{
    "success": true,
    "data": {
        "id": 1139912,
        "msgid": "jp20image-1447899208",
        "date": "2005-12-29 00:00:00",
        "title": "JP\/20\/image",
        "author": null,
        "source": "JP",
        "tags": null,
        "topic": null,
        "summary": "JP\/20\/image Recreating culture: A spectrum of spectacles Throughout the year, Indonesia's diversity -- whether seen in its ethnic cultures or in its cultural forms -- has found the spotlight on a variety of stages. At the same time, the country's audiences have been treated to performers and groups from abroad, resulting in a true spirit of cultural exchange.",
        "content": "<p>JP\/20\/image<\/p>\n<p>Recreating culture:<br>\nA spectrum of spectacles<\/p>\n<p>Throughout the year, Indonesia's diversity -- whether seen in <br>\nits ethnic cultures or in its cultural forms -- has found the <br>\nspotlight on a variety of stages. At the same time, the country's <br>\naudiences have been treated to performers and groups from abroad, <br>\nresulting in a true spirit of cultural exchange.<\/p>\n<p>From the Java Jazz festival to the Jakarta International Film <br>\nFestival, from the Utan Kayu to the Ubud literary festivals, from <br>\nexhibitions of local artists abroad and to the CP Biennale, and <br>\nto all the budding productions and exhibits across the <br>\narchipelago, Indonesia's arts scene has brimmed over to make a <br>\nmark, nationally and internationally, mostly through private and <br>\nindividual means.<\/p>\n<p>Here, we take a look at some of the performances that have <br>\ngraced the year -- and through them, at the country's potential <br>\nin the year ahead for defining -- and recognizing -- its own <br>\nunique cultural scene as a fusion of the traditional and the <br>\ncontemporary, the indigenous and the foreign.<\/p>\n<p>-- The Jakarta Post<\/p>\n<p>Photo A:<br>\nJP\/R. Bertho Wedhatama<\/p>\n<p>WHOLE LOTTA HEART: Godfather of Soul James Brown heats up Jakarta <br>\nduring the Java Jazz Festival at the Jakarta Convention Center <br>\nfrom March 4 to 6. A portion of proceeds from ticket sales were <br>\ndonated to tsunami victims in Aceh.<\/p>\n<p>Photo C:<br>\nJP\/P.J. Leo<\/p>\n<p>SPIRITUAL GRACE: Dancers of South Korea's Didim Dance Company <br>\nstage a traditional dance during the 4th Schouwburg Festival 2005 <br>\nat the Jakarta Arts Institute (GKJ). The festival, from Sept. 8 <br>\nthrough Sept. 29, aimed to commemorate the 18th anniversary of <br>\nthe institute.<\/p>\n<p>Photo D:<br>\nJP\/P.J. Leo<\/p>\n<p>MIME A LA INDONESIA: Contemporary pantomime group Sena Didi Mime <br>\nwas among the dozens of local and foreign performance groups <br>\nfeatured during the 4th Schouwburg Festival 2005, and presented a <br>\nWestern art form with a distinctly Indonesian interpretation.<\/p>\n<p>Photo E:<br>\nJP\/P.J. Leo<\/p>\n<p>TRIBAL WEALTH: Papua tribesman perform a traditional dance during <br>\nthe Kamoro festival. Also called Kamoro Kakuru, the festival, <br>\nwhich was held from Sept. 29 though Oct. 2 this year, preserves <br>\nthe cultural heritage of the Kamoro in showing visitors the <br>\nrichness of their culture.<\/p>\n<p>Photo F:<br>\nJP\/P.J. Leo<\/p>\n<p>ASIAN FUSION: An Okinawan performing group beat shime-daiko <br>\n(small drums) in accompaniment to China's cheng beng dance in <br>\nEisai Medley at Taman Ismail Marzuki, Central Jakarta. The <br>\neclectic performance from Japan was part of the Art Suku II <br>\nKencan Budaya Nusantara festival, held from Nov. 17 through Nov. <br>\n19.<\/p>\n<p>Photo G:<br>\nJP\/P.J. Leo<\/p>\n<p>CHAIN OF CONTINUITY: Dancers of Riau's Talang Mamak tribe stage a <br>\ntraditional dance during the Art Suku II Kencan Budaya Nusantara <br>\nfestival, a tribute to preserving the nation's cultural heritage.<\/p>",
        "url": "https:\/\/jawawa.id\/newsitem\/jp20image-1447899208",
        "image": ""
    },
    "sponsor": "Okusi Associates",
    "sponsor_url": "https:\/\/okusiassociates.com"
}