{
    "success": true,
    "data": {
        "id": 1156675,
        "msgid": "jp18gardan-1447899208",
        "date": "2005-10-14 00:00:00",
        "title": "JP\/18\/GARDAN",
        "author": null,
        "source": "JP",
        "tags": null,
        "topic": null,
        "summary": "JP\/18\/GARDAN Theater group sets up 'story exchange' in mall Sri Wahyuni The Jakarta Post\/Yogyakarta \"Which one would you like to buy? If you want to hear my whole story as a political prisoner, I suggest that you choose those four photographs,\" an old man in his late 60s said as he approached a couple visiting Galeria Mall here recently.",
        "content": "<p>JP\/18\/GARDAN<\/p>\n<p>Theater group sets up 'story exchange' in mall<\/p>\n<p>Sri Wahyuni<br>\nThe Jakarta Post\/Yogyakarta<\/p>\n<p>\"Which one would you like to buy? If you want to hear my whole <br>\nstory as a political prisoner, I suggest that you choose those <br>\nfour photographs,\" an old man in his late 60s said as he <br>\napproached a couple visiting Galeria Mall here recently.<\/p>\n<p>Examining the list of \"merchandise\" on offer, while asking a <br>\nfew questions of the old man, the couple finally agreed to accept <br>\nthe suggestion and told the cashier on duty that they wanted to <br>\n\"buy\" the story behind the four photographs.<\/p>\n<p>After receiving the four, FX Istiadi, the old man who is a <br>\nformer political prisoner, then escorted his \"customers\" to a <br>\nmarble bench surrounding a decorative pool on the ground floor of <br>\nthe mall and asked them to sit next to him and relax.<\/p>\n<p>Shortly after the man became engrossed in telling a sad tale <br>\nof his life when he was a political prisoner who was exiled for <br>\n10 years to Buru island, one of Indonesia's renowned prison <br>\nislands for political prisoners during the New Order Era.<\/p>\n<p>He paused occasionally as his guests asked him questions, but <br>\nmost of the 30 minutes that the cashiers gave them were dominated <br>\nby Istiadi's life story.<\/p>\n<p>He was so engrossed with his own history that when he was told <br>\nthat the time was up for him and his guests to exchange stories, <br>\nhe had not yet had a chance to listen to his guests' stories.<\/p>\n<p>\"It's alright with me. If you want to hear more about the <br>\nstory of my life, you are welcome to visit me at my house,\" <br>\nIstiadi said as he left the couple to meet other customers for <br>\nthe same \"duty\".<\/p>\n<p>Istiadi was one of six players assigned that day to sell <br>\nstories of their own in a theater performance titled Gardanalla <br>\nToko Cerita (Gardanalla Story Store) produced by Yogyakarta-based <br>\nGardanalla Theater.<\/p>\n<p>The performance, on Sept. 29, from 2 p.m. to 9 p.m. -- was <br>\npart of a larger arts project named re:publik art, organized by <br>\nKedai Kebun Forum arts center, which uses public spaces for its <br>\nperformances.<\/p>\n<p>Gardanalla Toko Cerita is a site-specific work performed in a <br>\nshopping mall.<\/p>\n<p>All the world's a stage<\/p>\n<p>The stage for the performance was the ground floor of the <br>\nmall. Only a display counter was set up in a corner of the mall <br>\nwhere the \"merchandise\" was displayed.<\/p>\n<p>The merchandise on offer was the daily stories belonging to <br>\nthe six sellers. They were represented through various personal <br>\nbelongings such as dolls, photographs, boxing gloves, helmets, an <br>\nashtray, CDs, cassettes, necklaces and other objects.<\/p>\n<p>Some of the merchandise was also put in a transparent plastic <br>\nbag that each of the sellers carried. Even the articles they <br>\nwore, such as rings, a watch, or clothes, could also be bought. A <br>\ncatalog of the stories on offer was available at the counter.<\/p>\n<p>The six story owners or vendors comprised an ex-political <br>\nprisoner (Istiadi), three sales promotion girls (Indah, Febi and <br>\nSusi), and a teenage heterosexual couple (Zul and Nia).<\/p>\n<p>Visitors to the mall could buy a story from a seller in <br>\nexchange for one of their own. When a transaction was agreed, the <br>\ncashier would make note of it and establish a time frame for the <br>\nexchange. He would notify the seller when the time was up.<\/p>\n<p>\"This is a simplified version of a much larger performance art <br>\nproject of ours, Gardanalla Toserba. We are still looking for the <br>\nright format and time for its launch,\" Gardanalla Toko Cerita art <br>\ndirector Joned Suryatmoko told The Jakarta Post.<\/p>\n<p>The concept, according to Joned, was inspired by the <br>\nconsumption pattern of today's consumers, which, he said, had <br>\ndeviated further and further away from the utility principle. The <br>\nsame thing occurred when they watched reality TV shows.<\/p>\n<p>\"My question is, do they consume with empathy, or do they <br>\nwatch it just as a show, like other products or services that <br>\nthey can simply consume?\" Joned, who is also Gardanalla Theater's <br>\nartistic and production manager, said.<\/p>\n<p>Gardanalla Toko Cerita, according to Joned, was performed to <br>\nreexamine the process of consumption while, at the same time, <br>\nrestore the true value of telling or listening to a story.<\/p>\n<p>\"For a person like Pak Is (nickname of Istiadi), the more he <br>\nrelates the stories of his past life, the better he feels,\" Joned <br>\nsaid.<\/p>\n<p>Istiadi was only 26 when he was arrested in 1965, following a <br>\ncoup attempt attributed to the now-defunct Indonesian Communist <br>\nParty (PKI). Without knowing what wrongdoing he had committed he <br>\nwas sent to prison without trial.<\/p>\n<p>While in prison, he was forced to sign a divorce letter and <br>\nlater found that his wife had been forced to marry somebody else. <br>\nAfter being freed, he found it was very difficult for him to <br>\ncontinue with his life and raise his children (he was reunited <br>\nwith his family later) with an \"ET\" mark on his identity card.<\/p>\n<p>\"ET\" stands for \"Ex-Tapol\", which literally means ex-political <br>\nprisoner. During the New Order Regime, it was difficult for <br>\npeople with an ET stamp to find jobs as employers, especially <br>\ngovernment institutions, would not accept them as employees.<\/p>\n<p>\"I come to this performance without judgment. I just want to <br>\ngive guidance on how critically to enjoy such a show,\" Joned <br>\nsaid.<\/p>\n<p>Almost all TV stations in the country now air reality shows, <br>\nranging from those that exploit inter-class relationships like <br>\nUang Kaget and Bedah Rumah to those that are developed from <br>\nteenage-related problems like Playboy Kabel, Katakan Cinta and <br>\nHarap-Harap Cemas.<\/p>\n<p>\"They raise questions in me such as, why do rich people all of <br>\na sudden come to the poor and distribute money and why have <br>\npeople become very attentive to teenager's problems nowadays?<\/p>\n<p>\"What is behind it all ?\" said Joned, adding that only smart <br>\nviewers would benefit from watching such shows.<\/p>\n<p>As many as 49 transactions were made during the performance <br>\nthat day, with buyers or consumers consisting of individuals to <br>\ngroups of six people.<\/p>",
        "url": "https:\/\/jawawa.id\/newsitem\/jp18gardan-1447899208",
        "image": ""
    },
    "sponsor": "Okusi Associates",
    "sponsor_url": "https:\/\/okusiassociates.com"
}