{
    "success": true,
    "data": {
        "id": 1308836,
        "msgid": "instrument-teaching-method-1447893297",
        "date": "2000-04-12 00:00:00",
        "title": "Instrument teaching method",
        "author": null,
        "source": "JP",
        "tags": null,
        "topic": null,
        "summary": "Instrument teaching method I was very pleased to read Gus Kairupan's article about Christiane Hutcap's master classes (The Jakarta Post, April 7, 2000). The article is very well-written and pleasant to read. As I am personally involved and concerned about musical life in Indonesia, I very much would like to react to the article, as a positive contribution and certainly not as a criticism.",
        "content": "<p>Instrument teaching method<\/p>\n<p>I was very pleased to read Gus Kairupan's article about<br>\nChristiane Hutcap's master classes (The Jakarta Post, April 7,<br>\n2000). The article is very well-written and pleasant to read. As<br>\nI am personally involved and concerned about musical life in<br>\nIndonesia, I very much would like to react to the article, as a<br>\npositive contribution and certainly not as a criticism.<\/p>\n<p>It strikes me that instrument teaching in Indonesia generally<br>\ndoes not allow for physical analysis of the coordination of<br>\nmovements. This is not only valid for violin teaching, but also<br>\nfor other instruments. However, there are exceptions to this<br>\ngeneral statement, and Grace Sudargo is certainly one of these.<br>\nGrace spent three months with Christiane Hutcap in Germany, and<br>\nhas certainly been influenced by this teaching method. But even<br>\nbefore spending time with Hutcap in Germany, Grace, as a member<br>\nof the Yehudi Menuhin European Violin Teachers Organization, was<br>\nalso influenced by the physical analysis of the violin playing,<br>\nas so well described by the master who passed away last year. I<br>\nthink it is just rendering justice to Grace's teaching method to<br>\npoint this out.<\/p>\n<p>Further, I like to wish all the best to all violin teachers<br>\nthroughout Indonesia, and would hope that in the future, the<br>\norganization of such high level Master classes will find more<br>\nparticipants. The concert tours and workshops outside Jakarta and<br>\nJava are certainly a very good move toward this aim.<\/p>\n<p>Finally, it should be recalled that master classes in<br>\ninstrument teaching are very important, but still they are only<br>\nthe first step to master classes in musical interpretation.<br>\nMastering the instrument is a must in mastering the music. The<br>\nfinal aim, however, is not to master the instrument but to<br>\nunderstand and interpret the music.<\/p>\n<p>D. GAZELLE<\/p>\n<p>Composer<\/p>\n<p>Jakarta<\/p>",
        "url": "https:\/\/jawawa.id\/newsitem\/instrument-teaching-method-1447893297",
        "image": ""
    },
    "sponsor": "Okusi Associates",
    "sponsor_url": "https:\/\/okusiassociates.com"
}