{
    "success": true,
    "data": {
        "id": 1218777,
        "msgid": "high-tech-mass-media-has-idolatrous-effect-in-indonesia-1447893297",
        "date": "1995-07-16 00:00:00",
        "title": "High-tech mass media has idolatrous effect in Indonesia",
        "author": null,
        "source": "JP",
        "tags": null,
        "topic": null,
        "summary": "High-tech mass media has idolatrous effect in Indonesia By Limas Sutanto MALANG, East Java (JP): The magical influence of popular entertainment figures on their fans is obvious in Indonesia. At the end of June, Astrid Herrera, an actress in a popular telenovela Si Cantik Clara, mesmerized the masses in some big Indonesian cities.",
        "content": "<p>High-tech mass media has idolatrous effect in Indonesia<\/p>\n<p>By Limas Sutanto<\/p>\n<p>MALANG, East Java (JP): The magical influence of popular<br>\nentertainment figures on their fans is obvious in Indonesia. At<br>\nthe end of June, Astrid Herrera, an actress in a popular<br>\ntelenovela Si Cantik Clara, mesmerized the masses in some big<br>\nIndonesian cities.<\/p>\n<p>Before Herrera, other popular artists like Corraima \"Kasandra\"<br>\nTorres, Bon Jovi, Mick Jagger, Phil Collins, as well as Andy \"The<br>\nCondor Hero\" Lau, were given rousing, almost hysterical,<br>\nwelcomes. What does this phenomenon mean? Is there a lesson in<br>\nthis?<\/p>\n<p>Idol. That's the key word to answer the question. A thorough<br>\nstudy would probably prove that commercial public figures are<br>\nidolized not only by urbanites, but also villagers. Why? Because<br>\ntelevision, the most efficient way to make an idol, has become a<br>\nclose intimate friend of nearly every Indonesian.<\/p>\n<p>It is human nature to idolize. Throughout history people have<br>\nrequired idols. In human psychic development, the process of<br>\nmaking idols is a normal event. The process is similar to<br>\nidentification, another normal psychosocial process. Therefore,<br>\nfor someone to interdict another for idolizing an artist or<br>\nprominent figure is wrong.<\/p>\n<p>But idolization, especially if it is more unconscious than<br>\nconscious, can be harmful. Seen from psychoanalytical point of<br>\nview, idolization involves the superego, which, according to<br>\nFreud, has an authoritative and deterministic influence in<br>\ncontrolling human behavior. Thus, if people are shaken up by<br>\nidolization, their ability to judge the real world will be<br>\ndistorted by an excessive preoccupation with their idols.<br>\nMoreover, if the idolization is related to a historical state or<br>\nnational leader, the distortional effect can bring about an<br>\nunrealistic cult of the leader.<\/p>\n<p>Francis Bacon, therefore, criticized the existence of idols<br>\nand idolization. Idols and idolization are close to the idea of<br>\ncult and with the act of deification. The Latin word idolum,<br>\nmeans gods or goddesses. According to Bacon, people may have<br>\nidols, but the process of idolization should not distort people's<br>\nability to freely judge facts realistically.<\/p>\n<p>In order to eliminate the distortion, Bacon sets out four<br>\nkinds of idol which should be avoided. The first, idola tribus,<br>\nis an idol which is created by hasty and general conclusions<br>\nwithout an adequate empirical base.<\/p>\n<p>The second, idola specus, is created as a result of prejudice<br>\nand deification, which have their roots in people's narrow-<br>\nmindedness.<\/p>\n<p>The third, idola fori, is formed by a person who has no<br>\ncritical opinion of major trends within society. The person loses<br>\nhimself or herself in the embrace of public opinion, drifting<br>\nwith societal trends without an adequate effort to judge<br>\nanything for themselves.<\/p>\n<p>The fourth, idola theatri, is the most dangerous idol in the<br>\nmodern era. The idol is created by the penetrative influence of<br>\n\"systematic and big scale drama\" presented by contemporary mass<br>\nmedia. The drama is essentially artificial social engineering,<br>\nserving as a tool to achieve certain political, economic, social<br>\nand cultural interests.<\/p>\n<p>The idola theatri gains its full capacity in the wired world,<br>\nbecause of the empowerment of high-tech mass communication.<br>\nPublic opinion, attitudes and behavior as a whole can be warped<br>\ntoward the political, economic, social and cultural aims of the<br>\nowner of mass communication equipment.<\/p>\n<p>The essential lesson is the necessity to build adequate<br>\nawareness of the idolatrous harm mass media can have. Television<br>\nis the worst offender because of its powerful effect on every<br>\ndimension of life. To counter the effect, Indonesian families<br>\nshould learn the differences between the constructive and the<br>\ndestructive effects of the mass media.<\/p>\n<p>Limas Sutanto, a psychiatrist and psychosocial observer,<br>\nalumnus of the medical schools of Gadjah Mada University,<br>\nYogyakarta, and Airlangga University, Surabaya.<\/p>",
        "url": "https:\/\/jawawa.id\/newsitem\/high-tech-mass-media-has-idolatrous-effect-in-indonesia-1447893297",
        "image": ""
    },
    "sponsor": "Okusi Associates",
    "sponsor_url": "https:\/\/okusiassociates.com"
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