{
    "success": true,
    "data": {
        "id": 1490622,
        "msgid": "homeland-confusing-but-shows-promise-1447893297",
        "date": "2004-05-08 00:00:00",
        "title": "'Homeland' confusing, but shows promise",
        "author": null,
        "source": "JP",
        "tags": null,
        "topic": null,
        "summary": "'Homeland' confusing, but shows promise Tantri Yuliandini, Jakarta It is a simple concept that ran away with itself and got too ambitious. This was a shame, for in itself it was an ambitious idea that had unexpectedly found the light of day. It is Homeland, Indonesia's first fully three-dimensional, animated, feature-length movie, created by Studio Kasatmata, a group of university students and recent graduates from Yogyakarta.",
        "content": "<p>'Homeland' confusing, but shows promise<\/p>\n<p>Tantri Yuliandini, Jakarta<\/p>\n<p>It is a simple concept that ran away with itself and got too<br>\nambitious. This was a shame, for in itself it was an ambitious<br>\nidea that had unexpectedly found the light of day.<\/p>\n<p>It is Homeland, Indonesia's first fully three-dimensional,<br>\nanimated, feature-length movie, created by Studio Kasatmata, a<br>\ngroup of university students and recent graduates from<br>\nYogyakarta.<\/p>\n<p>In essence, the story of Homeland is about a boy in search of<br>\na place to call home. That sounds like a lame story, which was<br>\nprobably what the writer, Gangsar Waskito, thought when he<br>\ninserted all that other stuff about sinking ships, four warring<br>\ncivilizations, and the \"whosoever pulleth out this sword from<br>\nthis stone\" Arthurian legend.<\/p>\n<p>Only, he put in too much, and with a running time of only 90<br>\nminutes, it was not long enough to explain all the disjointed<br>\nfragments in the story.<\/p>\n<p>The movie begins with a narration about four warring nations<br>\n-- Cougar Halmahera, Bobolonia, Artik, and Tiritonia -- which,<br>\nafter three days of intense fighting, decide to call a truce and<br>\nbuild the castle of peace, Castle Utopia.<\/p>\n<p>High atop the castle is a sword embedded in crystal, with the<br>\nlegend that says the next king of Utopia would be someone who<br>\ncould pull out the sword.<\/p>\n<p>The movie then cuts to the next scene, the sinking of Atlas --<br>\na state-of-the-art, high-tech trading ship in the middle of<br>\nnowhere.<\/p>\n<p>Like any good captain, Sal is forced to go down with his ship,<br>\nbut not before blasting away his only son, Bumi, on a pod to<br>\nsafety.<\/p>\n<p>The pod lands on a pristine beach, and Bumi -- his name<br>\nmeaning \"earth\" -- is left marooned with only his backpack and<br>\nviolin.<\/p>\n<p>After playing a tribute to the perished sailors, Bumi sets off<br>\nto find his father's legacy -- none other than Castle Utopia,<br>\nwhich Sal has bought for his planned retirement.<\/p>\n<p>An Alice in Wonderland moment ensues with Bumi falling down,<br>\nnot a rabbit hole, but a tree root. After which he witnesses a<br>\nfight between some black boars and a Diablo-like monster.<\/p>\n<p>During this time, the audience is forced to put up with Bumi<br>\ntalking and grunting to himself.<\/p>\n<p>There is a very good reason why the garrulous Donkey in Shrek<br>\nwas introduced at the beginning of the movie. It was the same<br>\nreason for having Dory the blue tang fish along in the quest for<br>\nFinding Nemo. The reason is that it is not fun watching a cartoon<br>\ncharacter talk or even think aloud to himself.<\/p>\n<p>In both Shrek and Finding Nemo, Donkey and Dory's chatty<br>\npersonalities allow the main characters an excuse for<br>\nconversation, as well as providing both movies with comic relief.<\/p>\n<p>In Homeland there is no such relief, because even when Bumi<br>\nfinally finds another character to interact with, the creators of<br>\nthe movie decided that it could only grunt and snort!<\/p>\n<p>After watching the fight that indicates an intention to save<br>\nthe monster when it falls over a cliff, Bumi sets out and finds<br>\nhimself in a field of monster mushrooms. The Diablo-like monster<br>\nsaves Bumi from the mushrooms and conveniently drops him atop<br>\nCastle Utopia, where Bumi names him after Sal's ship, Atlas.<\/p>\n<p>With no curiosity at all about the sword in the crystal, Bumi<br>\nmakes the castle his home and befriends the Bobolonians who are<br>\non a school excursion there. He later meets with a gypsy girl,<br>\nSerene, and her pet panda, Abraham.<\/p>\n<p>One of the highlights of the movie is the interaction between<br>\ncharacters of the gypsy tribe, Trinitas. Dubbed by three members<br>\nof the famed comedy group Project Pop, the banter between<br>\nTrinitas's leader -- coquettish hippopotamus Simione (voiced by<br>\nTika Panggabean) -- rocker dog Jimmo (Yossi), and tombstone ghost<br>\nDantes (Udjo) provide a fresh break for an otherwise slow-moving<br>\nstory.<\/p>\n<p>A year passes in a calm and oh-so-boring happy-happy<br>\natmosphere. Bumi is still not in the least curious about the<br>\nmagic sword embedded atop his castle (making me seriously<br>\nquestion his education and upbringing).<\/p>\n<p>On an excursion with Atlas, Bumi encounters General Nino, the<br>\nCougar Halmahera general with Bob Marley hair.<\/p>\n<p>The ease with which the characters in this movie befriend Bumi<br>\nis simply astounding. Even the cougar-riding General Nino, who is<br>\nthe antagonist in the movie.<\/p>\n<p>The friendly General Nino, however, has an ulterior motive. He<br>\nis there scouting the land to conquer Castle Utopia for the glory<br>\nof the Cougar Halmahera (probably because they cannot afford to<br>\nbuy it off Sal). Only, he believes that Bumi is the next king of<br>\nUtopia (because he is naive, trusting, innocent and gullible?).<\/p>\n<p>So the battle begins between the Cougars and the Castle Utopia<br>\nhousehold -- consisting of Bumi, the Bobs, Serene, the Trinitas<br>\nand Atlas. It ends with a showdown between General Nino and Bumi,<br>\nin true Matrix fashion.<\/p>\n<p>Homeland's animation is worth mentioning. It shows genuine<br>\ntalent and promise of what Studio Kasatmata has to offer.<\/p>\n<p>Landscapes are well thought out, and characters are unique and<br>\nconspicuous enough to be marketed as merchandise, particularly<br>\nthe trio Trinitas.<\/p>\n<p>Unlike the slapstick comedy shorts such as Kelolodhen (2002)<br>\nand Loud Me Loud (2002), which Studio Kasatmata was already<br>\nfamiliar with, a feature-length movie is new territory for the<br>\ngroup.<\/p>\n<p>Gangsar Waskito, Homeland's script writer and director,<br>\nadmitted that the original length of the movie was about two<br>\nhours. Due to time constraints, many of the movies' explanatory<br>\nelements were sacrificed, he said.<\/p>\n<p>Furnished with Rp 150 million (about US$17,241) in prize money<br>\nfrom the Visi Anak Bangsa Award they won last year, these 12<br>\nyouths successfully gave us a glimpse of what young Indonesians<br>\nare capable of when given an opportunity.<\/p>\n<p>Despite its shortcomings, Homeland is a laudable effort from<br>\nour own, homegrown young animators. We await Kasatmata's future<br>\nendeavors with bated breath.<\/p>\n<p>Homeland will tour 12 cities across Indonesia beginning May 7,<br>\nmainly in university campuses, and will be shown in Jakarta on<br>\nJune 19, 2004, at Pusat Perfilman Haji Usmar Ismail (PPHUI) on<br>\nJl. Rasuna Said, Kuningan, South Jakarta. For a complete schedule<br>\nplease visit http:\/\/homeland.kapanlagi.com.<\/p>",
        "url": "https:\/\/jawawa.id\/newsitem\/homeland-confusing-but-shows-promise-1447893297",
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    "sponsor": "Okusi Associates",
    "sponsor_url": "https:\/\/okusiassociates.com"
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