a pitiful condition and apparently many theaters can not<br>\nsurvive the fierce competition,\" Ramli said.<\/p>\n<p>\"The cheap theaters must be kept for little people,\" Effendy<br>\nsaid. \"We can not afford to go to the luxurious ones. TV is just<br>\nnot the same.\"<\/p>\n<p>Lots of losses<\/p>\n<p>Some independent theater owners are justifiably fearful of the<br>\nfuture.<\/p>\n<p>Suparman, manager of Lenteng Agung theater in South Jakarta.<br>\nsaid he relocated the theater in 1988 from North Jakarta due to<br>\nthe downturn in business.<\/p>\n<p>Unfortunately, there was no improvement.<\/p>\n<p>\"On average, only six to 10 people come to see the movie a<br>\nday,\" he said. Showings on the theater's two screens are<br>\nsometimes canceled because of poor turnout.<\/p>\n<p>A cut in the ticket price from Rp 2,500 to Rp 1,500 had not<br>\nhelped.<\/p>\n<p>\"Maybe we will have to give up the business after all,\" he<br>\nsaid.<\/p>\n<p>But theater owner Wahid Affan refused to be downhearted. \"It's<br>\nbetter this way. What else can I do with this land?\"<\/p>\n<p>Suparman said revenues from ticket sales hardly covered the<br>\noperational fees, or wages of the nine employees, each of whom<br>\ngets paid Rp 125,000 a month.<\/p>\n<p>An office worker in Majestic Theater, Apon, glumly described<br>\nthe current state of affairs as a \"death sentence\".<\/p>\n<p>Electricity bills alone are Rp 3 million per month. \"And no<br>\none comes. It's very quiet here, even on the weekend. It is<br>\ndefinitely running at a loss.\"<\/p>\n<p>But another theater manager, Gunawan, said he was luckier than<br>\nhis financially strapped colleagues. \"My boss owns three cinemas:<br>\nViva 21, Wira and Tebet Theater, all in South Jakarta.\"<\/p>\n<p>Gunawan said Patar Yulianto, owner of the theaters, sold part<br>\nof the Viva shares to 21 Group in 1989.<\/p>\n<p>Income from renting out Viva 21 subsidizes operations of both<br>\nWira and Tebet theaters, he said.<\/p>\n<p>Out of the three, Wira draws the most visitors, with 800<br>\nseats.<\/p>\n<p>\"I think it's because our tickets are cheaper and, frankly, we<br>\nscreen many erotic movies that people like,\" Gunawan said.<\/p>\n<p>Both Gunawan and Apon urged the government to help the<br>\nindependent theaters survive.<\/p>\n<p>Robby, owner of Majestic Theater, said Subentra rules that<br>\nindependent theaters can only rent second or third run movies,<br>\ntwo years after they have played in the 21 cinemas.<\/p>\n<p>Apon said TV broadcasts of new movies was a problem.<\/p>\n<p>\"We are urging the government to make regulations for TV<br>\nstations not to play second-run movies that we are supposed to<br>\nscreen. We are dying because TV shows new films,\"<\/p>\n<p>Robby attributed the closure of several theaters -- including<br>\nDuta Theater, Krekot Theater, Pademangan Theater and Rivoli<br>\nTheater -- to difficulty in obtaining movies.<\/p>\n<p>\"They gave up because they could no longer get good movies,<br>\nthey had zero viewers and, bang, they were dead.\"<\/p>\n<p>Many owners are bewildered about how to change what appears to<br>\nbe a losing situation.<\/p>\n<p>\"I've been thinking of joining up with 21, but I don't know,\"<br>\nSuparman said. \"I think I will close down the business and start<br>\na new one.\"<\/p>",
        "url": "https:\/\/jawawa.id\/newsitem\/low-class-movie-theaters-cling-to-existence-1447893297",
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    "sponsor": "Okusi Associates",
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