{
    "success": true,
    "data": {
        "id": 1348381,
        "msgid": "a-love-story-between-jazz-and-gamelan-1447893297",
        "date": "2003-10-25 00:00:00",
        "title": "A love story between Jazz and Gamelan",
        "author": null,
        "source": "JP",
        "tags": null,
        "topic": null,
        "summary": "A love story between Jazz and Gamelan Christina Schott, Contributor, Yogyakarta It starts very softly with a Javanese song, similar to the sort that would be chanted mantra-like by a dalang (puppet master). The song is mixed with little cries, reminiscent of animal noises in the background and the sounds of gamelan instruments. It reminds one of a wayang (leather puppet) performance.",
        "content": "<p>A love story between Jazz and Gamelan<\/p>\n<p>Christina Schott, Contributor, Yogyakarta<\/p>\n<p>It starts very softly with a Javanese song, similar to the sort<br>\nthat would be chanted mantra-like by a dalang (puppet master).<br>\nThe song is mixed with little cries, reminiscent of animal noises<br>\nin the background and the sounds of gamelan instruments. It<br>\nreminds one of a wayang (leather puppet) performance.<\/p>\n<p>Then suddenly comes a reply from the other side: saxophone,<br>\npercussion and electronic sounds abruptly breaking the meditative<br>\natmosphere.<\/p>\n<p>A medley of Ska-like tones sweeps over the platform, before<br>\nthe music goes back to the gamelan -- only to be superseded again<br>\nby another jazzy sound.<\/p>\n<p>Pata Java is the latest project by the German music group Pata<br>\nMasters, one of the most famous contemporary Jazz Ensembles of<br>\nGermany. It was after their first tour through Indonesia in 2001<br>\nthat they got the idea of exploring a new sound mix: Javanese and<br>\nBalinese gamelans playing together with modern electronic sounds,<br>\npercussion, saxophone and flutes.<\/p>\n<p>They previously pioneered similar projects with musicians in<br>\nBrazil and Morocco with amazing results.<\/p>\n<p>The five musicians from Cologne have been playing together for<br>\nalmost 10 years. Pure Jazz is not the only element in their<br>\nmusic, they like to explore the roots of traditional and ethnic<br>\nmusic from all over the world: Pata Music, what they call their<br>\nown, special sound.<\/p>\n<p>The right partner for this ambitious project in Indonesia --<br>\norganized by the Goethe-Institut Jakarta and sponsored by<br>\nDaimler-Chrysler -- was found in Djaduk Ferianto and his group,<br>\nKua Etnika, famous for its new interpretations of traditional<br>\nIndonesian music.<\/p>\n<p>After considering the CDs of a number of Indonesian groups,<br>\nPata Masters found that Kua Etnika was the most suitable for<br>\ncollaboration on a joint project.<\/p>\n<p>\"Their gamelan music is not orthodox or traditional, but<br>\nreally lively and open to everything that can happen in the<br>\nfuture\", said Norbert Stein, the founder and director of the Pata<br>\nMasters.<\/p>\n<p>The artists from Yogyakarta started to listen to the music<br>\nfrom Germany and they also found something very promising that<br>\nthey could work on together.<\/p>\n<p>\"They perform something new and very interesting in their<br>\nmusic, almost cheeky. It seemed to me that they have the same<br>\nspirit and imagination of what music can mean as we do,\" Djaduk<br>\nsaid.<\/p>\n<p>Not surprisingly, from the first day of collaboration between<br>\nthe two music groups, everything went smoothly. When the Germans<br>\narrived in Yogyakarta, Norbert Stein brought five composition<br>\nsketches with him and Djaduk four compositions of his own. Then<br>\nthey work together Kua Etnika studio.<\/p>\n<p>\"Neither of us tries to play a dominant role over the other.<br>\nWe accept and respect the experience and cultural background of<br>\neach other,\" says Djaduk.<\/p>\n<p>Both groups obviously enjoy the challenge of the new sound.<br>\nEven in the breaks between their long rehearsals, the musicians<br>\nshare experiences and try out each other's instruments.<\/p>\n<p>\"I have several gamelan instruments at home that I bought at<br>\nan auction many years ago,\" says Matthias van Welck, who traveled<br>\nthrough Java for the first time 15 years ago.<\/p>\n<p>\"So these sounds are still exotic, but not strange any more to<br>\nus. Still, there is always something new.\"<\/p>\n<p>The Indonesian musicians also enjoy trying out the African<br>\nslit drums and deep mallets van Welck brought with him. The<br>\nbiggest attraction, though, is probably the huge sub-contra-<br>\nbassfluite of Michael Heupel -- one of the few ever built in the<br>\nworld. Children from the neighborhood stand curiously beside the<br>\nopen-air studio and stare at the white strangers playing these<br>\nstrange instruments.<\/p>\n<p>Two worlds of tones with their different traditions<br>\nand tonalities meet in this very exciting experiment. \"It is<br>\nsomething really new,\" says Marla Stukenberg, head of the<br>\ncultural program department at the Goethe Institute.<\/p>\n<p>\"Although we still cannot fluently communicate in our<br>\nlanguages, we perfectly understand each other via music,\" Djaduk<br>\nsays.<\/p>\n<p>Pata Java will stage three concerts: Oct. 23, 8 pm,<br>\nGedung Sositet Militer, Taman Budaya Yogyakarta, Jl. Sriwedari 1,<br>\nYogyakarta; Oct. 26, 3.30 pm, Aula Barat ITB, Jl. Ganesha 10,<br>\nBandung; Oct. 29, 8 pm, Graha Bhakti Budaya, Taman Ismail Marzuki,<br>\nJl.Cikini Raya 73, Jakarta Pusat.<\/p>",
        "url": "https:\/\/jawawa.id\/newsitem\/a-love-story-between-jazz-and-gamelan-1447893297",
        "image": ""
    },
    "sponsor": "Okusi Associates",
    "sponsor_url": "https:\/\/okusiassociates.com"
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