{
    "success": true,
    "data": {
        "id": 1295661,
        "msgid": "indonesia-still-haven-for-copyright-piracy-1447893297",
        "date": "2000-01-30 00:00:00",
        "title": "Indonesia still haven for copyright piracy",
        "author": null,
        "source": "",
        "tags": null,
        "topic": null,
        "summary": "Indonesia still haven for copyright piracy Onstage our local musicians appear joyful and glamorous, but look deeper and you will uncover the melancholy story of a lack of protection of intellectual property rights -- an issue many people do not fully grasp. The Jakarta Post goes backstage to explore the issue. More stories on Page 3 and Page 9. JAKARTA (JP): Music offers money, fame and glamor to those involved in the fast-growing industry.",
        "content": "<p>Indonesia still haven for copyright piracy<\/p>\n<p>Onstage our local musicians appear joyful and glamorous, but<br>\nlook deeper and you will uncover the melancholy story of a lack<br>\nof protection of intellectual property rights -- an issue many<br>\npeople do not fully grasp. The Jakarta Post goes backstage to<br>\nexplore the issue. More stories on Page 3 and Page 9.<\/p>\n<p>JAKARTA (JP): Music offers money, fame and glamor to those<br>\ninvolved in the fast-growing industry.<\/p>\n<p>It has developed from a part-time hobby into a sophisticated,<br>\nglobal and profitable industry involving multibillion dollar<br>\nbusiness deals worldwide.<\/p>\n<p>Indonesia is no exception. The country's music industry reaps<br>\nan average of Rp 400 billion (US$56 million) in revenue annually,<br>\nwith the sale of seven million cassettes and compact discs each<br>\nmonth.<\/p>\n<p>Not bad for an economically troubled country like Indonesia,<br>\neven though these numbers benefit only a small number of the<br>\ncountry's 200 million people.<\/p>\n<p>Ironically, the music industry is proving to be another<br>\nheadache for President Abdurrahman Wahid and his administration.<br>\nTo a larger extent, the music industry may also disturb the<br>\nnation's interest on an international level.<\/p>\n<p>One of the prime reasons for this is that international donor<br>\ncountries, including the United States and some European nations,<br>\nhave accused Indonesia of failing to adequately deal with<br>\nviolations of intellectual property rights.<\/p>\n<p>Indonesia is a member country of both the World Intellectual<br>\nProperty Organization and the World Trade Organization.<\/p>\n<p>These organizations demand the establishment of an adequate<br>\nlegal system for the effective protection of intellectual<br>\nproperty rights in line with the principal norms and standards<br>\nset by existing conventions.<\/p>\n<p>The local music industry could be made an entry point to push<br>\nthe Indonesian government to abide by international conventions<br>\nto protect the intellectual property rights of goods and artistic<br>\nand literary products sold in Indonesia.<\/p>\n<p>The piracy of audio music products is among the numerous<br>\nintellectual property rights violations that should be<br>\nimmediately resolved by the Indonesian government if it wishes to<br>\nprocure international support to help revive its troubled<br>\neconomy.<\/p>\n<p>Indonesia is among several Asian countries, including China,<br>\nTaiwan and Hong Kong, which are considered havens for counterfeit<br>\naudio, video and software products.<\/p>\n<p>Pirated audio cassettes are freely sold at local shops for<br>\nbetween Rp 4,500 and Rp 12,000, while pirated audio CDs are<br>\navailable for between Rp 5,000 and Rp 15,000 across the capital.<br>\nAn original cassette costs between Rp 12,000 and Rp 20,000, while<br>\nan original local CD goes for between Rp 35,000 and Rp 50,000.<\/p>\n<p>The Glodok electronics market, the Mangga Dua and Tanah Abang<br>\nwholesale markets, Blok M Mall in South Jakarta and hundreds of<br>\nvendors around the capital offer pirated products.<\/p>\n<p>\"In these difficult times, people like me are glad to buy<br>\nthese cheap cassettes. We can no longer afford to buy original<br>\ncopies of our favorite albums,\" said Wongso, a civil servant.<\/p>\n<p>There are pirated CDs and cassettes containing hit songs by<br>\nforeign artists like Celine Dion, Mariah Carey, the Spice Girls,<br>\nRicky Martin, Boyzone and Oasis, and even pirated copies of old<br>\nalbums by the likes of the Beatles, the Rolling Stones, the<br>\nEagles and Deep Purple. Local albums are also pirated, including<br>\nworks by Nicky Astria, Bimbo, KLA Project, AB Three, Iwan Fals<br>\nand the more contemporary Sheila On 7.<\/p>\n<p>The National Police Criminal Investigation Directorate and the<br>\ncity government have confiscated millions of pirated audio<br>\nproducts, but it seems there is no end to the racket.<\/p>\n<p>The l987 Law on Copyrights carries a maximum penalty of seven<br>\nyears imprisonment and\/or a Rp 100 million fine for copyright<br>\nviolations.<\/p>\n<p>\"So far the defendants (in these cases) receive lenient<br>\nsentences, mostly probation,\" lawyer George Widjojo said.<\/p>\n<p>Piracy upsets people involved in both the local and<br>\ninternational music industry, as well as foreign governments.<\/p>\n<p>According to the International Federation of the Phonographic<br>\nIndustry, a London-based body promoting and defending the rights<br>\nof music producers internationally, counterfeiting was a more<br>\nthan $5 billion business in l996.<\/p>\n<p>It was reported that globally, one in every three music<br>\nrecords was a pirated copy.<\/p>\n<p>Indonesia also suffers large losses because of piracy. Nine<br>\npercent of the recording industry's Rp 400 billion in revenue<br>\ngoes to the illegal music trade.<\/p>\n<p>Global<\/p>\n<p>Piracy is a global problem. It stretches from Asia, Africa,<br>\nEurope, Australia to the United States. Links between audio<br>\npiracy, smuggling, drugs and illegal firearms have also been<br>\nuncovered in some countries.<\/p>\n<p>Indonesia is considered among the worst countries in terms of<br>\npiracy. The only way to deal with this problem is by enforcing<br>\nthe laws protecting intellectual property rights.<\/p>\n<p>Yet the government continues to find excuses for failing to<br>\nenforce these laws, blaming a lack infrastructure, funds and<br>\nproperly trained human resources.<\/p>\n<p>The director general of intellectual property rights, A. Zen<br>\nUmar Purba, said last month the Indonesian government had<br>\ninformed the World Trade Organization it would not be able to<br>\ncomply with the Trade Related Aspects of Intellectual Property<br>\nRights (TRIPs) by  Jan. 1, 2000, as it committed to in l995.<\/p>\n<p>He said Indonesia needed more time to build a strong base of<br>\nunderstanding among the public and related parties. \"Intellectual<br>\nproperty rights appear to most people as a highly sophisticated<br>\nconcept.\"<\/p>\n<p>Sadly, most government officials, those in the legal<br>\nprofession and people in the music industry know very little, at<br>\nthe most, about intellectual property rights.<\/p>\n<p>Singer Norma Yunita said Indonesian musicians and producers<br>\nmust learn about intellectual property rights, especially if they<br>\nwanted to go global.<\/p>\n<p>Norma is one of the Indonesian musicians who performed at the<br>\nMarche Internationale du Disque et l'Edition Musicale 2000 in<br>\nCannes, France, last week. This prestigious event promotes<br>\nintellectual property rights in the music industry.<\/p>\n<p>\"Any country which wants to participate in such an<br>\ninternational music event must adhere to international<br>\nconventions on intellectual property rights,\" she said before<br>\ndeparting for Cannes on Jan. 20.<\/p>\n<p>The question is what can the government and the local music<br>\nindustry do to create the right conditions to boost the music<br>\nbusiness?<\/p>\n<p>The government is currently revising three laws regarding<br>\ncopyrights, patents and trademarks to comply with the TRIPs<br>\nagreement. The laws were passed in 1997 to replace the 1987<br>\ncopyright law, the 1989 copyright law on patents and the 1992 law<br>\non trademarks.<\/p>\n<p>\"The three laws, however, have never been put into effect.<br>\nBefore they are implemented, the government has decided to revise<br>\nthem,\" George Widjojo said.<\/p>\n<p>The government is still working on the revisions, saying the<br>\nlaws would be adjusted to meet the standards set in the TRIPs<br>\nagreement.<\/p>\n<p>Meanwhile, local efforts to promote the protection of<br>\nintellectual property rights have been made by organizations like<br>\nthe Indonesian Creative Act Foundation, the Indonesian<br>\nIntellectual Property Rights Society and the newly established<br>\nSociety Against Piracy and Pornography.<\/p>\n<p>These organizations have vowed to raise people's awareness and<br>\nunderstanding of the importance of the effective protection and<br>\nenforcement of intellectual property rights.<\/p>\n<p>Efforts to increase musicians and producers' understanding of<br>\nintellectual property rights must also be made by the Association<br>\nof Indonesian Music Recording Companies and the Organization of<br>\nIndonesian Recording Artists.<\/p>\n<p>If the government, law enforcers and these organizations work<br>\nearnestly, there should no longer be any excuses for delaying the<br>\nprotection of intellectual property rights for the good of<br>\nIndonesia and its musicians. (raw\/sim\/icn)<\/p>",
        "url": "https:\/\/jawawa.id\/newsitem\/indonesia-still-haven-for-copyright-piracy-1447893297",
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    "sponsor": "Okusi Associates",
    "sponsor_url": "https:\/\/okusiassociates.com"
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