{
    "success": true,
    "data": {
        "id": 1161647,
        "msgid": "exhibition-chronicles-patterns-indonesian-journey-1447899208",
        "date": "2005-05-25 00:00:00",
        "title": "Exhibition chronicles Pattern's Indonesian journey ",
        "author": null,
        "source": "JP",
        "tags": null,
        "topic": null,
        "summary": "Exhibition chronicles Pattern's Indonesian journey JP\/19\/LITHO checked -- JSR Exhibition chronicles Pattern's Indonesian journey Pattern gives form to Indonesia M. Taufiqurrahman The Jakarta Post\/Jakarta Seventeen years may be a long period for an individual to fully grasp the true nature of an object, but for Canadian artist Ken Pattern the duration is barely enough to achieve such an objective; his current art exhibition is evidence of a man trying to make sense of it all.",
        "content": "<p>Exhibition chronicles Pattern's Indonesian journey<\/p>\n<p>JP\/19\/LITHO<\/p>\n<p>checked -- JSR<br>\nExhibition chronicles Pattern's Indonesian journey<\/p>\n<p>Pattern gives form to Indonesia<\/p>\n<p>M. Taufiqurrahman<br>\nThe Jakarta Post\/Jakarta<\/p>\n<p>Seventeen years may be a long period for an individual to <br>\nfully grasp the true nature of an object, but for Canadian artist <br>\nKen Pattern the duration is barely enough to achieve such an <br>\nobjective; his current art exhibition is evidence of a man trying <br>\nto make sense of it all.<\/p>\n<p>In fact, the lengthy period was what Pattern needed to go back <br>\nto square one.<\/p>\n<p>When he arrived in the country in late 1988, Pattern adopted <br>\nsurrealism to delineate his state of mind -- the cultural and <br>\nclimatic shocks he experienced landing in a tropical country <br>\nafter spending most of his time in a cold climate.<\/p>\n<p>These days, Pattern has once again embraced surrealism to <br>\nportray the conditions of a country he thought he knew well after <br>\nhis lengthy on-and-off stay.<\/p>\n<p>The recurrent style bookended Pattern's sojourn into the realm <br>\nof realism he adopted to give an account of the city's loss of <br>\ninnocence.<\/p>\n<p>Pattern's current exhibition, the 12th he has held in <br>\ncollaboration with the Canadian Women's Association (CWA), <br>\ndisplays drawings from all styles and periods.<\/p>\n<p>Although a large number of items on display at the exhibition <br>\nshow the juxtaposition of rich and poor -- traditional <br>\nneighborhoods and glass-and-steel modern construction -- some of <br>\nhis early works hint at the style Pattern took when he first <br>\narrived here.<\/p>\n<p>Hanging next to his realist paintings are pictures of icebergs <br>\nfloating on a sun-soaked tropical beach adorned with tall coconut <br>\ntrees.<\/p>\n<p>Pattern jokingly said that some visitors at past exhibitions <br>\nbelieved that the portrayal was realistic. \"A couple told me that <br>\nthey had seen them somewhere,\" he told The Jakarta Post.<\/p>\n<p>Although surrealist in their theme, the drawings looked <br>\nauthentic -- just like photographs of actual views. Pattern said <br>\nthat one small drawing could take 100 hours to complete and the <br>\nblue of the seawater was made up of dozens of layers of color.<\/p>\n<p>The main attraction of the exhibition is Pattern's signature <br>\nblack-and-white, portrait-like drawings of Jakarta skyscrapers <br>\nand their very antithesis, the city's shanty towns.<\/p>\n<p>Pattern has also devoted a lot of his drawings to portraying <br>\nthe detail of shanties, especially those built on the banks of <br>\nthe Ciliwung River.<\/p>\n<p>One of the drawings shows rows of makeshift houses built on <br>\nthe riverbank close to Manggarai railway station, South Jakarta. <br>\nTowering above the shanties is the building that contains the <br>\nerstwhile plush shopping mall, Pasaraya Manggarai.<\/p>\n<p>\"When the picture was drawn, Pasaraya Manggarai was still one <br>\nof the city's luxurious shopping centers,\" Pattern's wife Helen <br>\nVanwel told the Post. Helen added that despite their filthy <br>\nappearance, the shanties were clean and neat inside.<\/p>\n<p>Also on display at the exhibition were a handful of Pattern's <br>\nrecent surrealist works, which dealt with his confusion at <br>\nIndonesians -- especially Javanese people and their culture.<\/p>\n<p>He uses the symbol of a labyrinth to represent the people's <br>\ncomplex behavior.<\/p>\n<p>However, there was a period when Pattern just played simply <br>\nwith his pallete. A number of drawings are straightforward <br>\nportraits of beautiful landscapes.<\/p>\n<p>Pattern's latest drawings show idyllic beaches in New Zealand <br>\nhe visited recently.<\/p>\n<p>\"In these pictures, there is nothing to say other than to <br>\naccept the beauty of the earth and that we should appreciate the <br>\nbeauty all around us,\" he said.<\/p>\n<p>-- Profile of Ken Pattern on Page 20<\/p>\n<p>In box:<\/p>\n<p>Ken Pattern charity exhibition runs through May 28 at the Lobby <br>\nLevel I of Gran Melia Hotel, Jl. HR Rasuna Said, South Jakarta.<\/p>",
        "url": "https:\/\/jawawa.id\/newsitem\/exhibition-chronicles-patterns-indonesian-journey-1447899208",
        "image": ""
    },
    "sponsor": "Okusi Associates",
    "sponsor_url": "https:\/\/okusiassociates.com"
}